The "impersonality" of ShakespeareC. Palmer, 1925 - 330 páginas |
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Página iii
... style Suppression of direct personal allusion A contemporary portrait of Bacon Bacon's portrait of himself ... Bacon's abnormal personality ... APPENDIX I. 19th Century article : The Shakespeare Problem ... APPENDIX II . Essex as Timias ...
... style Suppression of direct personal allusion A contemporary portrait of Bacon Bacon's portrait of himself ... Bacon's abnormal personality ... APPENDIX I. 19th Century article : The Shakespeare Problem ... APPENDIX II . Essex as Timias ...
Página 11
... style . Not that his mind is impure , far from it ; he is only rather unscrupulous and cannot resist an opportunity for exercising his wit . He is also , at least in his early days , a great follower of high fashion and takes every ...
... style . Not that his mind is impure , far from it ; he is only rather unscrupulous and cannot resist an opportunity for exercising his wit . He is also , at least in his early days , a great follower of high fashion and takes every ...
Página 15
... style , and it must be regarded therefore as referring to some habit of the author himself and as a piece of self - expression . I believe myself that it refers to the euphuistic productions whose appearance in England synchronised with ...
... style , and it must be regarded therefore as referring to some habit of the author himself and as a piece of self - expression . I believe myself that it refers to the euphuistic productions whose appearance in England synchronised with ...
Página 16
... style it may be confidently said that it was among the author's earliest dramatic works . Most authorities seem to place it after Love's Labour's Lost , but it cannot be asserted with confidence that it did not come before it . On the ...
... style it may be confidently said that it was among the author's earliest dramatic works . Most authorities seem to place it after Love's Labour's Lost , but it cannot be asserted with confidence that it did not come before it . On the ...
Página 24
... learning and was more sure of his style . But " " " 1 Olivia , in Twelfth Night , is also described as having " grey eyes ( I. v . ) " what of the two lyrics at the end of Love's 24 CHAP . THE " IMPERSONALITY " OF SHAKESPEARE.
... learning and was more sure of his style . But " " " 1 Olivia , in Twelfth Night , is also described as having " grey eyes ( I. v . ) " what of the two lyrics at the end of Love's 24 CHAP . THE " IMPERSONALITY " OF SHAKESPEARE.
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Palavras e frases frequentes
affection allusion Anthony Bacon Antony Antony and Cleopatra Apology appears Arthegal Bacon and Essex beauty believe Belphoebe Biron book on Spenser Burghley Cæsar character Cleopatra Cobham command Coriolanus course Court Cynthia death Devereux doth doubt Earl of Essex Earl's Edmund Spenser Elizabeth England English example expression eyes Faerie Queene Falstaff favour Francis Bacon friends genius give grace hand hath heart Henry honour hope Ireland Lady letter Lives Love's Labour's Lost Majesty Majesty's mind Mountjoy nature never opinion Othello passage personality Phoenix play Plutarch poem poet Prince probably Ralegh reason remarks Richard II Robert Cecil says scene seems Shakespeare soul sovereign speak speech spirit style suggested supposed thee things thou thought Timias Timon tion true Turtle Tyrone unto William Shakespeare words writing written wrote York House
Passagens conhecidas
Página 264 - Stern o'er each bosom reason holds her state With daring aims irregularly great ; Pride in their port, defiance in their eye, I see the lords of human kind pass by...
Página 23 - Hath seal'd thee for herself: for thou hast been As one, in suffering all, that suffers nothing; A man that fortune's buffets and rewards Hast ta'en with equal thanks...
Página 123 - Nay, but this dotage of our general's O'erflows the measure : those his goodly eyes, That o'er the files and musters of the war Have glow'd like plated Mars, now bend, now turn The office and devotion of their view Upon a tawny front...
Página 155 - I'll present How I did thrive in this fair lady's love, And she in mine. Duke. Say it, Othello. Oth. Her father loved me ; oft invited me ; Still question'd me the story of my life, From year to year, the battles, sieges, fortunes, That I have pass'd. I ran it through, even from my boyish days To th' very moment that he bade me tell it : Wherein I spake of most disastrous chances, Of moving accidents by flood and field ; Of hair-breadth 'scapes i...
Página 14 - The other turns to a mirth-moving jest, Which his fair tongue, conceit's expositor, Delivers in such apt and gracious words That aged ears play truant at his tales And younger hearings are quite ravished ; So sweet and voluble is his discourse.
Página 183 - And because the breath of flowers is far sweeter in the air (where it comes and goes like the warbling of music) than in the hand, therefore nothing is more fit for that delight, than to know what be the flowers and plants that do best perfume the air.
Página 228 - I'll sup. Farewell. Poins. Farewell, my lord. {Exit POINS. P. Hen. I know you all, and will a while uphold The unyok'd humour of your idleness : Yet herein will I imitate the sun, Who doth permit the base contagious clouds To smother up his beauty from the world...
Página 112 - Here the anthem doth commence:— Love and constancy is dead; Phoenix and the turtle fled In a mutual flame from hence. So they loved, as love in twain Had the essence but in one; Two distincts, division none; Number there in love was slain.
Página 113 - Twixt the turtle and his queen: But in them it were a wonder. So between them love did shine, That the turtle saw his right Flaming in the phoenix' sight; Either was the other's mine.
Página 156 - It gives me wonder great as my content, To see you here before me. O my soul's joy ! If after every tempest come such calms, May the winds blow till they have waken'd death ! And let the labouring bark climb hills of seas, Olympus-high ; and duck again as low As hell's from heaven...