A Study of the Drama, Volume 10Houghton Mifflin, 1910 - 320 páginas |
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Página 1
... more difficult . The novel , the short - story , the epic , the lyric , the essay , can all of them be weighed and measured by purely literary tests ; the drama can- not . And here it has a certain resemblance to THE STUDY OF THE DRAMA`
... more difficult . The novel , the short - story , the epic , the lyric , the essay , can all of them be weighed and measured by purely literary tests ; the drama can- not . And here it has a certain resemblance to THE STUDY OF THE DRAMA`
Página 8
... literary drama , the play in which the finer attributes of structure and style are added to essential theatrical effectiveness , is the direct outgrowth of a wholly unliterary drama , which emerges into view very early in the annals of ...
... literary drama , the play in which the finer attributes of structure and style are added to essential theatrical effectiveness , is the direct outgrowth of a wholly unliterary drama , which emerges into view very early in the annals of ...
Página 9
... literary drama , the play which is also poetic or philosophic , comes into being only after the lyric and the epic have given flexibility and elevation to the language and after they have also invented the stories which the literary ...
... literary drama , the play which is also poetic or philosophic , comes into being only after the lyric and the epic have given flexibility and elevation to the language and after they have also invented the stories which the literary ...
Página 16
... the dramatic formula is slowly get- ting into shape , and making itself ready for the hand of the literary artist whenever he shall happen along . As the earlier unliterary efforts have not been pre- served 16 A STUDY OF THE DRAMA.
... the dramatic formula is slowly get- ting into shape , and making itself ready for the hand of the literary artist whenever he shall happen along . As the earlier unliterary efforts have not been pre- served 16 A STUDY OF THE DRAMA.
Página 17
... literary merit ; and the most of the mysteries and moralities , which have been abundantly preserved , are deadly dull , whether they are in French or English , in Italian or in German . The mystery had been succeeded in Eng- land by ...
... literary merit ; and the most of the mysteries and moralities , which have been abundantly preserved , are deadly dull , whether they are in French or English , in Italian or in German . The mystery had been succeeded in Eng- land by ...
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Palavras e frases frequentes
accept acters action actors actual Æschylus Aristotle artist asserted audience Ben Jonson Brunetière century char characters chorus chronicle-play closet-drama comedy comedy-of-masks comic composed contemporary convention Corneille critics declared diagram dialogue dramatic poets dramatist earlier Edipus Elizabethan English episodes Eschylus essential example exist fact farce feel France French Greek Hamlet hero human Iago Ibsen interest Italian Julius Cæsar less literary literature Lope de Vega lyric masterpieces medieval melodrama method modern Molière Molière's moral never novel once Othello ourselves performance pieces Plautus play playgoers playhouse playmaking playwright plot poem poetic drama poetry present prose prose-fiction reveal Romeo scenery scenes School for Scandal Scribe semi-medieval Shak Shakspere Shakspere's Sheridan single soliloquy Sophocles spectators speech stage story successive Tartuffe theater theater of Dionysus theatrical theme things three unities tion to-day tragedy tragedy-of-blood tragic verse Victor Hugo words wrote
Passagens conhecidas
Página 272 - The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.
Página 152 - Hamlet is a name ; his speeches and sayings but the idle coinage of the poet's brain. What then, are they not real ? They are as real as our own thoughts. Their reality is in the reader's mind. It is <we who are Hamlet.
Página 229 - The highest moral purpose aimed at in the highest species of the drama, is the teaching of the human heart, through its sympathies and antipathies, the knowledge of itself ; in proportion to the possession of which knowledge every human being is wise, just, sincere, tolerant, and kind.
Página 90 - The individual is foolish. The multitude, for the moment, is foolish when they act without deliberation ; but the species is wise, and when time is given to it, as a species, it almost always acts right.
Página 85 - The Poet writes under one restriction only, namely, the necessity of giving immediate pleasure to a human Being possessed of that information which may be expected from him, not as a lawyer, a physician, a mariner, an astronomer, or a natural philosopher, but as a Man.
Página 152 - ... he who has felt his mind sink within him, and sadness cling to his heart like a malady ; who has had his hopes blighted and his youth staggered by the apparitions of strange things ; who cannot be well at ease, while he sees evil hovering near him like a spectre : whose powers of action have been eaten up by thought ; he to whom the universe seems infinite, and himself nothing ; whose bitterness of soul makes him careless of consequences, and who goes to a play, as his best resource to shove...
Página 12 - He was eating an apple, and giving a long, melodious whoop, at intervals, followed by a deeptoned ding-dong-dong, ding-dong-dong, for he was personating a steamboat. As he drew near, he slackened speed, took the middle of the street, leaned far over to starboard and rounded to ponderously and with laborious pomp and circumstance—for he was personating the "Big Missouri," and considered himself to be drawing nine feet of water.
Página 1 - We dispute and wrangle for ever; we endeavour to get men to come to us, when we do not go to them. He therefore who is acquainted with the works which have pleased different ages and different countries, and has formed his opinion on them, has more materials, and more means of knowing what is analogous to the mind of man, than he who is conversant only with the works of his own age or country. What has pleased, and continues to please, is likely to please again : hence are derived the rules of art...
Página 12 - Chow-chchow-chow!" The left hand began to describe circles. "Stop the stabboard! Ting-a-ling-ling! Stop the labboard! Come ahead on the stabboard! Stop her! Let your outside turn over slow! Ting-a-ling-ling! Chow-ow-ow! Get out that headline! LIVELY now! Come— out with your spring-line— what're you about there!
Página 280 - Tragedy endeavours, as far as possible, to confine itself to a single revolution of the sun, or but slightly to exceed this limit ; whereas the Epic action has no limits of time.