Islamic Architecture: Form, Function and MeaningEdinburgh University Press, 1994 - 645 páginas Winner of the American Publishers Association's Award for an outstanding Professional and Scholarly title and the Alice Davis Hitchcock Medallion 1996 from the Society of Architectural Historians of Great Britain. In a dazzling display of erudition, Robert Hillenbrand surveys the major building-types of the Islamic World: religious architecture (the mosque, the minaret, the madrasa), the mausoleum 'between Heaven and Earth', and the caravansarai and the palace representing the secular side. All the building-types are discussed in art-historical terms, with the interplay of form and function taken as the underlying theme of the analysis. All are comprehensively illustrated with a full range of colour and black-and-white photographs, analytical drawings, thumbnail comparative assemblies and ground plans. This major reference work, covering from Spain to Afghanistan and c. 700 to c. 1700, is a source of fascination for all seeking to appreciate the rich heritage of the Islamic World. Recurrent themes and patterns take on a wider significance - a persistent reminder that the Islamic faith and the particular type of society which it engendered makes light of vast gulfs of time and space. Key Features
Available in Hardback (originally published in 1994) and a revised paperback edition published in 2000. This new paperback edition includes a previously unpublished index, designed to make the book more user-friendly. |
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... material , two cloth tabs have been provided and a supplementary index of monuments has been prepared which gives page numbers for the drawings and photographs of each building . The marginal numbers through- out the text are designed ...
... material , and to present such data would require a book in itself . METHOD Given that the prime intention of this book is to 1.1 survey pre - modern Islamic architecture from Spain to Afghanistan in its entirety , the need for drastic ...
... material . Nevertheless such a connection is not susceptible of proof and without further evidence it is merely dogmatism to state that it exists . The Muslim predilection for ornament might just as well be founded on a love of colour ...
Índice
Problems and Approaches | 1 |
The Mosque | 31 |
The Minaret | 129 |
Direitos de autor | |
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Islamic Architecture: Form, Function and Meaning Robert Hillenbrand Pré-visualização indisponível - 2000 |