Islamic Architecture: Form, Function and Meaning
Edinburgh University Press, 1994 - 645 páginas
Winner of the American Publishers Association's Award for an outstanding Professional and Scholarly title and the Alice Davis Hitchcock Medallion 1996 from the Society of Architectural Historians of Great Britain.In a dazzling display of erudition, Robert Hillenbrand surveys the major building-types of the Islamic World: religious architecture (the mosque, the minaret, the madrasa), the mausoleum ‘between Heaven and Earth’, and the caravansarai and the palace representing the secular side.All the building-types are discussed in art-historical terms, with the interplay of form and function taken as the underlying theme of the analysis. All are comprehensively illustrated with a full range of colour and black-and-white photographs, analytical drawings, thumbnail comparative assemblies and ground plans.This major reference work, covering from Spain to Afghanistan and c. 700 to c. 1700, is a source of fascination for all seeking to appreciate the rich heritage of the Islamic World. Recurrent themes and patterns take on a wider significance - a persistent reminder that the Islamic faith and the particular type of society which it engendered makes light of vast gulfs of time and space.Features:*24 colour plates*300 black-and-white photographs*1246 line drawings*Section of composite drawings and ground plansAvailable in Hardback (originally published in 1994) and a revised paperback edition published in 2000.This new paperback edition includes a previously unpublished index, designed to make the book more user-friendly.
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The minbar The minbar never attained the well-nigh universal popularity of the
mihrab in Islamic architecture. To begin with, its function is much more
specifically concentrated on the Friday salat, and thus on the jamt , whereas the
Perhaps the simple stone, brick or mud minbar (still known today, for example in
Libya) co-existed with a more elaborately developed version executed in wood.
The latter type was sometimes wheeled, and could therefore be brought out into ...
caliph Mu'awiya I took his minbar with him on his travels. It is tempting to assume
that it was a minbar of this type which Muhammad himself had used. Certainly the
minbar served in early Islamic times as a kind of throne from which the ruler ...
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Islamic architecture: form, function, and meaningProcura do Utilizador - Not Available - Book Verdict
Evidence of the growing interest in Islamic art is the almost simultaneous appearance of Sheila S. Blair and Jonathan M. Bloom's Art and Architecture of Islam, 1250-1800 (LJ 1/95) and Hillenbrand's ... Ler crítica na íntegra
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