Modern Painters, Volume 1Smith, Elder, and Company, 1857 |
No interior do livro
Resultados 1-5 de 45
Página xii
... Considered as such , it surprises me that the book should have received the slightest attention . For what respect could be due to a writer who pretended to criticise and classify the works of the great painters of landscape , without ...
... Considered as such , it surprises me that the book should have received the slightest attention . For what respect could be due to a writer who pretended to criticise and classify the works of the great painters of landscape , without ...
Página xl
... considered a picture , in which the spirit , not the materials , observe , but the animating emotion , of many such studies is concentrated and exhibited by the aid of long studied , painfully chosen forins ; idealized in the right ...
... considered a picture , in which the spirit , not the materials , observe , but the animating emotion , of many such studies is concentrated and exhibited by the aid of long studied , painfully chosen forins ; idealized in the right ...
Página xliii
... considered necessary to the full understanding of my work , in the fear of grieving or injuring men of whose feelings and circumstances I was ignorant . Indeed , the apparently false and exaggerated bias of the whole book in favour of ...
... considered necessary to the full understanding of my work , in the fear of grieving or injuring men of whose feelings and circumstances I was ignorant . Indeed , the apparently false and exaggerated bias of the whole book in favour of ...
Página xlviii
... considered a just criterion of all art CHAPTER II.That the Truth of Nature is not to be dis- cerned by the uneducated Senses . § 1. The common self - deception of men with respect to the power of discerning truth ..... § 2. Men usually ...
... considered a just criterion of all art CHAPTER II.That the Truth of Nature is not to be dis- cerned by the uneducated Senses . § 1. The common self - deception of men with respect to the power of discerning truth ..... § 2. Men usually ...
Página xlix
... considered as an element of landscape , includes light and shade . 68 .... § 8. Importance of light and shade in expressing the character of bodies , and unimportance of colour § 9. Recapitulation .. 69 69 70 VOL . I. d CHAPTER VI ...
... considered as an element of landscape , includes light and shade . 68 .... § 8. Importance of light and shade in expressing the character of bodies , and unimportance of colour § 9. Recapitulation .. 69 69 70 VOL . I. d CHAPTER VI ...
Índice
102 | |
104 | |
106 | |
107 | |
108 | |
110 | |
112 | |
113 | |
72 | |
73 | |
74 | |
75 | |
76 | |
78 | |
79 | |
80 | |
81 | |
83 | |
85 | |
86 | |
87 | |
88 | |
90 | |
92 | |
93 | |
94 | |
96 | |
97 | |
99 | |
100 | |
101 | |
115 | |
354 | |
355 | |
356 | |
358 | |
359 | |
360 | |
361 | |
362 | |
363 | |
364 | |
365 | |
366 | |
367 | |
369 | |
370 | |
371 | |
372 | |
373 | |
375 | |
376 | |
377 | |
Outras edições - Ver tudo
Palavras e frases frequentes
Academy pictures aërial Alps altogether appears architecture artist beauty blue boughs Canaletto character chiaroscuro cirri Claude clouds colour Copley Fielding curves dark degree delicate distance distinct drawing Dulwich edge effect engraver especially evidence expression exquisite false farther feeling foliage foreground Gallery Giorgione give given green grey ground hills idea of imitation impossible impression instance Italy J. M. W. Turner kind landscape art landscape painters less light and shade lines look mass means mind mist modern mountain nature never Nicholas Poussin objects observed old masters outline painting particular peculiar perception perfect picture pleasure Poussin principles pure qualities racter rain-cloud reflection rendering respect ripple Rivers of France rock seen shadow space Stones of Venice sublime surface thing thought Tintoret tion Titian tone touch transparent trees Turner vapour Venice vignette visible waves whole
Passagens conhecidas
Página 336 - I am afraid my uncle will think himself justified by them on this occasion, when he asserts, that it is one of the most difficult things in the world to put a woman right, when she sets out wrong.
Página 82 - So fair, so sweet, withal so sensitive, Would that the little Flowers were born to live, Conscious of half the pleasure which they give ; That to this mountain-daisy's self were known The beauty of its star-shaped shadow, thrown On the smooth surface of this naked stone...
Página 202 - The noblest scenes of the earth can be seen and known but by few; it is not intended that man should live always in the midst of them, he injures them by his presence, he ceases to feel them if he be always with them; but the sky is for all; bright as it is, it is not " too bright, nor good, for human nature's daily food...
Página 202 - And yet we never attend to it ; we never make it a subject of thought, but as it has to do with our animal sensations ; we look upon all by which it speaks to us more clearly than to brutes, upon all which bears witness to the intention of the Supreme, that we are to receive more from the covering vault than the light and the dew which we share with the weed and the worm, only as a succession of meaningless and monotonous accidents, too common and too vain to be worthy of a moment of watchfulness...
Página 154 - ... underneath them filling its marble hollow with blue mist and fitful sound, and over all — the multitudinous bars of amber and rose, the sacred clouds that have no darkness, and only exist to illumine, were seen in fathomless intervals between the solemn and orbed repose of the stone pines, passing to lose themselves in the last, white, blinding lustre of the measureless line where the Campagna melted into the blaze of the sea.
Página 50 - A sufficient impulse there may be on the organ; but it not reaching the observation of the mind, there follows no perception: and though the motion that uses to produce the idea of sound be made in the ear, yet no sound is heard.
Página 202 - If in our moments of utter idleness and insipidity, we turn to the sky as a last resource, which of its phenomena do we speak of? One says, it has been wet; and another, it has been windy ; and another, it has been warm.
Página 203 - They are but the blunt and the low faculties of our nature, which can only be addressed through lampblack and lightning. It is in quiet and subdued passages of unobtrusive majesty, the deep, and the calm, and the perpetual ; that which must be sought ere it is seen, and loved ere it is understood...
Página 420 - Nature never did betray The heart that loved her: 'tis her privilege, Through all the years of this our life, to lead From joy to joy; for she can so inform The mind that is within us, so impress With quietness and beauty, and so feed With lofty thoughts, that neither evil tongues. Rash...
Página 90 - The Clouds that gather round the setting sun Do take a sober colouring from an eye That hath kept watch o'er man's mortality ; Another race hath been, and other palms are won. Thanks to the human heart by which we live, Thanks to its tenderness, its joys, and fears ; To me the meanest flower that blows can give Thoughts that do often lie too deep for tears.