Subject and Object in Renaissance CultureMargreta de Grazia, Maureen Quilligan, Peter Stallybrass Cambridge University Press, 23/02/1996 - 398 páginas This collection of original essays brings together some of the most prominent figures in new historicist and cultural materialist approaches to the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies have concentrated on the human subject. The essays collected here bring objects - purses, clothes, tapestries, houses, maps, feathers, communion wafers, tools, pages, skulls - back into view. As a result, the much-vaunted early modern subject ceases to look autonomous and sovereign, but is instead caught up in a vast and uneven world of objects which he and she makes, owns, values, imagines, and represents. This book puts things back into relation with people; in the process, it elicits new critical readings, and new cultural configurations. |
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... position and Marx's ( uncommodified ) product to stand for the object - as- thing , it may be possible to break open what can seem a long and monotonous history of the sovereignty of the subject . In highlighting the subject ...
... position and Marx's ( uncommodified ) product to stand for the object - as- thing , it may be possible to break open what can seem a long and monotonous history of the sovereignty of the subject . In highlighting the subject ...
Página 5
... position , as person ) and object ( as position , as thing ) may emerge and familiar relations change . If , for example , we do not assume the unidirectional power relationship from top to bottom , then the linkages of subject to ...
... position , as person ) and object ( as position , as thing ) may emerge and familiar relations change . If , for example , we do not assume the unidirectional power relationship from top to bottom , then the linkages of subject to ...
Página 10
... position as author . Stephen Greenblatt looks at another corpus , that present in what is arguably the most problematic sentence in Christianity : Hoc est corpus meum . The miracle of transubstantiation was followed by what Green- blatt ...
... position as author . Stephen Greenblatt looks at another corpus , that present in what is arguably the most problematic sentence in Christianity : Hoc est corpus meum . The miracle of transubstantiation was followed by what Green- blatt ...
Página 11
... position of loss ( remembered or anticipated ) and is so cathected to death that desire for it is indistinguishable from desire for death - for suicide , the ultimate collapse of subject into object . If Garber and Dollimore resist the ...
... position of loss ( remembered or anticipated ) and is so cathected to death that desire for it is indistinguishable from desire for death - for suicide , the ultimate collapse of subject into object . If Garber and Dollimore resist the ...
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Índice
The ideology of superfluous things King Lear as period piece | 17 |
Rude mechanicals | 43 |
Spensers domestic domain poetry property and the Early Modern subject | 83 |
Materializations | 131 |
Gendering the Crown | 133 |
The unauthored 1539 volume in which is printed the Hecatomphile The Flowers of French Poetry and Other Soothing Things | 166 |
Dematerializations textile and textual properties in Ovid Sandys and Spenser | 189 |
Appropriations | 211 |
Unlearning the Aztec cantares preliminaries to a postcolonial history | 260 |
Fetishisms | 287 |
Worn worlds clothes and identity on the Renaissance stage | 289 |
The Countess of Pembrokes literal translation | 321 |
Remnants of the sacred in Early Modern England | 337 |
Objections | 347 |
The insincerity of women | 349 |
Desire is death | 369 |
Freedom service and the trade in slaves the problem of labor in Paradise Lost | 213 |
Feathers and flies Aphra Behn and the seventeenthcentury trade in exotica | 235 |
Outras edições - Ver tudo
Subject and Object in Renaissance Culture Margreta de Grazia,Maureen Quilligan,Peter Stallybrass Pré-visualização indisponível - 1996 |
Palavras e frases frequentes
actors Amoretti Arachne Arachne's argued aristocratic artisans Aztec Behn Behn's Blazon body Cambridge cantares Cantares mexicanos century clothes Clouts Come Home Colin Clouts costumes countess court courtly cultural death desire discourse Early Modern edition Edmund Spenser Elizabeth Elizabethan England English Epithalamion essay European example Faerie Queene female figure Freud gender genre Greenblatt Hecatomphile Henslowe ideology indigenous Ireland John joining King King Lear labor language Lear Lear's literary livery London luxury male Mary Sidney material metaphor Mexica Midsummer Night's Dream Milton Munster plantation mutability Nahuatl object orgasm Oroonoko Ovid painting Petrarch play play's poem poet poetic poetry political reading relation Renaissance rhetoric royal rude mechanicals scene sexual Shakespeare Sidney slave slavery social song sonnet Spenser stage Stephen Greenblatt Stephen Orgel suggests superfluous tapestry theater theatrical Theseus things tion trans translation Velázquez woman women words writing York
Referências a este livro
Renaissance Clothing and the Materials of Memory Ann Rosalind Jones,Peter Stallybrass Pré-visualização limitada - 2000 |
Maids and Mistresses, Cousins and Queens: Women's Alliances in Early Modern ... Susan Frye,Karen Robertson Pré-visualização limitada - 1999 |