Convention and Revolt in the Treatment of Landscape in the Early Nineteenth Century

amongst appearance approach artists associated Ballads Beaumont beautiful became become Byron classical Claude close Coleridge colour considerable considered Constable contemporaries continued conventional cottages countryside depict described District early edition effect eighteenth century England English existence feeling felt fields garden George grounds hand hills ideas important influence interest Italy Keats knowledge labourer Lake land landscape landscape gardening landscape painting later less letters light living London looked Lyrical matter mentioned merely mind moreover mountains nature never nineteenth century noted novels observation painter painting passed Peacock picturesque poems poetry poets political Price reading remained result romantic rural scene scenery Scott seems seen sense shows sketches society sometimes suggests taste throughout tour tradition trees turn Turner usually verse village visited Wordsworth writers wrote