 The truth is, that the spectators are always in their senses, and know, from the first act to the last, that the stage is only a stage, and that the players are only players.  A Study of the Drama - Página 272por Brander Matthews - 1910 - 320 páginasVisualização integral - Acerca deste livro
 | Samuel Johnson - 1774 - 374 páginas
...Truth is, that the Spectators are always in their Sertfes, and know, from the firft Act to the laft, that the Stage is only a Stage, and that the Players are only Players. They come to hear a certain Number of Lines recited with juft Gefture and elegant Modulation. The Lines... | |
 | Samuel Johnson - 1774 - 412 páginas
...Truth is, that the Spectators are always in their Senfes, and know, from the firft Aft to the laft, that the Stage is only a Stage, and that the Players are only Players. They come to hear a certain Number of Lines recited with juft Gefture and elegant Modulation. The Lines... | |
 | Vicesimus Knox - 1790 - 1058 páginas
...are always in their fenfes, and know, from the firft ail to the laft, that the ftage is only a ftage, and that the players are only players. They came to hear a certain number of lines recited with juft gefture and elegant modulation. The lines relate to ibme action, and an aflion muit be in fome... | |
 | John Dryden - 1800 - 624 páginas
...an hour should not be a century in that calenture of the brains that can make the stage a field. " The truth is, that the spectators are always in their...stage, and that the players are only players. They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | John Dryden, Edmond Malone - 1800 - 591 páginas
...why an hour should not be a century in that calenture of the brains that can make the stage a field. "The truth is, that the spectators are always in their...stage, and that the players are only players. They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | William Shakespeare - 1803 - 494 páginas
...why an hour should not be a century in that calenture of the brains that can make the stage a field. The truth is, that the spectators are always in their...stage, and that the players are only players. They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | William Shakespeare - 1806 - 394 páginas
...brains that can make the stage a field. The truth is, that the spectators are always in their censes, and know, from the first act to the last, that the...stage, and that the players are only players. They come to hear a certain number of lines recited with just gesture and elegant modulation. The lines... | |
 | Samuel Johnson - 1809 - 488 páginas
...why an hour should not be a century in that calenture of the brain that can make the stage a field. The truth is, that the spectators are always in their...stage is only a stage, and that the players are only play ers. They came to hear a certain number of lines recited with just gesture and elegant modulation.... | |
 | William Shakespeare - 1809 - 390 páginas
...why an hour should not be a century in that calenture of the brains that can make the stage a field. The truth is,* that the spectators are always in their...Act to the last, that the stage is only a stage, and the players are only players. They come to hear a certain number of lines recited with just gesture... | |
 | William Shakespeare - 1809 - 394 páginas
...why an hour should not be a century in that calenture of the brains that can make the stage a field. The truth is,* that the spectators are always in their...Act to the last, that the stage is only a stage, and the players are only players. They come to hear a certain number of lines recited with just gesture... | |
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