Tragedy and AfterMcGill-Queen's Press - MQUP, 01/08/1984 - 234 páginas "Faas has written a provocative book, challenging the familiar literary and philosophical theories of tragedy from Aristotle onwards. His judicious use of nietzschean insights both stimulates and compels assent. Exuberant scholarship from first page to last." Irving Layton |
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Página 6
... Apollo in Euripides ' Orestes . For the affinity here stems not from an accidentally shared oddity of incident or characterization . Instead , it forms part of the way in which the two plays , though separated by many centuries , call ...
... Apollo in Euripides ' Orestes . For the affinity here stems not from an accidentally shared oddity of incident or characterization . Instead , it forms part of the way in which the two plays , though separated by many centuries , call ...
Página 8
... Apollo , god of Delphi , orders Orestes to kill his mother in retribution : He said that else I must myself pay penalty with my own life , and suffer much sad punishment . ( Libation Bearers 276-7 ) Orestes , despite some hesitation ...
... Apollo , god of Delphi , orders Orestes to kill his mother in retribution : He said that else I must myself pay penalty with my own life , and suffer much sad punishment . ( Libation Bearers 276-7 ) Orestes , despite some hesitation ...
Página 9
... Apollo's : Arise , fight , and kill . The Supreme Personality of Godhead said : time I am , the Destroyer of the worlds , and I am come to engage all people . Except for you [ the Pandavas ] , all soldiers on both sides here will be ...
... Apollo's : Arise , fight , and kill . The Supreme Personality of Godhead said : time I am , the Destroyer of the worlds , and I am come to engage all people . Except for you [ the Pandavas ] , all soldiers on both sides here will be ...
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Índice
3 | |
The Birth of Tragedy | 25 |
Towards Antitragedy | 42 |
Towards Posttragedy | 54 |
The Theoretical Background | 76 |
From Tragic to Antitragic Closure | 93 |
Hamlet or the SlaveMoralist Turned Ascetic Priest | 111 |
The Posttragic Vision of Romance | 129 |
From King Lear to The Two Noble Kinsmen | 141 |
Goethes Transcendence of Tragedy | 155 |
Tragedy and Psychology | 176 |
Conclusion | 189 |
NOTES | 192 |
INDEX | 216 |
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Palavras e frases frequentes
absurd Aegisthus Aeschylus Aeschylus's anti-hero anti-tragedies anti-tragic Apollo Aristotelian Aristotle Aristotle's audience manipulation Bacchae Bacon birth character Chorus Christian Clytaemnestra concept critics Cymbeline daughter death dialectic Dionysus divine Dushmanta Electra Essays ed Smith ESTRAGON eternal Eumenides Euripides evil fate father Faust final Freud Furies gods Goethe Goethe's guilt Hamlet heaven Hegel hell Heracles hero human Ibid imagination instance invokes justice Kālidāsa's kill King Lear Leontes London madness Menelaus Montaigne Montaigne's moral mother murder myth nature Nietzsche Nietzsche's Noble Kinsmen notion Oedipus Rex Oresteia Orestes Pentheus Pericles philosopher pity play play's playwright plot poet Poetics poetry post-tragedy post-tragic protagonist psychological question rebirth revenge role Romeo and Juliet Sacontalá Sanskrit drama scene seems sense Shakespeare Shakespeare's romances similar simply Sophocles spectator suffering suicide teleological theatre things thought tion traditional tragic vision trans transcendence Troilus turn University Press Urfaust V.iii Winter's Tale words York Zeus