The "impersonality" of ShakespeareC. Palmer, 1925 - 330 páginas |
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Página vi
... character of " Timias " in the Faerie Queene . These errors illustrate the difficulty which everyone must find of liberating himself from the authority of established opinion , and , as regards the Timias episodes , the very elusive ...
... character of " Timias " in the Faerie Queene . These errors illustrate the difficulty which everyone must find of liberating himself from the authority of established opinion , and , as regards the Timias episodes , the very elusive ...
Página 3
... character . Hence it is that he brings to his work a prodigious equipment . All the sources of feeling seem to be open to him , and , by the power of a phenomenal apprehension and memory , he illustrates them by examples drawn not only ...
... character . Hence it is that he brings to his work a prodigious equipment . All the sources of feeling seem to be open to him , and , by the power of a phenomenal apprehension and memory , he illustrates them by examples drawn not only ...
Página 5
... character he assumes for the time being he becomes that character , but the basis of it is always Shakespeare . What Doll Tearsheet or what Hamlet in real life ever talked like Doll Tearsheet and Hamlet in the plays ? They both talk ...
... character he assumes for the time being he becomes that character , but the basis of it is always Shakespeare . What Doll Tearsheet or what Hamlet in real life ever talked like Doll Tearsheet and Hamlet in the plays ? They both talk ...
Página 9
... character in the plays in which self - portraiture is more plainly evident . And as the picture is that of a youth of position emerging from his studies under the first impression of feminine attrac- tions , and as in such a nature that ...
... character in the plays in which self - portraiture is more plainly evident . And as the picture is that of a youth of position emerging from his studies under the first impression of feminine attrac- tions , and as in such a nature that ...
Página 10
... characters bear French names , the play of verbal wit is French . Especially noticeable is the tendency to indecent double entendre . This is foreign to the genius of the English language which in such matters is frank and coarse rather ...
... characters bear French names , the play of verbal wit is French . Especially noticeable is the tendency to indecent double entendre . This is foreign to the genius of the English language which in such matters is frank and coarse rather ...
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Palavras e frases frequentes
affection allusion Anthony Bacon Antony Antony and Cleopatra Apology appears Arthegal Bacon and Essex beauty believe Belphoebe Biron book on Spenser Burghley Cæsar character Cleopatra Cobham command Coriolanus course Court Cynthia death Devereux doth doubt Earl of Essex Earl's Edmund Spenser Elizabeth England English example expression eyes Faerie Queene Falstaff favour Francis Bacon friends genius give grace hand hath heart Henry honour hope Ireland Lady letter Lives Love's Labour's Lost Majesty Majesty's mind Mountjoy nature never opinion Othello passage personality Phoenix play Plutarch poem poet Prince probably Ralegh reason remarks Richard II Robert Cecil says scene seems Shakespeare soul sovereign speak speech spirit style suggested supposed thee things thou thought Timias Timon tion true Turtle Tyrone unto William Shakespeare words writing written wrote York House
Passagens conhecidas
Página 264 - Stern o'er each bosom reason holds her state With daring aims irregularly great ; Pride in their port, defiance in their eye, I see the lords of human kind pass by...
Página 23 - Hath seal'd thee for herself: for thou hast been As one, in suffering all, that suffers nothing; A man that fortune's buffets and rewards Hast ta'en with equal thanks...
Página 123 - Nay, but this dotage of our general's O'erflows the measure : those his goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The office and devotion of their view Upon a tawny front...
Página 155 - I'll present How I did thrive in this fair lady's love, And she in mine. Duke. Say it, Othello. Oth. Her father loved me ; oft invited me ; Still question'd me the story of my life, From year to year, the battles, sieges, fortunes, That I have pass'd. I ran it through, even from my boyish days To th' very moment that he bade me tell it : Wherein I spake of most disastrous chances, Of moving accidents by flood and field ; Of hair-breadth 'scapes i...
Página 14 - The other turns to a mirth-moving jest, Which his fair tongue, conceit's expositor, Delivers in such apt and gracious words That aged ears play truant at his tales And younger hearings are quite ravished ; So sweet and voluble is his discourse.
Página 183 - And because the breath of flowers is far sweeter in the air (where it comes and goes like the warbling of music) than in the hand, therefore nothing is more fit for that delight, than to know what be the flowers and plants that do best perfume the air.
Página 228 - I'll sup. Farewell. Poins. Farewell, my lord. {Exit POINS. P. Hen. I know you all, and will a while uphold The unyok'd humour of your idleness : Yet herein will I imitate the sun, Who doth permit the base contagious clouds To smother up his beauty from the world...
Página 112 - Here the anthem doth commence:— Love and constancy is dead; Phoenix and the turtle fled In a mutual flame from hence. So they loved, as love in twain Had the essence but in one; Two distincts, division none; Number there in love was slain.
Página 113 - Twixt the turtle and his queen: But in them it were a wonder. So between them love did shine, That the turtle saw his right Flaming in the phoenix' sight; Either was the other's mine.
Página 156 - It gives me wonder great as my content, To see you here before me. O my soul's joy ! If after every tempest come such calms, May the winds blow till they have waken'd death ! And let the labouring bark climb hills of seas, Olympus-high ; and duck again as low As hell's from heaven...