Music Theory: Problems and Practices in the Middle Ages and Renaissance. WorkbookU of Minnesota Press, 01/01/1977 - 267 páginas |
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Página xi
... sacred forms and techniques 38 Secular monophonic forms and performance styles 41 Plainsong analytical procedures : sacred 45 Plainsong analytical procedures : secular 48 Compositional considerations 49 Summary 51 Chapter 4 Early ...
... sacred forms and techniques 38 Secular monophonic forms and performance styles 41 Plainsong analytical procedures : sacred 45 Plainsong analytical procedures : secular 48 Compositional considerations 49 Summary 51 Chapter 4 Early ...
Página xii
... Sacred Polyphonic Forms . Organum 103 Discant 104 Mixed 104 Conductus 105 Motet 106 Messe de Nostre Dame ( Machaut ) Summary 118 Chapter 9 Secular Polyphonic Forms Virelai 120 Ballade 120 109 64 52 61 75 888 103 120 Rondeau 120 Caccia ...
... Sacred Polyphonic Forms . Organum 103 Discant 104 Mixed 104 Conductus 105 Motet 106 Messe de Nostre Dame ( Machaut ) Summary 118 Chapter 9 Secular Polyphonic Forms Virelai 120 Ballade 120 109 64 52 61 75 888 103 120 Rondeau 120 Caccia ...
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... sacred music of the Middle Ages . Reference was made to rhythmic symbols . It should be understood that no means were available to specifically delineate time values in plainsong nota- tion . Only the most general suggestions were ...
... sacred music of the Middle Ages . Reference was made to rhythmic symbols . It should be understood that no means were available to specifically delineate time values in plainsong nota- tion . Only the most general suggestions were ...
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Workbook/anthology for Music Theory: Problems and Practices in the Middle ... Lloyd Ultan Pré-visualização indisponível - 1977 |
Palavras e frases frequentes
Agnus alto appear ascending ballade basic bass beat beginning breve cadence cadential canon cantus firmus chanson Chapter chord composers compositional conductus contrapuntal counterpoint descending discussion dissonant Dufay earlier edition of Desclee employed face ay pale fifth final followed fourteenth century fourth Franconian Gloria half note harmonic hocket imitation imperfect interpretation interval isorhythmic Kyrie section leading-tone Liber Usualis ligature linear literature longa lower voice Machaut madrigal Mass measures melismatic melodic meter Middle Ages Missa Pange Lingua modal notation monophonic motet motion neumes octave organum Palestrina passage pattern perfect consonances period phrase piece pitch plainsong plica polyphonic possible practice principal prolation quarter notes relationships Reprinted with permission rhythm rhythmic modes sacred Sanctus secular music semibreve shown in Example skip soprano step style syllable syncopation taleae technique tenor texture tion tone Tournai-Doornik treatment triads unison upper voice vertical virelai vox principalis Willi Apel
Passagens conhecidas
Página 250 - Et incarnatus est de Spiritu Sancto ex Maria Virgine; et homo factus est. Crucifixus etiam pro nobis: sub Pontio Pilato passus, et sepultus est. Et resurrexit tertia die, secundum Scripturas.
Página 250 - God of God, Light of Light, Very God of very God, Begotten, not made, Being of one substance with the Father ; By whom all things were made : Who for us men, and for our salvation came down from heaven, And was incarnate by the Holy Ghost of the Virgin Mary, And was made man...
Página 250 - We look for the resurrection of the dead, And the life of the world to come. Amen.
Página 250 - And in the Holy Ghost the Lord and Giver of life, who proceedeth from the Father and the Son ; who together with the Father and the Son is adored and glorified ; who spoke by the prophets : — and one holy, catholic and apostolic church.
Página 250 - On the third day he rose again in fulfillment of the Scriptures; he ascended into heaven and is seated at the right hand of the Father. He will come again in glory to judge the living and the dead.
Página 250 - Agnus Dei, qui tollis peccata mundi; miserere nobis. Agnus Dei, qui tollis peccata mundi; miserere nobis. Agnus Dei, qui tollis peccata mundi; dona nobis pacem.
Página 250 - Et in Spiritum Sanctum, Dominum, et vivificantem: qui ex Patre Filioque procedit. Qui cum Patre et Filio simul adoratur, et conglorificatur: qui locutus est per Prophetas. Et unam sanctam catholicam et apostolicam Ecclesiam. Confiteor unum baptisma in remissionem peccatorum. Et exspecto resurrectionem mortuorum. Et vitam venturi saeculi. Amen.
Página 250 - Sanctus, Sanctus, Sanctus Dominus Deus Sabaoth. Pleni sunt coeli et terra gloria tua. Hosanna in excelsis. Benedictus qui venit in nomine Domini. Hosanna in excelsis.
Página 250 - Holy, holy, holy, Lord God of Sabaoth. Heaven and earth are full of Thy glory. Hosanna in the highest.
Página 250 - Patris; et iterum venturus est cum gloria judicare vivos et mortuos; cujus regni non erit finis. Et in Spiritum Sanctum, Dominum et vivificantem ; qui ex Patre Filioque procedit, qui cum Patre et Filio simul adoratur et conglorificatur, qui locutus est per Prophetas. Et unam, sanctam, catholicam, et apostolicam Ecclesiam. Confiteor unum Baptisma in remissionem peccatorum. Et expecto resurrectionem mortuorum ; et vitam venturi saeculi. Amen.
Referências a este livro
The Goodly Spellbook: Olde Spells for Modern Problems Dixie Deerman,Steve Rasmussen Pré-visualização limitada - 2008 |