Away before me to sweet beds of flowers; SCENE II. - The Sea-coast. Enter VIOLA, Captain, and Sailors. Vio. What country, friends, is this? Illyria, lady. Vio. And what should I do in Illyria? Assure yourself, after our ship did split, When you, and that poor number saved with you, (Courage and hope both teaching him the practice) I saw him hold acquaintance with the waves, So long as I could see. Vio. For saying so, there's gold : Mine own escape unfoldeth to my hope, Whereto thy speech serves for authority, The like of him. Know'st thou this country? Cap. Ay, madam, well; for I was bred and born, Not three hours' travel from this very place. Vio. Who governs here? Cap. As in his name. Vio. Cap. A noble duke, in nature, Orsino. What is his name? Vio. Orsino! I have heard my father name him: He was a bachelor then. Cap. And so is now, Or was so very late: for but a month Ago I went from hence; and then 'twas fresh In murmur, (as, you know, what great ones do, The less will prattle of,) that he did seek The love of fair Olivia. Cap. A virtuous maid, the daughter of a count That died some twelvemonth since; then leaving her In the protection of his son, her brother, Who shortly also died: for whose dear love, They say, she hath abjured the company And sight of men. [Exeunt Viv. O, that I served that lady : And might not be delivered to the world, Till I had made mine own occasion mellow, What my estate is. Cap. That were hard to compass; Because she will admit no kind of suit, Vio. There is a fair behavior in thee, captain; Cap. Be thou his page, and I your mute will be; [Exeunt. Viola, having disguised herself in male attire, obtains the situation of Page, in the Duke's household, under the name of Cesario. A Room in the Duke's Palace. Enter VALENTINE, and VIOLA in man's attire. Val. If the Duke continue these favors towards you, Cesario, you are like to be much advanced; he hath known you but three days, and already you are no stranger. Vio. You either fear his humor, or my negligence, that you call in question the continuance of his love: Is he inconstant, sir, in his favors? Val. No, believe me. Enter DUKE, CURIO, and Attendants. Vio. I thank you. Here comes the count. Vio. On your attendance, my lord; here. And tell them, there thy fixed foot shall grow, Fill thou have audience. Vio. Sure, my noble iord, If she be so abandoned to her sorrow Duke. Be clamorous, and leap all civil bounds, Rather than make unprofited return. Vio. Say, I do speak with her, my lord: What then ? Surprise her with discourse of my dear faith. Vio. I think not so, my lord. Dear lad, believe it; For they shall yet belie thy happy years, Is not more smooth, and rubious; thy small pipe Is as the maiden's organ, shrill, and sound, And all is semblative a woman's part. I know, thy constellation is right apt For this affair :- Some four, or five, attend him; All, if you will; for I myself am best, When least in company :---Prosper well in this, To call his fortunes thine. Vio. I'll do my best, To woo your lady: yet, -[Aside.]-a barful strife : [Exeunt The Lady Olivia, attended by her waiting woman Maria, and Malvolio her steward, s informed that a messenger from the Duke seeks her presence. SCENE V. Enter OLIVIA, MARIA, and MALVOLIO. Mar. Madam, there is at the gate a young gentleman, much desires to speak with you. Oli. From the count Orsino, is it? Mar. I know not, madam; 'tis a fair young man, and well attended. Oli. Who of my people hold him in delay ? Mar. Sir Toby, madam, your kinsman. Oli. Fetch him off, I pray you; he speaks nothing but madman: Fye on him!- [Exit MARIA.] - Go you, Malvolio: if it be a suit from the count, I am sick or not at home; what you will, to dismiss it.--[Exit MALVOLIO.]-Now you see, sir, how your fooling grows old, and people dislike it. Re-enter MALVOLIO. Mal. Madam, yond, young fellow swears he will speak with you. I told him you were sick; he takes on him to understand so much, and therefore comes to speak with you: I told him you were asleep; he seems to have a fore-knowledge of that too, and therefore comes to speak with you. What is to be said to him, lady? he's fortified against any denial. Oli. Tell him, he shall not speak with me. Mal. He has been told so; and he says, he'll stand at your door like a sheriff's post, and be the supporter of a bench, but he'll speak with you. Oli. What kind of man is he? Mal. Why, of mankind. Oli. What manner of man? Mal. Of very ill manner; he'll speak with you, will you, or no. Oli. Of what personage, and years, is he? Mal. Not yet old enough for a man, nor young enough for a boy He is very well-favored, and he speaks very shrewishly. Mal. Gentlewoman, my lady calls. Re-enter MARIA. Oli. Give me my veil: come throw it o'er my face: We'll once more hear Orsino's embassy. Enter VIOLA. Vio. The honorable lady of the house, which is she? [Exit Vio. Most radiant, exquisite, and unmatchable beauty, I pray you, tell me, if this be the lady of the house, for I never saw her: I would be loath to cast away my speech; for, besides that it is excellently well penn'd, I have taken great pains to con it. Good beauties, let me sustain no scorn; I am very comptible,* even to the least sinister usage. Oli. Whence came you, sir? Vio. I can say little more than I have studied, and that question's out of my part. Good gentle one, give me modest assurance, if you be the lady of the house, that I may proceed in my speech. Oli. Are you a comedian ? Vio. No, my profound heart: and yet, by the very fangs of malice, I swear I am not that I play. Are you the lady of the house? Vio. Most certain, if you are she, you do usurp yourself; for what is yours to bestow, is not yours to reserve. But this is from my commission: I will on with my speech in your praise, and then show you the heart of my message. Oli. Come to what is important in't: I forgive you the praise. Oli. It is the more like to be feigned; I pray you keep it in. I heard you were saucy at my gates; and allowed your approach, rather to wonder at you than to hear you. If you be not mad, be gone; if you have reason be brief: 'tis not that time of moon with me, to make one in so skipping a dialogue. Tell me your mind. * Accountable. Vio. I am a messenger. Oli. Sure, you have some hideous matter to deliver, when the courtesy of it is so fearful. Speak your office. Vio. It alone concerns your ear. I bring no overture of war, no taxation of homage; I hold the olive in my hand: my words are as full of peace as matter. Oli. Yet you began rudely. What are you? what would you? Vio. The rudeness that hath appeared in me, have I learn'd from my entertainment. What I am, and what I would, are to your ears, divinity; to any other's, profanation. Oli. Give us the place alone: we will hear this divinity.-[Exit MARIA.]-Now, sir, what is your text ? Vio. Most sweet lady, Oli. A comfortable doctrine, and much may be said of it. Where lies your text? Vio. In Orsino's bosom. Oli. In his bosom? In what chapter of his bosom? Vio. To answer by the method, in the first of his heart. Oli. O, I have read it; it is heresy. Have you no more to say? Vio. Good madam, let me see your face. Oli. Have you any commission from your lord to negotiate with my face? you are now out of your text: but we will draw the curtain, and show you the picture. Look you, sir, such a one as I was this present: Is't not well done? Vio. Excellently done, if nature did all. Oli. 'Tis in grain, sir; 'twill endure wind and weather. Nature's own sweet and cunning hand laid on: If you will lead these graces to the grave, And leave the world no copy. [Unveiling. Oli. O, sir, I will not be so hard-hearted; I will give out divers schedules of my beauty: It shall be inventoried; and every particle, and utensil, labelled to my will. Were you sent hither to praise me? Vio. I see you what you are: you are too proud; The nonpareil of beauty! Oli. How does he love me? Vio. With adorations, with fertile tears, With groans that thunder love, with sighs of fire. Oli. Your lord does know my mind, I cannot love him; Yet I suppose him virtuous, know him noble, Of great estate, of fresh and stainless youth; In voices well divulg'd, free, learn'd, and va'iant, |