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deed was gone for a few days to his Tusculan, but by the care of his Villicus, we made an admirable meal. We had the dugs of a pregnant sow, a peacock, a dish of thrushes, a noble scarus just fresh from the Tyrrhene, and some conchylia of the lake with garum sauce: for my part I never eat better at Lucullus's table. We drank half a dozen cyathi a-piece of ancient Alban to Pholoë's health; and, after bathing, and playing an hour at ball, we mounted our essedum again, and proceeded up the mount to the temple. The priests there entertained us with an account of a wonderful shower of birds' eggs, that had fallen two days before, which had no sooner touched the ground, but they were converted into gudgeons; as also that the night past a dreadful voice had been heard out of the Adytum, which spoke Greek during a full half hour, but nobody understood it. But quitting my Romanities, to your great joy and mine, let me tell you in plain English, that we come from Albano. The present town lies within the inclosure of Pompey's villa in ruins. The Appian way runs through it, by the side of which, a little farther, is a large old tomb, with five pyramids upon it, which the learned suppose to be the burying-place of the family, because they do not know whose it can be else. But the vulgar assure you it is the sepulchre of the Curiatii, and by that name (such is their power) it goes. One drives to Castel Gondolfo, a house of the Pope's, situated on the top of one of the Collinette, that forms a brim to the basin, commonly called the Alban lake.

great precision, referring under every article to passages in the poets and historians where their names are mentioned.

It is seven miles round; and directly opposite to you, on the other side, rises the Mons Albanus, much taller than the rest, along whose side are still discoverable (not to common eyes) certain little ruins of the old Alba longa. They had need be very little, as having been nothing but ruins ever since the days of Tullus Hostilius. On its top is a house of the Constable Colona's, where stood the temple of Jupiter Latialis. At the foot of the hill Gondolfo, are the famous outlets of the lake, built with hewn stone, a mile and a half under ground. Livy, you know, amply informs us of the foolish occasion of this expense, and gives me this opportunity of displaying all my erudition, that I may appear considerable in your eyes. This is the prospect from one window of the palace. From another you have the whole Campagna, the city, Antium, and the Tyrrene sea (twelve miles distant) so distinguishable, that you may see the vessels sailing upon it. All this is charming. Mr. Walpole says our memory sees more than our eyes in this country. Which is extremely true; since for realities, Windsor, or Richmond Hill, is infinitely preferable to Albano or Frescati. I am now at home, and going to the window to tell you it is the most beautiful of Italian nights, which, in truth, are but just begun (so backward has the spring been here, and every where else, they say). There is a moon! there are stars for you! Do you not hear the fountain? Do not you smell the orange flowers? That building yonder is the convent of S. Isidore; and that eminence, with the cypress trees and pines upon it, the top of M. Quirinal. This is all true, and yet my prospect is not two hundred yards

in length. We send you some Roman inscriptions to entertain you. The first two are modern, transcribed from the Vatican library by Mr. Walpole.

Pontifices olim quem fundavere priores,

Præcipuâ Sixtus perficit arte tholum ;*
Et Sixti tantum se gloria tollit in altum,
Quantum se Sixti nobile tollit opus :
Magnus honos magni fundamina ponere templi,
Sed finem cæptis ponere major honos.

Saxa agit Amphion, Thebana ut mænia condat:
Sixtus et immensæ pondera molis agit.†
Saxa trahunt ambo longè diversa: sed arte
Hæc trahit Amphion; Sixtus et arte trahit.
At tantum exsuperat Dircæum Amphiona Sixtus,
Quantum hic exsuperat cætera saxa lapis.

Mine is ancient, and I think not less curious. It is exactly transcribed from a sepulchral marble, at the villa Giustiniani. I put stops to it, when I

understand it.

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DIS Manibus

Claudiae, Pistes

Primus Conjugi
Optumae, Sanctae,

Et Piae, Benemeritate.

Non æquos, Parcae, statuistis stamina vitae.
Tam bene compositos potuistis sed tenere.
Amissa est conjux. cur ego et ipse moror?

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Sibella esse mî · iste mea vivere · debuit •
Tristia contigerunt qui amissâ conjuge vivo.
Nil est tam miserum, quam totam perdere vitam.
Nec vita enasci dura peregistis crudelia pensa, sorores,
Ruptaque deficiunt in primo munere fusi.

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O nimis injustæ ter denos dare munus in annos,
Deceptus grautus. fatum sic pressit egestas.
Dum vitam tulero, Primus Pistes lugea conjugium.

* Sixtus V. built the dome of St. Peter's.
+ He raised the obelisk in the great area.

LETTER XXII.

MR. GRAY TO HIS MOTHER.

Naples, June 17, 1740.

OUR journey hither was through the most beautiful part of the finest country in the world; and every spot of it, on some account or other, famous for these three thousand years past.* The season has hitherto been just as warm as one would wish it; no unwholesome airs, or violent heats, yet heard of: the people call it a backward year, and are in pain about their corn, wine, and oil; but we, who are neither corn, wine, nor oil, find it very agreeable. Our road was through Velletri, Cisterna, Terracina, Capua, and Aversa, and so to Naples. The minute one leaves his Holiness's dominions, the face of things begins to change from wide uncultivated plains to olive groves and well-tilled fields of corn, intermixed with ranks of elms, every one of which has its vine twining about it, and hanging in festoons between the rows from one tree to another. The great old fig-trees, the oranges in full bloom, and myrtles in every hedge, make one of the delightfullest scenes you can conceive; besides that, the roads are wide, well-kept, and full of passengers, a sight I have not beheld this long time. My wonder still increased upon entering the city, which I think, for

* Mr. Gray wrote a minute description of every thing he saw in this tour from Rome to Naples; as also of the environs of Rome, Florence, &c. But as these papers are apparently only memorandums for his own use, I do not think it necessary to print them, although they abound with many uncommon remarks and pertinent classical quotations. The reader will please to observe throughout this Section, that it is not my intention to give him Mr. Gray's travels, but only extracts from the letters which he writ during his travels.

number of people, outdoes both Paris and London. The streets are one continued market, and thronged with populace so much that a coach can hardly pass. The common sort are a jolly lively kind of animals, more industrious than Italians usually are: they work till evening; then they take their lute or guitar (for they all play) and walk about the city, or upon the sea shore with it, to enjoy the fresco. One sees their little brown children jumping about stark naked, and the bigger ones dancing with castanets, while others play on the cymbal to them. Your maps will shew you the situation of Naples; it is on the most lovely bay in the world, and one of the calmest seas: it has many other beauties besides those of nature. We have spent two days in visiting the remarkable places in the country round it, such as the bay of Baiæ, and its remains of antiquity; the lake Avernus, and the Solfatara, Charon's grotto, &c. We have been in the Sybils' cave and many other strange holes underground (I only name them, because you may consult Sandy's Travels); but the strangest hole I ever was in, has been to-day at a place called Portici, where his Sicilian majesty has a country seat. About a year ago, as they were digging, they discovered some parts of ancient buildings above thirty feet deep in the ground: curiosity led them on, and they have been digging ever since; the passage they have made, with all its turnings and windings, is now more than a mile long. As you walk, you see parts of an amphitheatre, many houses adorned with marble columns, and incrusted with the same; the front of a temple, several arched vaults of rooms painted in

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