Subject and Object in Renaissance CultureMargreta de Grazia, Maureen Quilligan, Peter Stallybrass Cambridge University Press, 23/02/1996 - 398 páginas This collection of original essays brings together some of the most prominent figures in new historicist and cultural materialist approaches to the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies have concentrated on the human subject. The essays collected here bring objects - purses, clothes, tapestries, houses, maps, feathers, communion wafers, tools, pages, skulls - back into view. As a result, the much-vaunted early modern subject ceases to look autonomous and sovereign, but is instead caught up in a vast and uneven world of objects which he and she makes, owns, values, imagines, and represents. This book puts things back into relation with people; in the process, it elicits new critical readings, and new cultural configurations. |
No interior do livro
Resultados 1-5 de 40
Página xiv
... present working on Unmodernizing the Early Modern , a book concerned with the Early Modern's inveterate obligation to look Modern before its time . Stephen Greenblatt is Class of 1932 Professor of English at the University of California ...
... present working on Unmodernizing the Early Modern , a book concerned with the Early Modern's inveterate obligation to look Modern before its time . Stephen Greenblatt is Class of 1932 Professor of English at the University of California ...
Página xv
... present completing a collection of essays on English Renaissance cultural politics and working with Ann Rosalind Jones on a book about clothes and the formation of identity in Early Modern Europe . Gary Tomlinson is Professor of Music ...
... present completing a collection of essays on English Renaissance cultural politics and working with Ann Rosalind Jones on a book about clothes and the formation of identity in Early Modern Europe . Gary Tomlinson is Professor of Music ...
Página xvi
... late twentieth century . Her present work addresses the relationship between genre and technology in lyric poetry and music video . Acknowledgments The essays in this volume were first written for xvi Notes on the contributors.
... late twentieth century . Her present work addresses the relationship between genre and technology in lyric poetry and music video . Acknowledgments The essays in this volume were first written for xvi Notes on the contributors.
Página 5
... " that which is thrown under , in this case - in order to receive an imprint . We have divided the essays in the present collection into five groups in order to stress their shared focus on some pivotal relationships Introduction 5.
... " that which is thrown under , in this case - in order to receive an imprint . We have divided the essays in the present collection into five groups in order to stress their shared focus on some pivotal relationships Introduction 5.
Página 10
... present in what is arguably the most problematic sentence in Christianity : Hoc est corpus meum . The miracle of transubstantiation was followed by what Green- blatt terms " the problem of the leftover " : the status of the Eucharist's ...
... present in what is arguably the most problematic sentence in Christianity : Hoc est corpus meum . The miracle of transubstantiation was followed by what Green- blatt terms " the problem of the leftover " : the status of the Eucharist's ...
Índice
The ideology of superfluous things King Lear as period piece | 17 |
Rude mechanicals | 43 |
Spensers domestic domain poetry property and the Early Modern subject | 83 |
Materializations | 131 |
Gendering the Crown | 133 |
The unauthored 1539 volume in which is printed the Hecatomphile The Flowers of French Poetry and Other Soothing Things | 166 |
Dematerializations textile and textual properties in Ovid Sandys and Spenser | 189 |
Appropriations | 211 |
Unlearning the Aztec cantares preliminaries to a postcolonial history | 260 |
Fetishisms | 287 |
Worn worlds clothes and identity on the Renaissance stage | 289 |
The Countess of Pembrokes literal translation | 321 |
Remnants of the sacred in Early Modern England | 337 |
Objections | 347 |
The insincerity of women | 349 |
Desire is death | 369 |
Freedom service and the trade in slaves the problem of labor in Paradise Lost | 213 |
Feathers and flies Aphra Behn and the seventeenthcentury trade in exotica | 235 |
Outras edições - Ver tudo
Subject and Object in Renaissance Culture Margreta de Grazia,Maureen Quilligan,Peter Stallybrass Pré-visualização indisponível - 1996 |
Palavras e frases frequentes
actors Amoretti Arachne Arachne's argued aristocratic artisans Aztec Behn Behn's Blazon body Cambridge cantares Cantares mexicanos century clothes Clouts Come Home Colin Clouts costumes countess court courtly cultural death desire discourse Early Modern edition Edmund Spenser Elizabeth Elizabethan England English Epithalamion essay European example Faerie Queene female figure Freud gender genre Greenblatt Hecatomphile Henslowe ideology indigenous Ireland John joining King King Lear labor language Lear Lear's literary livery London luxury male Mary Sidney material metaphor Mexica Midsummer Night's Dream Milton Munster plantation mutability Nahuatl object orgasm Oroonoko Ovid painting Petrarch play play's poem poet poetic poetry political reading relation Renaissance rhetoric royal rude mechanicals scene sexual Shakespeare Sidney slave slavery social song sonnet Spenser stage Stephen Greenblatt Stephen Orgel suggests superfluous tapestry theater theatrical Theseus things tion trans translation Velázquez woman women words writing York
Referências a este livro
Renaissance Clothing and the Materials of Memory Ann Rosalind Jones,Peter Stallybrass Pré-visualização limitada - 2000 |
Maids and Mistresses, Cousins and Queens: Women's Alliances in Early Modern ... Susan Frye,Karen Robertson Pré-visualização limitada - 1999 |