Still another kind of advertisement swindle-still more distinct from the general run of swindles-is that by which certain ambitious persons try to obtain a spurious notoriety. Their desire is in no way connected with trade, though as it has in its effect the passing off of inferior wares upon the public as though they were of first-class quality, the word swindle very properly applies to their little trickery. These men pine for recognition in the public prints, and so long. as their names are mentioned, no matter how, they regard the task of achieving a cheap immortality as progressing towards completion. Literature and the various phases of art suffer most from these impostors, who very often not only attain notoriety by means of the specious puffery they exercise, but by it obtain money as well. No one can be blind to the manner in which some very small literary lights manage to keep their names continually paraded before the public; and the puffs are so worded that the unthinking are bound to believe that these rushlight writers are the souls of the literature and journalism of the present day. Said the publisher of a magazine, who is not renowned for either taste or education, when it was proposed that a really eminent man should write him an article, "No; I dessay he's very good, but I want men with names.

I can get Montague Smith and Chumley Jones and Montmorency Thomson, all famous, and all glad to write for two pound a sheet-why, I never heard of your man, and yet he wants ten times as much. I never see his name in the papers." This was the publisher who is said to have refused to pay for the refrain of a set of verses except where it first occurred, and demanded that the rest should be measured off and deducted from the price originally agreed upon. So not only in the case of the publisher, but in that of the public do these small potatoes, who have a knack of glossing over their mean surnames with high-sounding prefixes, render themselves representatives of an institution the real leaders in which are often quite unknown out of their own circles.

For every thousand familiar with the name of Shakespeare Green, the writer of "awfuls," there is not one who can tell you who are the editors of the leading daily papers and principal reviews. The anonymity of journalism has its advantages, and very likely the directors of public opinion are content to remain behind its curtain; but it is through this same anonymous arrangement that the smallest of small fry measured on their merits are enabled to parade themselves as they do. There are, we know, many deservedly well and widely known writers for newspapers and serials who are really what they profess to be, and who depend upon nothing so much as merit for success; but even they must admit the truth of what we have said, and must often feel very like the apples did as they went down stream in the fable.

It might be as well here to say a few words about the advertisement swindles that are perpetrated by means of photographs. It has long been a crying evil that at certain theatres shameless women who wear many diamonds and few clothes are allowed to appear upon the stage and play at acting. Much training enables them now and again to deliver half-a-dozen lines without displaying their ignorance and peculiarity of aspiration too glaringly; but they cannot be depended on to do even this much with certainty. Sometimes they sing in the smallest of small voices, and a few of them have mastered the breakdown and the can-can ; but their chief attraction consists, to the audience, in their lavish display of limbs and "neck," and, to the manager, in their requiring but nominal salaries. One would have thought it sufficient that such creatures should exhibit themselves to the people who choose to go and see them; but it is not so, they get themselves photographed in the most extraordinary attitudes, and their counterfeit presentments leer out from the shop windows upon passers-by in much the same manner as in the flesh-sometimes in very much of it-they leer at their friends in the stalls and

boxes. Now and again we see the portrait of one real and justly-celebrated actress surrounded by these demireps, but of late what are known as actresses' portraits consist mainly of those to whom the title is convenient, or of those who combine a little of the actress with a great deal of the courtesan. Those artists whose portraits should grace the photographers' show-cases hardly care to run the risk of being mixed up in the questionable society they see there; and we can vouch for the fact that in a leading thoroughfare, of twenty-five English portraits exhibited in a window as those of actresses, at which we were looking but recently, there were not five that were really what they pretended to be.

Of hoaxes which come within our scope a very noticeable one took place in August 1815. A short time previous to the departure of the French Emperor from our coast on his last journey, to St Helena, a respectably-dressed man caused a quantity of handbills to be distributed through. Chester, in which he informed the public that a great number of genteel families had embarked at Plymouth, and would certainly proceed with the British regiment appointed to accompany the ex-Emperor to St Helena: he added further, that the island being dreadfully infested with rats, his Majesty's ministers had determined that it should be forthwith effectually cleared of those noxious animals. To facilitate this important purpose, he had been deputed to purchase as many cats and thriving kittens as could possibly be procured for money, in a short space of time; and therefore he publicly offered in his handbills "sixteen shillings for every athletic full-grown tom-cat, ten shillings for every adult female puss, and half-a-crown for every thriving vigorous kitten that could swill milk, pursue a ball of thread, or fasten its young fangs in a dying mouse." On the evening of the third day after this advertisement had been distributed, the people of Chester were astonished by an irruption of a multitude of old women, boys, and girls into

their streets, each of whom carried on his or her shoulders either a bag or a basket, which appeared to contain some restless animal. Every road, every lane, was thronged with this comical procession; and before night a congregation of nearly three thousand cats was collected in Chester. The happy bearers of these sweet-voiced creatures proceeded (as directed by the advertisement) towards one street with their delectable burdens. Here they became closely wedged together. A vocal concert soon ensued. The women screamed; the cats squalled; the boys and girls shrieked aloud, and the dogs of the street howled to match, so that it soon became difficult for the nicest ear to ascertain whether the canine, the feline, or the human tones were predominant. Some of the cat-bearing ladies, whose dispositions were not of the most placid nature, finding themselves annoyed by their neighbours, soon cast down their burdens and began to box. A battle royal ensued. The cats sounded the war-whoop with might and main. Meanwhile the boys of the town, who seemed mightily to relish the sport, were actively employed in opening the mouths of the deserted sacks, and liberating the cats from their forlorn situations. The enraged animals bounded immediately on the shoulders and heads of the combatants, and ran spitting, squalling, and clawing along the undulating sea of skulls, towards the walls of the houses of the good people of Chester. The citizens, attracted by the noise, had opened the windows to gaze at the fun. The cats, rushing with the rapidity of lightning up the pillars, and then across the balustrades and galleries, for which the town is so famous, leaped slap-dash through the open windows into the apartments. Never, since the days of the celebrated Hugh Lupus, were the drawing-rooms of Chester filled with such a crowd of unwelcome guests.

Now were

heard the crashes of broken china; the howling of affrighted dogs; the cries of distressed damsels, and the groans of well-fed citizens. All Chester was soon in arms; and dire

were the deeds of vengeance executed on the feline race. Next morning above five hundred dead bodies were seen floating on the river Dee, where they had been ignominiously thrown by the two-legged victors. The rest of the invading host having evacuated the town, dispersed in the utmost confusion to their respective homes.

In 1826 the following handbill was circulated in Norwich and its neighbourhood for some days previous to the date. mentioned in it, and caused great excitement :

St James's Hill, back of the Horse Barracks.

The Public are respectfully informed that Signor CARLO GRAM VILLECROP, the celebrated Swiss Mountain Flyer, from Geneva and Mont Blanc, is just arrived in this City, and will exhibit with a Tyrol. ese Pole, fifty feet long, his most astonishing Gymnastic Flights, never before witnessed in this country Signor Villecrop has had the great honour cf exhibiting his most extraordinary Feats on the Continent before the King of Prussia, Emperor of Austria, the Grand Duke of Tuscany, and all the resident Nobility in Switzerland. He begs to inform the Ladies and Gentlemen of this City that he has selected St James's Hill and the adjoining hills for his performances, and will first display his remarkable strength in running up the hill with his Tyrolese Pole between his teeth. He will next lay on his back, and balance the same Pole on his nose, chin, and different parts of his body. He will climb upon it with the astonishing swiftness of a cat, and stand on his head at the top; on a sudden he will leap three feet from the Pole without falling, suspending himself by a shenese cord only. He will also walk on his head up and down the hill, balancing the Pole on one foot. Many other feats will be exhibited, in which Signor Villecrop will display to the audience the much-admired art of toppling, peculiar only to the Peasantry of Switzerland. He will conclude his performance by repeated flights in the air, up and down the hill, with a velocity almost imperceptible, assisted only by his Pole, with which he will frequently jump the astonishing distance of Forty and Fifty Yards at a time. Signor Villecrop begs to assure the ladies and gentlemen who honour him with their company that no money will be collected till after the exhibition, feeling convinced that his exertions will be liberally rewarded by their generosity. The Exhibition to commence on Monday, the 28th of August 1826, precisely at half-past five o'clock in the evening.

On the evening of the 28th August there were more than twenty thousand people assembled at the foot of the hill, on