APPEARANCE (hasty) [570]. And, in good time, here comes the sweating lord. APPEARANCES (not to be relied on) [606]. But all hoods make not monks. Queen Katharine. Henry VIII., Act iii. Sc. I. APPEARANCES (not to be relied on) [190]. All that glisters is not gold; Prince of Morocco. Merchant of Venice, Act ii. Sc. 7. APPETITE [814].—See also BREAKFAST. As if increase of appetite had grown there's small choice in rotten apples. Hortensius. Taming of the Shrew, Act i. Sc. I. APRICOCKS [372]. Go, bind thou up yon dangling apricocks, ARCHERY [182]. Gardener. Richard II., Act iii. Sc. 4. when I had lost one shaft, I shot his fellow of the self-same flight The self-same way with more advised watch, ARGUMENT [623]. Bassanio. Merchant of Venice, Act i. Sc. 1. I cannot fight upon this argument; It is too starved a subject for my sword. Troilus. Troilus and Cressida, Act i. Sc. 1. ARGUMENT (angry) [948]. ... enough of this: it came in too suddenly; ARISTOCRATS [881]. Philario. Cymbeline, Act i. Sc. 4. The wealthy curled darlings of our nation, ARMY (English) [335]. Brabantio. Othello, Act i. Sc. 2. a braver choice of dauntless spirits Than now the English bottoms have waft o'er ARMY (defeated) [458]. Chatillon. King John, Act ii. Sc. 1. Big Mars seems bankrupt in their beggar'd host The horsemen sit like fixed candlesticks, With torch-staves in their hand; and their poor Lob down their heads, dropping the hides and hips, The gum down-roping from their pale-dead eyes, ARTISTS [984]. Grandpré. Henry V., Act iv. Sc. 3. In framing an artist, art hath thus decreed, Ass [128]. Simonides. Pericles, Act ii. Sc. 3. O that he were here to write me down an ass! Dogberry. Much Ado about Nothing, Act iv. Sc. 2. ASSOCIATES [766]. Let me have men about me that are fat: ASSOCIATIONS (the value of) [434]. .... . . . It is certain that either wise bearing or ASSURANCE [802]. Falstaff. 2nd Henry IV., Act v. Sc. 1. It is the bright day that brings forth the adder; and vast confusion waits, As doth a raven on a sick-fall'n beast, Bastard. King John, Act iv. Sc. 3. AUTHORITY [74]. .... but man, proud man, Drest in a little brief authority, Most ignorant of what he's most assured, Plays such fantastic tricks before high heaven AUTHORITY [74]. Isabella. Measure for Measure, Act ii. Sc. 2. Because authority, though it err like others, That skins the vice o' the top. BABIES [70]. Isabella. Measure for Measure, Act ii. Sc. 2. The baby beats the nurse, and quite athwart We have a trifling foolish banquet towards. Capulet. Romeo and Juliet, Act i. Sc. 5. BANQUET (all ready) [716]. Madam, the guests are come, supper served up, BANQUET [770]. Servant. Romeo and Juliet, Act i. Sc. 3. Let's carve him as a dish fit for the gods, Brutus. Julius Cæsar, Act ii. Sc. I. BANQUET [677]. A goodly house: the feast smells well; Coriolanus. Coriolanus, Act iv. Sc. 5. BASILISK [955). It is a basilisk unto mine eye, BASILISKS [559]. Posthumus. Cymbeline, Act ii. Sc. 4. Would they were basilisks, to strike thee dead! BEACHED MARGENT [165]. the beached margent of the sea, Titania. Midsummer Night's Dream, Act ii. Sc. I. BEAUTY [638]. The beauty that is borne here in the face The bearer knows not, but commends itself, To others' eyes; Achilles. Troilus and Cressida, Act iii. Sc. 3. BEAUTY (in woman) [718]. .... she hangs upon the cheek of night Like a rich jewel in an Ethiope's ear; Beauty too rich for use, for earth too dear! BEAUTY [139]. .... Romeo. Romeo and Juliet, Act i. Sc. 5. my beauty, though but mean, Needs not the painted flourish of your praise: Against whose charms faith melteth into blood. Claudio. Much Ado about Nothing, Act ii. Sc. I. BEAUTY [149]. Without the beauty of a woman's face? BEAUTY [233]. Biron. Love's Labour's Lost, Act iv. Sc. 3. O yes, I saw sweet beauty in her face, Lucentio. Taming of the Shrew, Act i. Sc. 1. |