But in the end, to stop mine ear indeed, Why, he is dead. See, what a ready tongue suspicion hath! He, that but fears the thing he would not know, Hath, by instinct, knowledge from others' eyes, That what he fear'd is chanc'd. Yet speak, Morton; Tell thou thy earl, his divination lies; And I will take it as a sweet disgrace, And make thee rich for doing me such wrong. Mor. You are too great to be by me gainsaid: Your spirit is too true, your fears too certain. North. Yet, for all this, say not that Percy's dead. I see a strange confession in thine eye: Thou shak'st thy head, and hold'st it fear, or sin, To speak a truth. If he be slain, say so: The tongue offends not, that reports his death: And he doth sin, that doth belie the dead; Not he, which says the dead is not alive. Yet the first bringer of unwelcome news Hath but a losing office; and his tongue Sounds ever after as a sullen bell, Remember'd knolling a departing friend9. 9 So in Shakspeare's seventy-first Sonnet : You shall hear the surly sullen bell : Milton has adopted this expressive epithet :- Over some wide-watered shore, The bell anciently was rung before the dying person had expired, and thence was called the passing bell. Mr. Douce thinks it probable that this bell might have been originally used to drive away demons, who were supposed to watch for the parting soul. Bard. I cannot think, my lord, your son is dead. From whence with life he never more sprung up. 10 By faint quittance a faint return of blows is meant. So in King Henry V:— 'We shall forget the office of our hand Sooner than quittance of desert and merit.' 11 i. e. reported, noised abroad. Vide Macbeth, Act v. Sc. 7. 12 i. e. began to fall his courage, to let his spirits sink under his fortune. To vail is to lower, to cast down. So in The Taming of the Shrew, Act v: Then vail your stomachs, for it is no boot, And place your hands below your husband's foot.' Stumbling in fear, was took. The sum of all 13 Out of his keeper's arms; even so my limbs, Weaken'd with grief, being now enrag'd with grief 13, Are thrice themselves: hence therefore, thou nice 14 crutch; A scaly gauntlet now, with joints of steel, Must glove this hand: and hence, thou sickly quoif; 13 Grief, in the latter part of this line, is used, in its present for sorrow; in the former part for bodily pain. sense, 14 Steevens explains nice here by trifling; but Shakspeare, like his cotemporaries, uses it in the sense of effeminate, delicate, tender. Vide note on As You Like It, Act iv. Sc. 1. p. 182. 15 6 The conclusion of this noble speech (says Johnson) is extremely striking. There is no need to suppose it exactly philo Tra. This strained passion doth you wrong, my lord 16. Bard. Sweet earl, divorce not wisdom from your honour. Mor. The lives of all your loving complices Lean on your health; the which, if you give o'er To stormy passion, must perforce decay. You cast the event of war, my noble lord 17, And summ'd the account of chance, before you said, Let us make head. It was your presurmise, That in the dole 18 of blows your son might drop: You knew, he walk'd o'er perils, on an edge, More likely to fall in, than to get o'er 19: You were advis'd 20, his flesh was capable Of wounds, and scars; and that his forward spirit. sophical; darkness, in poetry, may be absence of eyes, as well as privation of light. Yet we may remark that, by an ancient opinion, it has been held that if the human race, for whom the world was made, were extirpated, the whole system of sublunary nature would cease at once.' Mr. Boswell remarks that a passage resembling this, but feeble in comparison, is found in The Double Marriage of Beaumont and Fletcher: That we might fall, And in our ruins swallow up this kingdom, Nay, the whole world, and make a second chaos.' 16 This line in the quarto is by mistake given to Umfreville, who is spoken of in this very scene as absent. It is given to Travers at Steevens's suggestion. 17 The fourteen following lines, and a number of others in this play, were not in the quarto edition. 18 Dealing, or distribution. 19 So in King Henry IV. Part I: 'As full of peril and adventurous spirit, 20 That is, you were warned or aware. Or what hath this bold enterprise brought forth, 21 Bard. We all, that are engaged to this loss 21, Come, we will all put forth; body, and goods. Mor. 'Tis more than time: And, my most noble lord, I hear for certain, and do speak the truth,- Suppos'd sincere and holy in his thoughts, 21 This mode of expression has before been noticed. Thus in the first part of King Henry IV : 'Hath a more worthy interest to this state.' 22 This and the following twenty lines are not found in the quarto. 23 Against their stomachs. |