gates no plants but the best. He carefully chooses those marked out by conspicuous merit; protects them from the pollen of inferior sorts; intermarries them, perhaps, with other varieties of equal vigor and beauty; saves their seed, and raises from it another generation. From the new LIKE ALL things living, in the world of mind or of matter, the rose is beautified, enlarged, and strengthened by a course of judicious and persevering culture, continued through successive generations. The art of horticulture is no leveller. Its triumphs are achieved by rigid systems of selection and rejection, founded always on the broad basis of intrinsic worth. The good cultivator propagates no plants but the best. He carefully chooses those marked out by conspicuous merit; protects them from the pollen of inferior sorts; intermarries them, perhaps, with other varieties of equal vigor and beauty; saves their seed, and raises from it another generation. From the new plants thus obtained he again chooses the best, and repeats with them the same process. Thus the rose and other plants are brought slowly to their perfect development. It is in vain to look for much improvement by merely cultivating one individual. Culture alone will not make a single rose double, or a dull rose brilliant. We cultivate the parent, and look for our reward in the offspring. The village maiden has a beauty and a charm of her own; and so has her counterpart in the floral world, -the wild rose that grows by the roadside. Transplanted to the garden, and, with its offspring after it to the fourth and fifth generation, made an object of skilful culture, it reaches at last a wonderful development. The flowers which in the ancestress were single and small become double in the offspring, and expand their countless petals to the sun in all the majesty of the Queen of Flowers. The village maid has risen to regal state. She has lost, her native virgin charm; but she sits throned and crowned in imperial beauty. Now, all the roses of our gardens have some wild ancestress of the woods and meadows, from whom, in the process of successive generations, their beauties have been developed, sometimes by happy accidents, but oftener by design. Thus have arisen families of roses, each marked |