The life of J.M.W. Turner, Volume 1 |
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Página viii
... Sir Charles Eastlake , President of the Royal Academy , E. M. Ward , R.A. , Messrs . Bale and Smith , Mr. Mayall , the eminent photo- grapher , Wilkie Collins , Esq . , and the two executors , Messrs . Hardwicke and Cockerell . Nor can ...
... Sir Charles Eastlake , President of the Royal Academy , E. M. Ward , R.A. , Messrs . Bale and Smith , Mr. Mayall , the eminent photo- grapher , Wilkie Collins , Esq . , and the two executors , Messrs . Hardwicke and Cockerell . Nor can ...
Página 142
... Sir Charles Eastlake ( who is learned in technicalities ) quotes THE OLD MASTERS . 143 The Flemings also painted tapestry 142 CHAPTER IX RISE AND PROGRESS OF WATER-COLOUR PAINTING IN ENGLAND.
... Sir Charles Eastlake ( who is learned in technicalities ) quotes THE OLD MASTERS . 143 The Flemings also painted tapestry 142 CHAPTER IX RISE AND PROGRESS OF WATER-COLOUR PAINTING IN ENGLAND.
Página 151
... Sir Charles Eastlake , " we shall find many more of these , for I remember being with Turner once , in Devon- shire , when he made sketches in oil . " But no more were found . He generally preferred the pencil - point , writing in here ...
... Sir Charles Eastlake , " we shall find many more of these , for I remember being with Turner once , in Devon- shire , when he made sketches in oil . " But no more were found . He generally preferred the pencil - point , writing in here ...
Página 219
... Sir Charles Eastlake , President of the Royal Academy . " Turner visited Plymouth ( my native town ) while I was staying there in the summer of 1813 , or per- haps 1814 ( 1812 ? ) , painting portraits . As he wished to see the scenery ...
... Sir Charles Eastlake , President of the Royal Academy . " Turner visited Plymouth ( my native town ) while I was staying there in the summer of 1813 , or per- haps 1814 ( 1812 ? ) , painting portraits . As he wished to see the scenery ...
Página 231
... Sir Charles Eastlake , who was with him , by his anxiety to discover some particular spot . He had been particularly anxious as to what Mr. Munro wanted- " a copy " or an ideal picture . A 232 VENICE . " copy " was asked for ,
... Sir Charles Eastlake , who was with him , by his anxiety to discover some particular spot . He had been particularly anxious as to what Mr. Munro wanted- " a copy " or an ideal picture . A 232 VENICE . " copy " was asked for ,
Palavras e frases frequentes
Abbey admirable afterwards architectural artist artist's proofs barber beautiful blue boats born Brentford Bridge Calais Carthage Castle Claude clouds Coast colour copy Cozens dark Dayes death died distance early effect England English engraver eyes father figures foreground Gallery Garden genius Girtin grey guineas Hearne hills imitation Italy J. M. W. TURNER lake landscape Liber light lived London looking Lord Loutherbourg Maiden-lane Malton Margate mezzotint mind mountain Munro never numbers once painter Palace Paul Sandby pencil perhaps Petworth picture Plague of Egypt plates portrait proofs river Rome Royal Academy ruins Ruskin sails says scene scenery Scotland Scott seen shadows ship Sir Charles Eastlake sketch-books sketches skies Somerset House studies sunset Téméraire Thames tints touch tour trees Trimmer Turner exhibited Turner painted Twickenham Ulysses Venice visited water-colour drawings yellow Yorkshire
Passagens conhecidas
Página 296 - Last noon beheld them full of lusty life, Last eve in beauty's circle proudly gay ; The midnight brought the signal-sound of strife, The morn the marshalling in arms — the day Battle's magnificently stern array ! The thunder-clouds close o'er it, which when rent The earth is covered thick with other clay, Which her own clay shall cover, heaped and pent, Rider and horse — friend, foe, — in one red burial blent...
Página 189 - Such dusky grandeur clothed the height, Where the huge castle holds its state, And all the steep slope down, Whose ridgy back heaves to the sky, Piled deep and massy, close and high, Mine own romantic town...
Página 190 - Hath rent a strange and shatter'd way Through the rude bosom of the hill, And that each naked precipice, Sable ravine, and dark abyss, Tells of the outrage still. The wildest glen, but this, can show Some touch of Nature's genial glow ; On high...
Página 190 - But here, — above, around, below, On mountain or in glen, Nor tree, nor shrub, nor plant, nor flower, Nor ought of vegetative power, The weary eye may ken.
Página 185 - Cowdenknowes,' the pastoral valley of the Leader, and the bleak wilderness of Lammermoor. To the eastward the desolate grandeur of Hume Castle breaks the horizon, as the eye travels towards the range of the Cheviot. A few miles westward, Melrose, " like some tall rock with lichens grey...
Página 316 - Thou art the garden of the world, the home Of all Art yields, and Nature can decree ; Even in thy desert, what is like to thee ? Thy very weeds are beautiful, thy waste More rich than other climes' fertility : Thy wreck a glory, and thy ruin graced With an immaculate charm which cannot be defaced.
Página 159 - But the most impressive scene, which formed the finale of the exhibition, was that representing the region of the fallen angels, with Satan arraying his troops on the banks of the Fiery Lake, and the rising of the Palace of Pandaemonium, as described by the pen of Milton.
Página 333 - Temeraire: so that these four ships formed as compact a tier as if they had been moored together, their heads lying all the same way. The lieutenants of the Victory...
Página 153 - Itspecullar , , v , , . ,.6 manifestation in of the Yorkshire series have the most heart in them, the most affectionate, simple, unwearied, serious finishing of truth. There is in them little seeking after effect, but a strong love of place, little exhibition of the artist's own powers...