Style: Essays on Renaissance and Restoration Literature and Culture in Memory of Harriet HawkinsUniversity of Delaware Press, 2005 - 296 páginas "The late Harriett Hawkins was a senior research fellow of Linacre College, Oxford University, and author of several influential works of Renaissance literary criticism and cultural studies such as Likenesses of Truth in Elizabethan and Restoration Drama; Poetic Freedom and Poetic Truth; The Devil's Party; Classics and Trash: Traditions and Taboos in "High" Literature and Popular Modern Genres; and Strange Attractors: Literature, Culture and Chaos Theory. Her friends, family, and colleagues pay tribute to her sense of style - personal and literary - with essays inspired by her own interdisciplinary interests and high scholarly standards."--Jacket |
Índice
| 23 | |
| 25 | |
| 30 | |
| 42 | |
The Destruction of the Bower of Bliss in Spensers The Faerie Queene | 55 |
The Seductions of Comus | 60 |
Single Authors and Singular Styles | 67 |
Pointful Vagueness and the Merging of Contraries | 69 |
Denzil Holles and the Stylistic Development of the Early English Memoir | 135 |
Chaos Theory and the Fractal Poetics of John Donne | 150 |
Fashion Culture and Politics | 179 |
Dryden Etherege and the Perfection of Art | 181 |
Discourses on Health and Leisure and Modern Constructions of Holidays at the Restoration Spas | 202 |
The Contexts of Thomas Legges Solymitana Clades The Destruction of Jerusalem c 157988 | 228 |
The Princes Choice | 267 |
Notes on Contributors | 279 |
Shakespeare and Magical Grammar | 84 |
Shakespeares Eloquence | 99 |
Hamlets Dramatic Soliloquies | 113 |
Bibliography | 282 |
Index | 291 |
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Style: Essays on Renaissance and Restoration Literature and Culture in ... Harriett Hawkins Visualização de excertos - 2005 |
Palavras e frases frequentes
action aesthetic argues audience belief Britain Cambridge University Press Carey century chaos theory Clarendon Press Claudius comedy complex Comus Congreve context critical cultural death Denzil Holles discourse Donne's Dorimant Dorimant's dramatic Dryden effect Elizabethan eloquence England English Epsom Essay Etherege Etherege's evil example Falstaff fractal genre Hamlet Harriett Hawkins Hawkins's Henry Henry Vaughan Holles Holles's Ibid images Jerusalem Jewish Jews John Donne John Dryden Josephus kind King Lady Legge Legge's literary Literature London Macbeth magical Measure for Measure memoir modern nature noun Othello Oxford paradox play poems Poetic poetry political Prince Prince's Choice pronouns readers Renaissance Restoration Comedy Restoration Drama revenge rhetoric Roman Rome Rowzee scene seems sense sermon seventeenth-century Shakespeare social soliloquy Solymitana Clades spas speech Strange Attractors style stylistic things Thomas thou tion Truth Tunbridge turn Vaughan Wales waters wild William William Shakespeare words writes
Passagens conhecidas
Página 105 - If sack and sugar be a fault, God help the wicked ! If to be old and merry be a sin, then many an old host that I know, is damned : if to be fat be to be hated, then Pharaoh's lean kine are to be loved. No, my good lord ; Banish Peto, banish Bardolph, banish Poins : but for sweet Jack Falstaff, kind Jack Falstaff, true Jack Falstaff, valiant Jack Falstaff, and therefore more valiant, being as he is, old Jack Falstaff, banish not him thy Harry's company, banish not him thy Harry's company ; banish...
Página 109 - Lear. And my poor fool is hang'd! No, no, no life! Why should a dog, a horse, a rat, have life, And thou no breath at all? Thou'lt come no more, Never, never, never, never, never! Pray you, undo this button. Thank you, sir. Do you see this? Look on her, look, her lips, Look there, look there!
Página 71 - They are all gone into the world of light ! And I alone sit lingering here ; Their very memory is fair and bright, And my sad thoughts doth clear.
Página 101 - tis not to come; if it be not to come, it will be now ; if it be not now, yet it will come : the readiness is all : Since no man, of aught he leaves, knows, what is't to leave betimes ?
Página 32 - And he said unto them, Is a candle brought to be put under a bushel, or under a bed? and not to be set on a candlestick? 22 For there is nothing hid, which shall not be manifested; neither was any thing kept secret, but that it should come abroad. 23 If any man have ears to hear, let him hear.
Página 86 - For in my way it lies. Stars, hide your fires; Let not light see my black and deep desires: The eye wink at the hand; yet let that be Which the eye fears, when it is done, to see.
Página 64 - That live according to her sober laws, And holy dictate of spare temperance : If every just man, that now pines with want, Had but a moderate and beseeming share Of that which lewdly-pampered luxury Now heaps upon some few with vast excess, Nature's full blessings would be well dispensed In unsuperfluous even proportion, And she no whit encumbered with her store...
Página 89 - He's here in double trust : First, as I am his kinsman and his subject, Strong both against the deed; then, as his host, Who should against his murderer shut the door, Not bear the knife myself.
Página 92 - The effect and it! Come to my woman's breasts, And take my milk for gall, you murdering ministers, Wherever in your sightless substances You wait on nature's mischief! Come, thick night, And pall thee in the dunnest smoke of hell, That my keen knife see not the wound it makes, Nor heaven peep through the blanket of the dark, To cry 'Hold, hold!
Página 64 - Were it a draught for Juno when she banquets, I would not taste thy treasonous offer. None But such as are good men can give good things, And that which is not good is not delicious To a well-govern'd and wise appetite.