Imagens das páginas
PDF
ePub

aver, rarely find any part of Milton's prose works

disgusting.
(Hayley, p. 104.

Hayley is speaking of the passage in Milton's Answer to Icon Basilice, in which he accuses Charles of taking his Prayer in captivity from Pamela's prayer in the 3rd book of Sidney's Arcadia. The passage begins,

“But this king, not content with that which, although in a thing holy, is no holy theft, to attribute to his own making other men's whole prayers," &c. Symmons' ed. 1806 p. 407.)

Assuredly, I regret that Milton should have written this passage; and yet the adoption of a prayer from a romance on such an occasion does not evince a delicate or deeply sincere mind. We are the creatures of association. There are some excellent moral and even serious lines in Hudibras; but what if a clergyman should adorn his sermon with a quotation from that poem! Would the abstract propriety of the verses leave him "honourably acquitted?" The Christian baptism of a line in Virgil is so far from being a parallel, that it is ridiculously inappropriate,—an absurdity as glaring as that of the bigoted Puritans, who objected to some of the noblest and most scriptural prayers ever dictated by wisdom and piety, simply because the Roman Catholics had used them.

Hayley, p. 107. "The ambition of Milton," &c.

I do not approve the so frequent use of this word relatively to Milton. Indeed the fondness for in

grafting a good sense on the word "ambition," is not a Christian impulse in general.

Hayley, p. 110. "Milton himself seems to have thought it allowable in literary contention to vilify, &c. the character of an opponent; but surely this doctrine is unworthy," &c.

If ever it were allowable, in this case it was especially so. But these general observations, without meditation on the particular times and the genius of the times, are most often as unjust as they are always superficial.

(Hayley, p. 133. Hayley is speaking of Milton's panegyric on Cromwell's government :-)

Besides, however Milton might and did regret the immediate necessity, yet what alternative was there? Was it not better that Cromwell should usurp power, to protect religious freedom at least, than that the Presbyterians should usurp it to introduce a religious persecution,-extending the notion of spiritual concerns so far as to leave no freedom even to a man's bedchamber?

(Hayley, p. 250. Hayley's conjectures on the origin of the Paradise Lost:-)

If Milton borrowed a hint from any writer, it was more probably from Strada's Prolusions, in which the Fall of the Angels is pointed out as the noblest subject for a Christian poet.* The more dissimilar

* The reference seems generally to be to the 5th Prolusion of the 1st Book. Hic arcus hac tela, quibus olim in magno illo Superum tumultu princeps armorum Michael confixit auctorem proditionis; hic fulmina humanæ mentis terror.

the detailed images are, the more likely it is that a great genius should catch the general idea.

(Hayl. p. 294. Extracts from the Adamo of

Andreini :)

"Lucifero. Che dal mio centro oscuro

Mi chiama a rimirar cotanta luce?

Who from my dark abyss

Calls me to gaze on this excess of light?"

The words in italics are an unfair translation. They may suggest that Milton really had read and did imitate this drama. The original is in so great light.' Indeed the whole version is affectedly and inaccurately Miltonic.

Ib. v. 11. Che di fango opre festi

Forming thy works of dust (no, dirt.—)

Ib. v. 17. Tessa pur stella a stella,

V' aggiunga e luna, e sole.

Let him unite above

Star upon star, moon, sun.

Let him weave star to star,
Then join both moon and sun!

Ib. v. 21. Ch 'al fin con biasmo e scorno
Vana l'opra sarà, vano il sudore!

Since in the end division

Shall prove his works and all his efforts vain.

In nubibus armatas bello legiones instruam,

atque inde pro re nata auxiliares ad terram copias evocabo. * * * *. Hic mihi Calites, quos esse ferunt elementorum tutelares, prima illa corpora miscebunt. sect. 4. Ed.

Since finally with censure and disdain

Vain shall the work be, and his toil be vain!

1796.*

The reader of Milton must be always on his duty he is surrounded with sense; it rises in every line; every word is to the purpose. There are no lazy intervals; all has been considered, and demands and merits observation. If this be called obscurity, let it be remembered that it is such an obscurity as is a compliment to the reader; not that vicious obscurity, which proceeds from a muddled head.

LECTURE XI.†

Asiatic and Greek Mythologies-Robinson Crusoe -Use of works of Imagination in Education.

[ocr errors]

CONFOUNDING of God with Nature, and an incapacity of finding unity in the manifold and infinity in the individual,—these are the origin of polytheism. The most perfect instance of this kind of theism is that of early Greece; other nations seem to have either transcended, or come short of, the old Hellenic standard,—a mythology in itself fundamentally allegorical, and typical of the

* From a common-place book of Mr. C.'s, communicated by Mr. J. M. Gutch. Ed.

+ Partly from Mr. Green's note. Ed.

[ocr errors]

powers and functions of nature, but subsequently mixed up with a deification of great men and heroworship, so that finally the original idea became inextricably combined with the form and attributes of some legendary individual. In Asia, probably from the greater unity of the government and the still surviving influence of patriarchal tradition, the idea of the unity of God, in a distorted reflection of the Mosaic scheme, was much more generally preserved; and accordingly all other super or ultra-human beings could only be represented as ministers of, or rebels against, his will. The Asiatic genii and fairies are, therefore, always endowed with moral qualities, and distinguishable as malignant or benevolent to man. It is this uniform attribution of fixed moral qualities to the supernatural agents of eastern mythology that particularly separates them from the divinities of old Greece.

Yet it is not altogether improbable that in the Samothracian or Cabeiric mysteries the link between the Asiatic and Greek popular schemes of mythology lay concealed. Of these mysteries there are conflicting accounts, and, perhaps, there were variations of doctrine in the lapse of ages and intercourse with other systems. But, upon a review of all that is left to us on this subject in the writings of the ancients, we may, I think, make out thus much of an interesting fact,-that Cabiri, impliedly at least, meant socii, complices, having a hypostatic or fundamental union with, or relation to, each

« AnteriorContinuar »