A Complete Manual of English LiteratureSheldon & Company, 1867 - 540 páginas |
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Página 8
... CALled MetaPHYSICAL POETS . 167 NOTES AND ILLUSTRATIONS : Other Poets . 176 CHAPTER X. THEOLOGICAL WRITERS OF THE CIVIL WAR AND THE Common- WEALTH . 177 NOTES AND ILLUSTRATIONS : Other Theological and Moral Writers . . • 186 CHAPTER XI ...
... CALled MetaPHYSICAL POETS . 167 NOTES AND ILLUSTRATIONS : Other Poets . 176 CHAPTER X. THEOLOGICAL WRITERS OF THE CIVIL WAR AND THE Common- WEALTH . 177 NOTES AND ILLUSTRATIONS : Other Theological and Moral Writers . . • 186 CHAPTER XI ...
Página 16
... called in the poem the Grendel , is probably nothing but the poetical personification . of some dangerous ... called alliteration . * The language in which these works are composed is usually called Anglo - Saxon ; but in the works ...
... called in the poem the Grendel , is probably nothing but the poetical personification . of some dangerous ... called alliteration . * The language in which these works are composed is usually called Anglo - Saxon ; but in the works ...
Página 21
... called from the different words for yes ) , the general boundary or line of demarcation between them being roughly assignable as coinciding with the Loire . The former of these languages , spoken to the south of this river , was closely ...
... called from the different words for yes ) , the general boundary or line of demarcation between them being roughly assignable as coinciding with the Loire . The former of these languages , spoken to the south of this river , was closely ...
Página 25
... called because it partakes sirongly of the characteristics of both Anglo - Saxon and Old English . III . Old English , from A. D. 1250 to 1350 ( from the middle of the reign Henry III . to the middle of the reign of Edward III . ) . IV ...
... called because it partakes sirongly of the characteristics of both Anglo - Saxon and Old English . III . Old English , from A. D. 1250 to 1350 ( from the middle of the reign Henry III . to the middle of the reign of Edward III . ) . IV ...
Página 26
... called Metrical Paraphrase the Scriptures , which Bede ascribes to CÆDMON , monk of Whitby , in the seventh century . come modern writers assign the work to a much later date . But whatever be the date , it is a striking poem , and ...
... called Metrical Paraphrase the Scriptures , which Bede ascribes to CÆDMON , monk of Whitby , in the seventh century . come modern writers assign the work to a much later date . But whatever be the date , it is a striking poem , and ...
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Palavras e frases frequentes
admirable adventures afterwards ancient Anglo-Saxon appeared beautiful Ben Jonson blank verse BLIND HARRY born Cædmon Canterbury Tales career century character Chaucer Chronicle Church comedy comic composition death delineation dramatic Dryden educated England English English language English poetry essays exhibit exquisite fancy fiction French genius graceful Henry Henry VIII Hudibras human humor illustration inimitable intellectual intense interest James John Johnson Julius Cæsar Lady language Latin latter learning legends literary literature London Lord lyric manner mediæval merit Milton mind Molière moral narrative native nature noble novels original Oxford passion peculiar perhaps period personages philosophical picturesque pieces poems poet poetical poetry political Pope popular possessed principal produced prose published reader reign religious remarkable romance satire Saxon scenes Scotland Scott sentiment Shakspeare society spirit story style taste THOMAS tion tone tragedy translation Trouvère verse vigorous Wicliffe William writings written wrote
Passagens conhecidas
Página 529 - Father, Thy hand Hath reared these venerable columns. Thou Didst weave this verdant roof. Thou didst look down Upon the naked earth, and forthwith rose All these fair ranks of trees. They in Thy sun Budded, and shook their green leaves in Thy breeze, And shot towards heaven. The centuryliving crow, Whose birth was in their tops, grew old and died Among their branches, till at last they stood, As now they stand, massy and tall and dark, Fit shrine for humble worshipper to hold Communion with his Maker.
Página 203 - On the other side, Satan, alarmed, Collecting all his might, dilated stood, Like Teneriff or Atlas, unremoved : His stature reached the sky, and on his crest Sat Horror plumed ; nor wanted in his grasp What seemed both spear and shield.
Página 212 - ... sometimes it is couched in a bold scheme of speech, in a tart irony, in a lusty hyperbole, in a startling metaphor, in a plausible reconciling of contradictions, or in acute nonsense ; sometimes...
Página 464 - His work is eminently judicial. Its whole spirit is that of the bench, not that of the bar. He sums up with a calm, steady impartiality, turning neither to the right nor to the left, glossing over nothing, exaggerating nothing, while the advocates on both sides are alternately biting their lips to hear their conflicting misstatements and sophisms exposed. On a general survey, we do not scruple to pronounce the Constitutional History the most impartial book that we ever read.
Página 454 - ... by night in places of interment. Some stalked slowly on, absorbed in profound reverie ; some, shrieking with agony, ran furiously about like tigers wounded with poisoned arrows ; whilst others, grinding their teeth in rage, foamed along more frantic than the wildest maniac. They all avoided each other; and, though surrounded by a multitude that no one could number, each wandered at random unheedful of the rest, as if alone on a desert where no foot had trodden.
Página 288 - steerer of the realm," to Miss Pulteney in the nursery. The numbers are smooth and sprightly, and the diction is seldom faulty. They are not loaded with much thought, yet, if they had been written by Addison, they would have had admirers; little things are not valued but when they are done by those who can do greater.
Página 52 - Women," long ago Sung by the morning star of song, who made His music heard below ; Dan Chaucer, the first warbler, whose sweet breath Preluded those melodious bursts that fill The spacious times of great Elizabeth With sounds that echo still.
Página 127 - The reluctant pangs of abdicating royalty in Edward furnished hints which Shakspeare scarcely improved in his Richard the Second; and the death-scene of Marlowe's king moves pity and terror beyond any scene ancient or modern with which I am acquainted.
Página 267 - Pope's translation is far from unfaithful; but in the spirit, the atmosphere, so to say, of the original, the ballad-like version of Chapman is far superior. Bentley's criticism is, after all, the best and most comprehensive that has yet been made on this work: "It is a pretty poem, Mr. Pope, but you must not call it Homer.
Página 424 - But, from the arms of silence — list ! O list ! The music bursteth into second life ; The notes luxuriate, every stone is kissed By sound, or ghost of sound, in mazy strife ; Heart-thrilling strains, that cast, before the eye Of the devout, a veil of ecstasy ! CONTINUED.