Twentieth Century Criticism: The Major Statements

action aesthetic archetype Aristotle artist attitude audience Basilikon Doron become believe called character Christian Cleanth Brooks comedy complete conception consciousness covert culture D. H. Lawrence drama effect elements emotion Essays example existence experience expression eyes fact feeling fiction film Gatsby Genre Gloucester Hamlet Historical Criticism human ideas imagery imagination imitation Joyce Kenyon Review kind knowledge language Last Tycoon Lear literary criticism literature living Macbeth means merely Metaphysical Poetry method Milton mind modern moral myth and ritual nature novel object Odysseus Othello particular person philosophy play plot poem poet poetic poetry possible present primitive principle problem psychology question reader reason relation ritual pattern scene sense Shakespeare silence speak spirit story structure symbol T. S. Eliot technique theme theory things thought tragedy tragic truth unconscious University vision whole words writer