A Study of the Drama, Volume 10

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Houghton Mifflin, 1910 - 320 páginas

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Passagens conhecidas

Página 270 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
Página 150 - Hamlet is a name ; his speeches and sayings but the idle coinage of the poet's brain. What then, are they not real ? They are as real as our own thoughts. Their reality is in the reader's mind. It is <we who are Hamlet.
Página 227 - The highest moral purpose aimed at in the highest species of the drama, is the teaching of the human heart, through its sympathies and antipathies, the knowledge of itself ; in proportion to the possession of which knowledge every human being is wise, just, sincere, tolerant, and kind.
Página 88 - The individual is foolish. The multitude, for the moment, is foolish when they act without deliberation ; but the species is wise, and when time is given to it, as a species, it almost always acts right.
Página 83 - The Poet writes under one restriction only, namely, the necessity of giving immediate pleasure to a human Being possessed of that information which may be expected from him, not as a lawyer, a physician, a mariner, an astronomer, or a natural philosopher, but as a Man.
Página 150 - ... he who has felt his mind sink within him, and sadness cling to his heart like a malady ; who has had his hopes blighted and his youth staggered by the apparitions of strange things ; who cannot be well at ease, while he sees evil hovering near him like a spectre : whose powers of action have been eaten up by thought ; he to whom the universe seems infinite, and himself nothing ; whose bitterness of soul makes him careless of consequences, and who goes to a play, as his best resource to shove...
Página 10 - He was eating an apple, and giving a long, melodious whoop, at intervals, followed by a deeptoned ding-dong-dong, ding-dong-dong, for he was personating a steamboat. As he drew near, he slackened speed, took the middle of the street, leaned far over to starboard and rounded to ponderously and with laborious pomp and circumstance—for he was personating the "Big Missouri," and considered himself to be drawing nine feet of water.
Página 10 - Chow-chchow-chow!" The left hand began to describe circles. "Stop the stabboard! Ting-a-ling-ling! Stop the labboard! Come ahead on the stabboard! Stop her! Let your outside turn over slow! Ting-a-ling-ling! Chow-ow-ow! Get out that headline! LIVELY now! Come— out with your spring-line— what're you about there!
Página 278 - Tragedy endeavours, as far as possible, to confine itself to a single revolution of the sun, or but slightly to exceed this limit ; whereas the Epic action has no limits of time.

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