The Atlantic Literary Review, Volume 2,Edições 1-2Atlantic Publishers and Distributors, 2001 |
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Página 11
... Bertha can finally have a life , can finally live in the memory of people , of Jane who has fallen prey to Cartesian anxiety , to writing as a desperate alternative to combat that anxiety ; that is , to struggle with the specter of Bertha ...
... Bertha can finally have a life , can finally live in the memory of people , of Jane who has fallen prey to Cartesian anxiety , to writing as a desperate alternative to combat that anxiety ; that is , to struggle with the specter of Bertha ...
Página 12
... Bertha free from the symbolic realm in which American feminists shut her . Perhaps , asking of American feminists or readers in general to give Bertha due attention might seem an imposition of high order , for how can we ask the reader ...
... Bertha free from the symbolic realm in which American feminists shut her . Perhaps , asking of American feminists or readers in general to give Bertha due attention might seem an imposition of high order , for how can we ask the reader ...
Página 16
... Bertha had to pay to be wedded to him and to his good race of cormorants . And the artist behind this scene is Jane ... Bertha Mason . Certainly , the term " Bride " is itself a shrine of memory travelling , as it were , near and yet far ...
... Bertha had to pay to be wedded to him and to his good race of cormorants . And the artist behind this scene is Jane ... Bertha Mason . Certainly , the term " Bride " is itself a shrine of memory travelling , as it were , near and yet far ...
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THE ATLANTIC LITERARY REVIEW | 1 |
Ana Bringas | 24 |
Paula GarcíaRamírez | 42 |
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