The works of ... Edmund Burke [ed. by W. King and F. Laurence].F. & C. Rivington, 1803 |
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Página 7
... clear and demon- ftrative to every individual ? Even in matters The editor knows that the subject of this letter is not fo fully handled as obviously it might ; it was not his defign to fay all that could poffibly be B 4 faid . faid ...
... clear and demon- ftrative to every individual ? Even in matters The editor knows that the subject of this letter is not fo fully handled as obviously it might ; it was not his defign to fay all that could poffibly be B 4 faid . faid ...
Página 14
... clearly and ufefully expofed . We begin to think and to act from reafon and from nature alone . This is true of several , but still is by far the ma- jority in the fame old state of blindness and slavery ; and much is it to be feared ...
... clearly and ufefully expofed . We begin to think and to act from reafon and from nature alone . This is true of several , but still is by far the ma- jority in the fame old state of blindness and slavery ; and much is it to be feared ...
Página 15
... clearly their excellencies must appear . They come purified from the fire . My business is not with them . Having entered a protest against all objections from these quarters , I may the more freely enquire from hif tory and experience ...
... clearly their excellencies must appear . They come purified from the fire . My business is not with them . Having entered a protest against all objections from these quarters , I may the more freely enquire from hif tory and experience ...
Página 17
... clear . There were conquerors , and con- quests in those days ; and confequently , all that devastation , by which they are formed , and all that oppreffion by which they are maintained . We know little of Sefoftris , but that he led ...
... clear . There were conquerors , and con- quests in those days ; and confequently , all that devastation , by which they are formed , and all that oppreffion by which they are maintained . We know little of Sefoftris , but that he led ...
Página 73
... clear and ac- knowledged , that if it did not make a neceffary part of my fubject , I fhould pass it by entirely . And this has hindered me from drawing at full length , and in the most striking colours , this shocking picture of the ...
... clear and ac- knowledged , that if it did not make a neceffary part of my fubject , I fhould pass it by entirely . And this has hindered me from drawing at full length , and in the most striking colours , this shocking picture of the ...
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Outras edições - Ver tudo
Palavras e frases frequentes
againſt almoſt animals arifes beauty becauſe befides beſt body cafe caufe cauſe colours confequently confider confiderable confiftent darkneſs defcription defigned difpofition diftinct diſcover diſtinguiſh effect elſe faid fame fect feems fenfe fenfible feveral fhall fhew fhort fhould fimilar fimple fince fions firft firſt flavery fmooth fociety fome fomething fpecies ftand ftate ftrength ftriking ftrong fubject fublime fuch fuffer fufficient fure greateſt hiftory himſelf horrour idea images imagination impoffible impreffion itſelf juft laft laſt leaft leaſt lefs mankind manner meaſures mind miſtake moft moſt muft muſt nature neceffary nefs obferved object occafions paffions pain perfons pleafing pleaſe pleaſure poffible pofitive prefent principle produce proportion publick purpoſes qualities raiſe reafon refemblance refpects reft refult reprefent SECT ſeem ſenſe ſeveral ſhall ſmall ſome ſtate ſuch tafte taſte tenfion terrour thefe themſelves theſe things thofe thoſe tion underſtanding uſe whilft words
Passagens conhecidas
Página 248 - And ever, against eating cares, Lap me in soft Lydian airs, Married to immortal verse, Such as the meeting soul may pierce, In notes with many a winding bout Of linked sweetness long drawn out With wanton heed and giddy cunning, The melting voice through mazes running, Untwisting all the chains that tie The hidden soul of harmony ; That Orpheus...
Página 93 - ON a superficial view, we may seem to differ very widely from each other in our reasonings, and no less in our pleasures ; but, notwithstanding this difference, which I think to be rather apparent than real, it is probable that the standard both of Reason and Taste is the same in all human creatures...
Página 158 - To make any thing very terrible, obscurity* seems, in general, to be necessary. When we know the full extent of any danger, when we can accustom our eyes to it, a great deal of the apprehension vanishes.
Página 143 - Choose a day on which to represent the most sublime and affecting tragedy we have ; appoint the most favourite actors ; spare no cost upon the scenes and decorations ; unite the greatest efforts of poetry, painting, and music; and when you have collected your audience, just at the moment when their minds are erect with expectation, let it be reported that a state criminal of high rank is on the point of being executed in the adjoining square ; in a moment the emptiness of the theatre would demonstrate...
Página 148 - Now whatever either on good or upon bad grounds tends to raise a man in his own opinion, produces a sort of swelling and triumph that is extremely grateful to the human mind; and this swelling is never more perceived, nor operates with more force, than when without danger we are conversant with terrible objects, the mind always claiming to itself some part of the dignity and importance of the things which it contemplates.
Página 96 - I mean by the word Taste no more than that faculty or those faculties of the mind, which are affected with, or which form a judgment of, the works of imagination and the elegant arts.
Página 251 - ... beauty should shun the right line, yet deviate from it insensibly; the great in many cases loves the right line; and when it deviates, it often makes a strong deviation: beauty should not be obscure; the great ought to be dark and gloomy: beauty should be light and delicate; the great ought to be solid, and even massive.
Página 241 - First, to be comparatively small. Secondly, to be smooth. Thirdly, to have a variety in the direction of the parts ; but, fourthly, to have those parts not angular, but melted as it were into each other. Fifthly, to be of a delicate frame, without any remarkable appearance of strength. Sixthly, to have its colours clear and bright, but not very strong and glaring. Seventhly, or if it should have any glaring colour, to have it diversified with others.
Página 179 - Infinity has a tendency to fill the mind with that sort of delightful horror, which is the most genuine effect, and truest test of the sublime. There are scarce any things which can become the objects of our senses that are really, and in their own nature infinite. But the eye not being able to perceive the bounds of many things, they seem to be infinite, and they produce the same effects as if they were really so.
Página 116 - I despair of ever receiving the same degree of pleasure from the most excellent performances of genius, which I felt at that age, from pieces which my present judgment regards as trifling and contemptible.