And then 'twere all well. What a happiness SCENE FROM "THE ROARING GIRL." Persons.-Mr. and Mrs. GALLIPOT. Mrs. Gallipot, the apothecary's wife, having received a letter from her friend Laxton that he is in want of money, thus bethinks her how to raise it. ALAS, poor gentleman! troth, I pity him. I know his 3's too well. My childbed linen, Enter Mr. GALLIFOT hastily. Mr. G. What letter 's that? I'll see't. [She tears the letter. Mrs. G. Oh! would thou hadst no eyes to see the downfall Of me and of thyself-I'm for ever, ever undone ! Mr. G. What ails my Prue? What paper's that thou tear'st! Mrs. G. Would I could tear My very heart in pieces! for my soul Lies on the rack of shame, that tortures me Mr. G. What means this? Mrs. G. Had you no other vengeance to throw down, But even in height of all my joys—— Mr. G. Dear woman! Mr. G. Heavens bless me !-Are my barns and houses, Yonder at Hockley Hole, consumed with fire !I can build more, sweet Prue. Mrs. G. 'Tis worse! 'tis worse! Mr. G. My factor broke? or is the Jonas sunk? Mrs. G. Would all we had were swallow'd in the waves, Rather than both should be the scorn of slaves! Mr. G. Defend me, wisdom, From falling into phrenzy! On my knees, Mrs. G. I shall sure run mad! Mr. G. I shall run mad for company then : speak to me I'm Gallipot, thy husband. Prue-why, Prue, Sweet honey-Prue-what's that Laxton ? Mr. G. Out with him. Mrs. G. Oh! he-he's born to be my undoer! I was to thee contracted, to him I swore. Mr. G. My heart will break-Shamed and undone for ever! Mrs. G. So black a day, poor wretch, went o'er thee never. Mr. G. If thou shouldst wrestle with him at the law, Thou'rt sure to fall; no odd slight, no prevention. Mrs. G. When the full sea of pleasure and delight I'll tell him th' art with child. Seem'd to flow over me Mr. G. As thou desirest To keep me out of Bedlam, tell what troubles thee.Is not thy child at nurse fall'n sick or dead? Mrs. G. Oh, no! Mrs. G. Umph. Mr. G. Or give out, that one of my men was ta'en abed with thee. Mrs. G. Worse and worse still; Mr. G. I'll buy thee of him-stop his mouth Think'st thou 'twill do? [with gold Mrs. G. Oh me! heavens grant it would! Yet now my senses are set more in tune; He writ, as I remember, in his letter, That he, in riding up and down, had spent, Ere he could find me, thirty pound.-Send that; Stand not on thirty with him. Mr.G.Forty, Prue-say thou the word,'tis done. We venture lives for wealth, but must do more To keep our wives.-Thirty or forty, Prue? Mrs. G. Thirty, good sweet! Than one of the Counters does. Men pay more dear So does a prisoner; with fine honied speech, To lie in a clean chamber. But when he has no money, then does he try, To make the keepers trust him. Sir Adam. Say they do. Sir Alex. Then he's a graduate. Sir Alex. Then is he held a freshman and a sot, And never shall commence, but being still barr'd, Be expulsed from the master's side to the TwoOr else i'the Holebeg placed. [penny ward, Sir Ad. When then, I pray, proceeds a prisoner? Sir Alex. When, money being the theme, He can dispute with his hard creditors' hearts, And get out clear, he's then a master of arts. Sir Davy, send your son to Wood-street college; A gentleman can nowhere get more knowledge. Sir Dav. These gallants study hard. Sir Alex. True, to get money. Sir Dav. Lies by the heels, i'faith! thanksthanks I ha' sent For a couple of bears shall paw him. DEVOTION TO LOVE. FROM THE PLAY OF " BLURT, MASTER-CONSTABLE." O, HAPPY persecution, I embrace thee When I call back my vows to Violetta, He that truly loves, Burns out the day in idle fantasies; And when the lamb, bleating, doth bid good night Unto the closing day, then tears begin To keep quick time unto the owl, whose voice Shrieks like the bell-man in the lover's ear. Love's eye the jewel of sleep, oh, seldom wears! The early lark is waken'd from her bed, Being only by love's pains disquieted; But, singing in the morning's ear, she weeps, INDIGNATION AT THE SALE OF A WIFE'S HONOUR. FROM THE PHOENIX. Of all deeds yet this strikes the deepest wound Into my apprehension, Reverend and honourable matrimony, Mother of lawful sweets, unshamed mornings, But, if chaste and honest, That whispering separation every minute, LAW. FROM THE PHOENIX. THOU angel sent amongst us, sober Law, Save only to be heard, but not to rail- This is true justice, exercised and used; To send a man without a sheet to his grave, 'Tis not their mind it should be, nor to have RICHARD NICCOLS. [Born, 1584.] THE plan of the Mirror for Magistrates, begun by Ferrers and Sackville, was followed up by Churchyard, Phayer, Higgins, Drayton, and many others. The last contributor of any note was Niccols, in 1610, in his Winter Night's Vision. Niccols was the author of the Cuckow,' written in imitation of Drayton's 'Owl,' and several poems of temporary popularity, and of a drama, entitled The Twynne's Tragedy. He was a Londoner, and having studied (says Wood) at Oxford, obtained some employment worthy of his faculties; but of what kind, we are left to conjecture. FROM THE LEGEND OF ROBERT DUKE OF NORMANDY. Robert, Duke of Normandy, eldest son of William the Conqueror, on his return from the crusades was imprisoned by Henry I. in Cardiff Castle. He thus describes a walk with his keeper, previous to his eyes being put out. As bird in cage debarr'd the use of wings, Where as a prisoner though I did remain; CHARLES FITZGEFFREY, [Died, 1636.] CHARLES FITZGEFFREY was rector of the parish of St. Dominic, in Cornwall. TO POSTERITY. FROM ENGLAND'S PARNASSUS. 1600. DAUGHTER of Time, sincere Posterity, Yet changeable (like Proteus) on the earth, Whom all desire, yet never one could see. FROM FITZGEFFREY'S LIFE OF SIR FRANCIS DRAKE. 1596. Look how the industrious bee in fragrant May, When Flora gilds the earth with golden flowers, Inveloped in her sweet perfumed array, Doth leave his honey-limed delicious bowers, More richly wrought than prince's stately towers, Waving his silken wings amid the air, And to the verdant gardens makes repair. First falls he on a branch of sugar'd thyme, Then on the budding rosemary doth light, So in the May-tide of his summer age BEN JONSON. [Born, 1574. Died, 1637.] TILL Mr. Gilchrist and Mr. Gifford stood forward in defence of this poet's memory, it had become an established article of literary faith that his personal character was a compound of spleen, surliness, and ingratitude. The proofs of this have been weighed and found wanting. It is true that he had lofty notions of himself, was proud even to arrogance in his defiance of censure, and in the warmth of his own praises of himself was scarcely surpassed by his. most zealous admirers; but many fine traits of honour and affection are likewise observable in the portrait of character, and the charges of malice and jealousy his that have been heaped on his name for an hundred years, turn out to be without foundation. In the quarrel with Marston and Dekker his culpability is by no means evident. He did not receive benefits from Shakspeare, and did not sneer at him in the passages that have been taken to prove his ingratitude; and instead of envying that great poet, he gave him his noblest praise; nor did he trample on his contemporaries, but liberally commended them*. With regard to Inigo Jones, with whom he quarrelled, it appears to have been Jonson's intention to have consigned his satires on that eminent man to oblivion; but their enmity, as his editor has shown, began upon the part of the architect, who, when the poet was poor and bed-ridden, meanly resented the fancied affront of Jonson's name being put before his own to a masque, which they had jointly prepared, and used his influence to do * The names of Shakspeare, Drayton, Donne, Chapman, Fletcher, Beaumont, May. and Browne, which almost exhaust the poetical catalogue of the time, are the separate and distinct subjects of his praise. His unkindness to Daniel seems to be the only exception. |