Moral and political dialogues

Capa
T. Cadell and W. Davies, strand., 1811
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Passagens conhecidas

Página 289 - Where throngs of knights and barons bold, In weeds of peace, high triumphs hold, With store of ladies, whose bright eyes Rain influence, and judge the prize Of wit or arms, while both contend To win her grace whom all commend.
Página 127 - Quid verum atque decens euro et rogo, et omnis in hoc sum ; Condo et compono quae mox depromere possim.
Página 235 - The greatest geniuses of our own and foreign countries, such as Ariosto and Tasso in Italy, and Spenser and Milton in England, were seduced by these barbarities of their forefathers; were even charmed by the Gothic romances. Was this caprice and absurdity in them? Or may there not be something in the Gothic romance peculiarly suited to the views of a genius and to the ends of poetry?
Página 290 - The story of Cambuscan bold, Of Camball, and of Algarsife, And who had Canace to wife, That owned the virtuous ring and glass, And of the wondrous horse of brass On which the Tartar king did ride; And if aught else great bards beside In sage and solemn tunes have sung, Of turneys, and of trophies hung, Of forests, and enchantments drear, Where more is meant than meets the ear.
Página 314 - The fairest of her sex Angelica His daughter, sought by many pro.west knights, Both Paynim, and the peers of Charlemain.
Página 286 - And without more words you will readily apprehend that the fancies of our modern bards are not only more gallant, but, on a change of the scene, more sublime, more terrible, more alarming than those of the classic fablers. In a word, you will find that the manners they paint, and the superstitions they adopt, are the more poetical for being Gothic.
Página 265 - Cum bellum civitas aut illatum defendit aut infert, magistratus qui ei bello praesint, ut vitae necisque habeant potestatem deliguntur. In pace nullus est communis magistratus, sed principes regionum atque pagorum inter suos jus dicunt, controversiasque minuunt.
Página 293 - Queen then, as a Gothic poem, • derives its METHOD, as well as the other characters of its composition, from the established modes and ideas of Chivalry.
Página 285 - There was not a village in England that had not a ghost in it, the churchyards were all haunted, every large common had a circle of fairies belonging to it, and there was scarce a shepherd to be met with who had not seen a spirit.
Página 319 - ... at least we have all heard so many pleasing relations in favour of them, that we do not care for seeing through the falsehood, and willingly give ourselves up to so agreeable an imposture.

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