Islamic Architecture: Form, Function and MeaningEdinburgh University Press, 1994 - 645 páginas Winner of the American Publishers Association's Award for an outstanding Professional and Scholarly title and the Alice Davis Hitchcock Medallion 1996 from the Society of Architectural Historians of Great Britain. In a dazzling display of erudition, Robert Hillenbrand surveys the major building-types of the Islamic World: religious architecture (the mosque, the minaret, the madrasa), the mausoleum 'between Heaven and Earth', and the caravansarai and the palace representing the secular side. All the building-types are discussed in art-historical terms, with the interplay of form and function taken as the underlying theme of the analysis. All are comprehensively illustrated with a full range of colour and black-and-white photographs, analytical drawings, thumbnail comparative assemblies and ground plans. This major reference work, covering from Spain to Afghanistan and c. 700 to c. 1700, is a source of fascination for all seeking to appreciate the rich heritage of the Islamic World. Recurrent themes and patterns take on a wider significance - a persistent reminder that the Islamic faith and the particular type of society which it engendered makes light of vast gulfs of time and space. Key Features
Available in Hardback (originally published in 1994) and a revised paperback edition published in 2000. This new paperback edition includes a previously unpublished index, designed to make the book more user-friendly. |
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... emphasis on function . Brief and unavoidably superficial prefatory remarks on the purpose of individual building types quickly give way to an account of how architectural style as a whole developed over a given period . Subsequent in ...
... emphasis , the Great Mosque of Damascus , adds as noted earlier a further refinement : a high transverse gable with a pitched roof cuts across the lateral emphasis of the sanctuary and thus highlights not just the mihrab area but also ...
... emphasis is detectable . Perhaps under the influ- ence of a semi - nomadic way of life , perhaps because the idea of a self - contained palace - city had lost its appeal , perhaps as a result of a new taste for informality - whatever ...
Índice
Problems and Approaches | 1 |
The Mosque | 31 |
The Minaret | 129 |
Direitos de autor | |
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Islamic Architecture: Form, Function and Meaning Robert Hillenbrand Pré-visualização indisponível - 2000 |