Shakespeare's Sonnets: With Three Hundred Years of CommentaryFairleigh Dickinson University Press, 2007 - 404 páginas This is a collection of the scholarship of dozens of commentators who have written about Shakespeare's sonnets over the past 300 years. The text details how the poems work and how they may be interpreted. |
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Página 79
... speak his love's ( perhaps his friend's ) praises . He forgets to say over love's rite , he hopes that his looks will speak for him , he urges that his eyes , his looks , be read . Exactly the same idea is stressed in 85. " This theme ...
... speak his love's ( perhaps his friend's ) praises . He forgets to say over love's rite , he hopes that his looks will speak for him , he urges that his eyes , his looks , be read . Exactly the same idea is stressed in 85. " This theme ...
Página 215
... Speaking when speaking ; what worth by show- ing what worth 12 tombe i.e. , something which hides your beauty , rather than shows it 14 Then than ( sp . ) This is the first sonnet that directly alludes to an antecedent event . With ...
... Speaking when speaking ; what worth by show- ing what worth 12 tombe i.e. , something which hides your beauty , rather than shows it 14 Then than ( sp . ) This is the first sonnet that directly alludes to an antecedent event . With ...
Página 216
... speaking . Thus , ALDEN ( 1916 ) writes , “ One may say that a verb of speech is implied in ' come too short ' ; or that the verb ' speaking ' is made to carry its effect over into the fol- lowing clause . " However , I believe the ...
... speaking . Thus , ALDEN ( 1916 ) writes , “ One may say that a verb of speech is implied in ' come too short ' ; or that the verb ' speaking ' is made to carry its effect over into the fol- lowing clause . " However , I believe the ...
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Shakespeare's Sonnets: With Three Hundred Years of Commentary William Shakespeare Pré-visualização limitada - 2007 |
Palavras e frases frequentes
Abbott Alden beauty BEECHING beloved beloved's Booth notes Burto citation cites collated editors collated texts comma commentary to Sonnet compositor compositorial error couplet doth DOWDEN dropped letter Dunc Duncan-Jones Elizabethan emendations in collated end of line Evans explains eyes felfe feminine endings giue gloss Harbage hath haue heart iambic iambic pentameter iambs Ingram and Redpath Kerrigan line 11 line 9 liue loue MALONE meaning metaphor meter mistress modern moſt Onions pause phrase poem poet poet's POOLER praiſe punctuation Quarto quatrain reader Redpath note refers rest rhyme Rollins notes says scansion Schmidt second quatrain ſee seems sense Seymour-Smith Shakespeare ſhall ſhould Sonnet 18 Sonnet 29 Sonnet 33 Sonnets 40 speaker spondee ſtill substantive emendations suggests ſweet syllable thee theme thine things third quatrain thoſe thought tone trochee trochee-iamb Tucker Vendler verse Willen and Reed Wils Wilson word WYNDHAM