Twentieth Century Criticism: The Major StatementsWilliam J. Handy, Max Westbrook Free Press, 1974 - 499 páginas |
No interior do livro
Resultados 1-3 de 76
Página 86
... reader of Prufrock is swept up in a narrative movement from the very first lines : Let us go then , you and I , When the evening ... And the reader , accompanying Prufrock , finally arrives at their mutual destination : In the room the ...
... reader of Prufrock is swept up in a narrative movement from the very first lines : Let us go then , you and I , When the evening ... And the reader , accompanying Prufrock , finally arrives at their mutual destination : In the room the ...
Página 90
... reader in an ordinary novel must here be reconstructed from fragments , sometimes hundreds of pages apart , scattered through the book . As a result , the reader is forced to read Ulysses in exactly the same manner as he reads modern ...
... reader in an ordinary novel must here be reconstructed from fragments , sometimes hundreds of pages apart , scattered through the book . As a result , the reader is forced to read Ulysses in exactly the same manner as he reads modern ...
Página 93
... reader ; and its form is controlled by the method that he has outlined in its concluding pages . In other words , the reader is substituted for the narrator and is placed by the author throughout the book in the same position as that ...
... reader ; and its form is controlled by the method that he has outlined in its concluding pages . In other words , the reader is substituted for the narrator and is placed by the author throughout the book in the same position as that ...
Índice
Introduction | 2 |
IMMANUEL KANT from Critique of Judgment 9 | 9 |
F S FLINT and EZRA POUND On Imagism V17 | 22 |
Direitos de autor | |
16 outras secções não apresentadas
Palavras e frases frequentes
action aesthetic archetype Aristotle artist attitude audience Basilikon Doron become believe called character Christian Cleanth Brooks comedy complete conception consciousness covert culture D. H. Lawrence drama effect elements emotion Essays example existence experience expression eyes fact feeling fiction film Gatsby Genre Gloucester Hamlet Historical Criticism human ideas imagery imagination imitation Joyce Kenyon Review kind knowledge language Last Tycoon Lear literary criticism literature living Macbeth means merely Metaphysical Poetry method Milton mind modern moral myth and ritual nature novel object Odysseus Othello particular person philosophy play plot poem poet poetic poetry possible present primitive principle problem psychology question reader reason relation ritual pattern scene sense Shakespeare silence speak spirit story structure symbol T. S. Eliot technique theme theory things thought tragedy tragic truth unconscious University vision whole words writer
Referências a este livro
Message in Design: A Study of R.K. Narayan's Fiction Paramjit Singh Ramana Visualização de excertos - 1993 |