Let's carve him as a dish fit for the gods, SLEEP. * Enjoy the honey-heavy dew of slumber: SCENE III Portia's Speech to Brutus. † You've ungently, Brutus, Stole from my bed and yesternight at supper, Musing and fighing, with your arms a-cross: But with an angry wafture with your hand, * See p. 17 of this volume, and the 10th page of vol, I. I See the 5th page of this volume, 1 1 And could it work so much upon your shape, SCENE IV. Calphurnia to Cæfar, on the Prodigies feen the Night before his Death. Cæfar, I never stood on * ceremonies, And graves have yawn'd, and yielded up their dead. Caf. What can be avoided, Cal. When beggars die, there are no comets seen; The heav'ns themselves blaze forth the death of princes. Against the Fear of Death Cowards die many times before their deaths; The valiant never taste of death but once: * The reader will be agreeably entertained, if he turns to the beginning of Hamlet, where he will find an account of these prodigies from our author, Virgil, and Ovid. Of Of all the wonders that I yet have heard, (7) Seeing that death, a necessary end, Will come, when it will come. DANGER. Danger knows full well, That Cæfar is more dangerous than he. (8) We are two lions litter'd in one day, And I the elder and more terrible. SCENE VII. ENVY. (9) My heart laments, that virtue cannot live Out of the teeth of emulation. ACT III. SCENE IV. (10) Cæfar's spirit, ranging for revenge, With Até by his fide, come hot from hell, (7) Seeing, &c.] The term of life is limited, Shall 1 Ne may a man prolong nor shorten it. Nor leave his stand, until his captaine bed. Spenser. (3) We are, &c.] The old folios read Wee beare, which Mr. Theobald, ingeniously enough, altered to we were; and Mr. Upton to we are, which is not only nearer the traces of the letters, but more agreeable to the sense of the passage: for Cafar speaks all thro' in the present tense: Danger knows, that Cæfar is more dangerous than he: we are two lions, twins, litter'd in one day, and I am the elder and more terrible. (9) See p. 70. foregoing. and n. 13. (10) Cafar's, &c.] Mr. Seward observes, that in those terrible graces spoken of just now (note 5.) no followers of Shakespear approach fo near him as Beaumont and Fletcher; of which he adds the Lines here quoted as a strong proof: F3. Fix Shall in these confines, with a monarch's voice, SCENE. V. Brutus's Speech to the People. If there be any in this assembly, any dear friend of Cæfar's, to him I say, that Brutus's love to Cæfar was no less than his. If then that friend demand, why Brutus rose against Cæfar, this is my answer; not that I lov'd Cæfar less, but that I lov'd Rome more. Had you rather Cæfar were living, and dye all flaves than that Cæfar were dead, to live all free-men? As Cæfar lov'd me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honour him; but as he was ambitious, I flew him. There are tears for his love, joy for his fortune, honour for his valour, and death for his ambition. Who's here so base, that would be a bond-man? If any, fpeak, for him have I offended. Who is here so rude, that would not be a Roman? If any, speak; for him have I offended. Who is here so vile, that will not love his country? If any, speak; for him have I offended. Fix not your Empire Upon the tomb of him, will shake all Ægypt: Destructions darting from their looks. The False One, A. 2. S. 1. There is fomething very great and aftonishing in the following raffage from Ben Johnson, tho' not very famous for fuch daring Kights. Catiline says to his foldiers, Methinks I see death, and the furies waiting For the great spectacle. Draw then your fwords, &c. See Catiline, Act 5. SCENE SCENE VI. Antony's Funeral Oration. Friends, Romans, countrymen, lend me your ears He hath brought many captives home to Rome, When that the poor have cry'd, Cæfar hath wept; Yet Brutus says, he was ambitious; Yet Brutus says, he was ambitious, F4 And |