The Family Shakspeare: In Ten Volumes; in which Nothing is Added to the Original Text; But Those Words and Expressions are Omitted which Cannot with Propriety be Read Aloud in a Family, Volume 10Longman, Hurst, Rees, Orme, and Brown, 1818 |
No interior do livro
Resultados 1-5 de 73
Página 187
... moor ? Ha ! have you eyes ? You cannot call it , love : for , at your age , The hey - day in the blood is tame , it ' s humble , And waits upon the judgment ; And what judgment Would step from this to this ? Sense ' , sure , you have ...
... moor ? Ha ! have you eyes ? You cannot call it , love : for , at your age , The hey - day in the blood is tame , it ' s humble , And waits upon the judgment ; And what judgment Would step from this to this ? Sense ' , sure , you have ...
Página 241
... Moor , without altering his character ; losing sight of the horror of those passions ; and , in fact , destroying the tragedy . I find myself , therefore , reduced to the alternative of either departing in some degree from the principle ...
... Moor , without altering his character ; losing sight of the horror of those passions ; and , in fact , destroying the tragedy . I find myself , therefore , reduced to the alternative of either departing in some degree from the principle ...
Página 244
... Moor : CASSIO , his lieutenant ; IAGO , his ancient . RODERIGO , a Venetian gentleman . MONTANO , Othello's predecessor in the government of Cyprus . Clown , servant to Othello . Herald . DESDEMONA , daughter to Brabantio , and wife to ...
... Moor : CASSIO , his lieutenant ; IAGO , his ancient . RODERIGO , a Venetian gentleman . MONTANO , Othello's predecessor in the government of Cyprus . Clown , servant to Othello . Herald . DESDEMONA , daughter to Brabantio , and wife to ...
Página 245
... MOOR OF VENICE . ACT THE FIRST . SCENE I. Venice . A Street . Enter RODERIGO and IAGO . Rod . TUSH , never tell me , I take it much un- kindly , That thou , Iago , - who hast had my purse , ― As if the strings were thine , should'st ...
... MOOR OF VENICE . ACT THE FIRST . SCENE I. Venice . A Street . Enter RODERIGO and IAGO . Rod . TUSH , never tell me , I take it much un- kindly , That thou , Iago , - who hast had my purse , ― As if the strings were thine , should'st ...
Página 246
... Moor . Rod . 5 I would not follow him then . Iago . O , sir , content you ; I follow him to serve my turn upon him : We cannot all be masters , nor all masters Cannot be truly follow'd . You shall mark 2 Circumlocution . * Certainly . 4 ...
... Moor . Rod . 5 I would not follow him then . Iago . O , sir , content you ; I follow him to serve my turn upon him : We cannot all be masters , nor all masters Cannot be truly follow'd . You shall mark 2 Circumlocution . * Certainly . 4 ...
Palavras e frases frequentes
art thou BENVOLIO beseech blood Brabantio CAPULET Cassio Cyprus daughter dead dear death Desdemona dost thou doth Duke Emil EMILIA Enter Exeunt Exit eyes fair Farewell father fear Fortinbras friar Friar LAURENCE gentlemen give gone grief Guil GUILDENSTERN Hamlet hand hath hear heart heaven hither honest honour Horatio husband Iago Juliet kill'd King lady Laer Laertes live look lord madam Mantua married Mercutio Michael Cassio mistress Montague Moor mother murder musick night noble Nurse o'er Ophelia Othello play POLONIUS Pr'y thee pray Prince Queen Roderigo Romeo ROSENCRANTZ ROSENCRANTZ and GUILDENSTERN SCENE sleep soul speak sweet sword tell There's thine thing thou art thou hast to-night Tybalt Venice villain watch weep What's wife wilt word