Dramatis Personae: The Rise of Medieval and Renaissance TheatrePeter Owen, 2006 - 931 páginas Touching on "Passion Plays" and "Mysteries and Moralities," this exploration also examines the folk farces that flourished during the Middle Ages. Discussing developments during the Renaissance in Italy such as the commedia dell'arte as well as exalted musical innovations culminating in operas and ballets, the book also discusses the drama of Europe--including Spain, France, Germany, Holland, and Great Britain--where theater reached an extraordinary climax in the Elizabethan and Jacobean periods in the work of Shakespeare and others. Providing a summary of Shakespeare's plays and how they have been interpreted through the centuries, this account also examines in detail his contemporaries--Marlowe, Kyd, Ford, Beaumont, Fletcher, and others-- before considering the work of Jonson and Webster, two great dramatists who outlived the Bard. |
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Página 609
... play , and neither Richard A , B or C gets to offer his kingdom for a horse . Eight decades earlier Arthur Hopkins produced and directed for Broadway a Richard III ( 1920 ) in which sixteen abbreviated scenes were transposed from Henry ...
... play , and neither Richard A , B or C gets to offer his kingdom for a horse . Eight decades earlier Arthur Hopkins produced and directed for Broadway a Richard III ( 1920 ) in which sixteen abbreviated scenes were transposed from Henry ...
Página 749
... play , being immoderately generous and in complete denial for one half of the play , and equally immoderate in his misanthropy for the other half . But Larry Yando did as well as he could , keeping the lid on what too easily could have ...
... play , being immoderately generous and in complete denial for one half of the play , and equally immoderate in his misanthropy for the other half . But Larry Yando did as well as he could , keeping the lid on what too easily could have ...
Página 776
... play in the festival's ten - year - long Marathon , which has now staged the whole canon . ) The play , though late in date , is early in structure , consisting largely of mournful monologues by fallen magnates alternating with the ...
... play in the festival's ten - year - long Marathon , which has now staged the whole canon . ) The play , though late in date , is early in structure , consisting largely of mournful monologues by fallen magnates alternating with the ...
Índice
Preface | 17 |
Medieval Farces | 87 |
The Feast of Asses and the Feast of Fools | 97 |
Direitos de autor | |
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acting action actors Aretino Arlecchino artistic audience ballet Ben Jonson century characters Church classical comedy comic commedia dell'arte composed costumes court critics Cymbeline dance daughter death decades dialogue drama dramatist Duke earlier Elizabethan English farce father Faustus Festival figure Florence French genre Giovanni Hamlet Henry honour Hôtel de Bourgogne humour husband Italian Italy John Jonson King lady later Latin Lear libretto London Lope Lope de Vega lovers Macbeth Mantua Marlowe Marlowe's marriage married medieval moral offering opera opera seria Othello passion performance perhaps person Plautus play players playwright plot poet poetry popular portrayed Prince production Queen Renaissance Richard Richard II role Roman Rome royal scene scholars score script seeks servant Shakespeare Spanish spectators stage story T.S. Eliot Tamburlaine theatre theatrical tragedy tragicomedy troupe turn Venice verse Volpone wedding wife writing wrote young