The Works of Samuel Johnson, LL.D.L. Hansard, 1806 |
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Página 6
... rule of distinction the words of this Dic- tionary were to be chosen . The chief intent of it is to preserve the purity , and ascertain the meaning of our English idiom ; and this seems to require nothing more than that our language be ...
... rule of distinction the words of this Dic- tionary were to be chosen . The chief intent of it is to preserve the purity , and ascertain the meaning of our English idiom ; and this seems to require nothing more than that our language be ...
Página 10
... rule by which we may decide between custom and rea- son , or between the equiponderant authorities of writers alike eminent ... rules ; the etymologist was oft- en forced to spell with the people ; and the ad- vocate for the authority of ...
... rule by which we may decide between custom and rea- son , or between the equiponderant authorities of writers alike eminent ... rules ; the etymologist was oft- en forced to spell with the people ; and the ad- vocate for the authority of ...
Página 12
... rules for the pronunciation of former ages , has made us wholly ignorant of the metrical art of our ancient poets ; and since those who study their sentiments regret the loss of their numbers , it is surely time to provide that the ...
... rules for the pronunciation of former ages , has made us wholly ignorant of the metrical art of our ancient poets ; and since those who study their sentiments regret the loss of their numbers , it is surely time to provide that the ...
Página 16
... rules they are governed , and how they are inflected through their various terminations . The terminations of the English are few , but those few have hitherto remained unregarded by the writers of our dic- tionaries . Our substantives ...
... rules they are governed , and how they are inflected through their various terminations . The terminations of the English are few , but those few have hitherto remained unregarded by the writers of our dic- tionaries . Our substantives ...
Página 17
... rule , without agreeing in any other ; as , I shake , I shook , I have shaken , or shook , as it is sometimes written ... rules , must be learned from the dictionary rather than the grammar . The verbs are likewise to be distinguished ac ...
... rule , without agreeing in any other ; as , I shake , I shook , I have shaken , or shook , as it is sometimes written ... rules , must be learned from the dictionary rather than the grammar . The verbs are likewise to be distinguished ac ...
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ancient appear beauty Bemoin censure characters coast common considered copies Coriolanus corrupt criticism curiosity dictionary dili diligence Don Henry drama easily easy editions editor elegance Eloisa to Abelard endeavoured English English language enquiry Epictetus EPITAPHS exhibit expected Falstaff favour formed France French genius happy Harleian library Henry Henry VI honour hope imagined imitation justly kind king king of Portugal knowledge known labour language learning less liaries likewise mankind means ment mind nation nature necessary neglected neral never obscure observation omitted opinion orthography passages passions performance perhaps perly play pleasing pleasure poet Pope Portuguese praise preserved Prester John prince produced publick reader reason regard remark Roman scenes seems sense sentiments Shakespeare shew shewn signification sometimes Spain speech suffered sufficient suppose Theocritus things thought tion trade tragedy truth words writers
Passagens conhecidas
Página 85 - ... the real state of sublunary nature, which partakes of good and evil, joy and sorrow, mingled with endless variety of proportion and innumerable modes of combination, and expressing the course of the world, in which the loss of one is the gain of another; in which, at the same time, the reveler is hasting to his wine, and the mourner burying his friend...
Página 84 - He was inclined to show an usurper and a murderer not only odious but despicable; he therefore added drunkenness to his other qualities, knowing that kings love wine like other men, and that wine exerts its natural power upon kings. These are the petty cavils of petty minds; a poet overlooks the casual distinction of country and condition, as a painter, satisfied with the figure, neglects the drapery.
Página 99 - If there be any fallacy, it is not that we fancy the players, but that we fancy ourselves, unhappy for a moment ; but we rather lament the possibility than suppose the presence of misery, as a mother weeps over her babe when she remembers that death may take it from her. The delight of tragedy proceeds from our consciousness of fiction; if we thought murders and treasons real they would please no more.
Página 90 - The polite are always catching modish innovations, and the learned depart from established forms of speech in hope of finding or making better; those who wish for distinction forsake the vulgar when the vulgar is right. But there is a conversation above grossness and below refinement, where propriety resides and where this poet seems to have gathered his comic dialogue.
Página 94 - Not that always where the language is intricate the thought is subtle, or the image always great where the line is bulky; the equality of words to things is very often neglected, and trivial sentiments and vulgar ideas disappoint the attention, to which they are recommended by sonorous epithets and swelling figures.
Página 151 - Falstaff is a character loaded with faults, and with those faults which naturally produce contempt. He is a thief, and a glutton, a coward, and a boaster, always ready to cheat the weak, and prey upon the poor ; to terrify the timorous and insult the defenceless. At once obsequious and malignant, he satirises in their absence those whom he lives by flattering.
Página 102 - ... the enquiry, how far man. may extend his designs, or how high he may rate his native force, is of far greater dignity than in what rank we shall place any particular performance, curiosity is always busy to discover the instruments, as well as to survey the workmanship, to know how much is to be ascribed to original powers, and how much to casual and adventitious help.
Página 93 - In tragedy his performance seems constantly to be worse, as his labour is more. The effusions of passion which exigence forces out are for the most part striking and energetic; but whenever he solicits his invention, or strains his faculties, the offspring of his throes is tumour, meanness, tediousness, and obscurity.
Página 169 - The fiery openness of Othello, magnanimous, artless, and credulous, boundless in his confidence, ardent in his affection, inflexible in his resolution, and obdurate in his revenge ; the cool malignity of lago, silent in his resentment, subtle in his designs, and studious at once of his interest and his vengeance...
Página 82 - To bring a lover, a lady, and a rival into the fable ; to entangle them in contradictory obligations, perplex them with oppositions of interest, and harass them with violence of desires inconsistent with each other; to make them meet in rapture, and part in agony ; to fill their mouths with hyperbolical joy and outrageous sorrow ; to distress them as nothing human ever was distressed; to deliver them as nothing human ever was delivered; is the business of a modern dramatist. For this, probability...