The Fourteenth CenturyW. Blackwood and sons, 1899 - 428 páginas |
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Página 3
... compositions exhibit a fine . medley of the worldly and other - worldly . The speech and confession of a typical trouvère , Hugues de Bersil , explain this apparent contradiction by the real contra- diction of preaching and practice ...
... compositions exhibit a fine . medley of the worldly and other - worldly . The speech and confession of a typical trouvère , Hugues de Bersil , explain this apparent contradiction by the real contra- diction of preaching and practice ...
Página 10
... compositions on the development of the Carlovingian epic . The Anglicising of Astolfo is due to error or forgetfulness on the part of the author or transcriber of the Entrée de Spagne . At first Estout appears as de Lengres and Lengrois ...
... compositions on the development of the Carlovingian epic . The Anglicising of Astolfo is due to error or forgetfulness on the part of the author or transcriber of the Entrée de Spagne . At first Estout appears as de Lengres and Lengrois ...
Página 11
... composition , the Roman d'Hector , like the more famous Roman de Troie of Benoit de Sainte - More , is in rhymed couplets of eight syllables , and , being concerned with the early exploits of the hero , may be cited as an instance of ...
... composition , the Roman d'Hector , like the more famous Roman de Troie of Benoit de Sainte - More , is in rhymed couplets of eight syllables , and , being concerned with the early exploits of the hero , may be cited as an instance of ...
Página 20
... composition as a whole exists only in black - letter . Some notion of its character , however , may be gleaned from a liberal excerpt in Bartsch's Chrestomathie describing in considerable detail the knighting of a young " damoysel ...
... composition as a whole exists only in black - letter . Some notion of its character , however , may be gleaned from a liberal excerpt in Bartsch's Chrestomathie describing in considerable detail the knighting of a young " damoysel ...
Página 35
... - success . This furnishes the lyrical element in the composition . The ríma proper is epic in character , and its subjects are drawn from existing sögur . In essence the ríma was a dance - song , and THE END OF COURT - POETRY . 35.
... - success . This furnishes the lyrical element in the composition . The ríma proper is epic in character , and its subjects are drawn from existing sögur . In essence the ríma was a dance - song , and THE END OF COURT - POETRY . 35.
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Palavras e frases frequentes
allegory alliterative appears artistic Ayala ballad Beatrice Boccaccio Brunetto Latini cæsura Canterbury Canterbury Tales canto chansons de geste Chaucer chronicle Commedia composed composition contemporary Convivio couplet cynghanedd Dante Dante's death Decameron Dino Dino Compagni Divine edition English epic epistles fabliau fact fame favour Florence Florentine fourteenth century France French Froissart Gamelyn German Ghibellines Gower Guelf Guido Guinicelli Guittone hand honour influence Italian Italy Jean King knight lady language later Latin legend lines literary literature lyric matter mediæval ment metre moral nature noble novel original Paradiso perhaps Petrarch poem poet poetical poetry popular probably prose Provençal Purgatory Ramon Muntaner regard rendered rhyme rhyme royal rímur romance sense song sonnet soul speaks spirit stanza story strophe style syllables tale things thou thought tion translation Troubadour verse Villani Virgil vision Vita Nuova Wiclif words writings written
Passagens conhecidas
Página 217 - Behold, I will take the children of Israel from among the heathen, whither they be gone, and will gather them on every side, and bring them into their own land : And I will make them one nation in the land upon the mountains of Israel; and one king shall be king to them all: and they shall be no more two nations, neither shall they be divided into two kingdoms any more at all...
Página 160 - Per me si va nella città dolente; per me si va nell' eterno dolore; per me si va tra la perduta gente.
Página 299 - Quell' uno e due e tre che sempre vive, E regna sempre in tre e due ed uno, Non circonscritto e tutto circonscrive, Tre volte era cantato da ciascuno Di quelli spirti con tal melodia, Ch...
Página 219 - Wherefore a lion out of the forest shall slay them, and a wolf of the evenings shall spoil them, a leopard shall watch over their cities : every one that goeth out thence shall be torn in pieces : because their transgressions are many, and their backslidings are increased.
Página 137 - Hier ist die Frage nicht von einer Liebe, Die sich des Gegenstands bemeistern will, Ausschließend ihn besitzen, eifersüchtig Den Anblick jedem andern wehren möchte. Wenn er in seliger Betrachtung sich Mit deinem Wert beschäftigt, mag er auch An meinem leichtern Wesen sich erfreun. Uns liebt er nicht — verzeih, daß ich es sage!
Página ii - Europe as being, for intellectual and spiritual purposes, one great confederation, bound to a joint action and working to a common result...
Página 216 - O dear Spirit, half-lost In thine own shadow and this fleshly sign That thou art thou — who wailest being born And banish'd into mystery, and the pain Of this divisible-indivisible world Among the numerable-innumerable Sun, sun, and sun, thro...
Página 121 - God, from the beginning excellent. So should my lady give That truth which in her eyes is glorified, On which her heart is bent, To me whose service waiteth at her side. My lady, God shall ask, 'What daredst thou?
Página 229 - Twas now the hour that turneth back desire In those who sail the sea, and melts the heart, The day they've said to their sweet friends farewell, And the new pilgrim penetrates with love, If he doth hear from far away a bell That seemeth to deplore the dying day...
Página 234 - Qui non si canta al modo delle rane, Qui non si canta al modo del poeta Che finge imaginando cose vane; Ma qui risplende e luce ogni natura Che a chi intende fa la mente lieta. Qui non si sogna per la selva oscura.