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Página 34
Accordingly , the whole narrative relies on the differences between the characters ' truths , playing with information that each character lacks and their consequently partial view of the situation . The plot has to be reconstructed in ...
Accordingly , the whole narrative relies on the differences between the characters ' truths , playing with information that each character lacks and their consequently partial view of the situation . The plot has to be reconstructed in ...
Página 91
the marginalized other , and the showing up of the limits of patriarchal authority and knowledge , is then accounted for as a characteristically gothic narrative doubleness , a deliberate “ breaking apart of a composite narrative " in ...
the marginalized other , and the showing up of the limits of patriarchal authority and knowledge , is then accounted for as a characteristically gothic narrative doubleness , a deliberate “ breaking apart of a composite narrative " in ...
Página 97
The sense of shame , that deconstructs any eulogistic reading of the text , emphasizes this linearity and forms a sort of pre - condition for Kipling's AngloIndian narrative . This exposure of colonial desire or transgression and the ...
The sense of shame , that deconstructs any eulogistic reading of the text , emphasizes this linearity and forms a sort of pre - condition for Kipling's AngloIndian narrative . This exposure of colonial desire or transgression and the ...
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THE ATLANTIC LITERARY REVIEW | 1 |
Ana Bringas | 24 |
Paula GarcíaRamirez | 42 |
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American analysis anthologies appears attempt authority becomes Bertha Black body British called characters child colonial communication concern construction context create critical cultural death described desire discourse dream English experience fact female feminist fiction figure hand human identity images imagination important Indian individual interpretation irony Italy Jane John kind knowledge language literary literature live London look meaning memory moral myth narrative narrator native nature never notes notion novel Orient past person perspective play poetics poetry political position possible present published question reader reading reality reason reference relation relationship relevance represents response role sense sexual slave slavery social society space Sperber story structure suggests tells theory things traditional Travels understanding University Utopia utterance voice Western Wilson woman women writing York young