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BOUT five-and-twenty miles from the ancient and renowned city of Manhattan, formerly called New Amsterdam, and vulgarly called New York, on the eastern bank of that expansion of the Hudson known among Dutch mariners of yore as the Tappan Zee, being in fact the great Mediterranean Sea of the New Netherlands, stands a little, old-fashioned stone mansion, all made up of gable ends, and as full of angles and corners as an old cocked hat. It is said, in fact, to have been modelled after the cocked hat of Peter the Headstrong, as the Escurial was modelled after the gridiron of the blessed St. Lawrence. Though but of small dimensions, yet, like many small people, it is of mighty spirit, and values itself greatly on its antiquity, being one of the oldest edifices, for its size, in the whole country. It claims to be an ancient seat of empire, -I may rather say an empire in itself, and like all empires, great and small, has had its grand historical epochs. In speaking of this doughty and valorous little pile, I shall call it by its usual appellation of "The Roost";

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though that is a name given to it in modern days, since it became the abode of the white man.

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Its origin, in truth, dates far back in that remote region commonly called the fabulous age, in which vulgar fact becomes mystified and tinted up with delectable fiction. The eastern shore of the Tappan Sea was inhabited in those days by an unsophisticated race, existing in all the simplicity of nature; that is to say, they lived by hunting and fishing, and recreated themselves occasionally with a little tomahawking and scalping. Each stream that flows down from the hills to the Hudson had its petty sachem, who ruled ver a hand's-breadth of forest on either side, and had his seat of government at its mouth. chieftain who ruled at the Roost was not merely a great warrior, but a medicine-man, or prophet, or conjurer, for they all mean the same thing in Indian parlance. Of his fighting propensities evidences still remain, in various arrow-heads of flint, and stone battle-axes, occasionally digged up about the Roost; of his wizard powers we have a token in a spring which wells up at the foot of the bank, on the very margin of the river, which, it is said, was gifted by him with rejuvenating powers, something like the renowned Fountain of Youth in the Floridas, so anxiously but vainly sought after by the veran Ponce de Leon. This story, however, is stoutly contradicted by an old Dutch matter-of fact tradition, which declares that the spring in question was smuggled over from Holland in a churn, by Fenimetie Van Blarcom, wife of Goosen Garret Van Blarcom, one of the

first settlers, and that she took it up by night, unknown to her husband, from beside their farmhouse near Rotterdam; being sure she should find no water equal to it in the new country; and she was right.

The wizard sachem had a great passion for discussing territorial questions, and settling boun dary lines; in other words, he had the spirit of annexation. This kept him in continual feud with the neighboring sachems, each of whom stood up stoutly for his hand-breadth of territory; so that there is not a petty stream nor rugged hill in the neighborhood that has not been the subject of long talks and hard battles. The sachem, however, as has been observed, was a medicineman as well as warrior, and vindicated his claims by arts as well as arms; so that, by dint of a little hard fighting here, and hocus-pocus (or diplomacy) there, he managed to extend his boundary line from field to field and stream to stream, until it brought him into collision with the powerful sachem of Sing-Sing. Many were the sharp conflicts between these rival chieftains for the sovereignty of a winding valley, a favorite hunting-ground watered by a beautiful stream called the Pocantico. Many were the ambuscades, surprisals, and deadly onslaughts that took place

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* A corruption of the old Indian name, O-sin-sing. Soine have rendered it, O-sin-song, or O-sing-song, in token of its being a great market-town, where anything may be had for a mere song. Its present melodious alteration to Sing-Sing is said to have been made in compliment to a Yankee singingmaster, who taught the inhabitants the art of singing through the nose.

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