The Method Manual

acting actions actor actually affect answer approach artist audience audition become believe BERNIE better body chair chapter character CHARLIE comes continue create directed director don’t door emotion exercise express eyes face feel GEORGIE getting give hand head hear HELEN imitate important it’s keep listen live look mean Method mind minutes monologue mother movie never night object once opera performance person physical pick play problem production question reaction relaxation remember repeat scene sense sensory sing singer situation someone Sometimes song sound speak stage stand start started stop Strasberg student style suggest talent talk teach teachers technique tell theater thing thought told turn understand voice walk Watch week write