sel, laden with merchandize, its pilot attentive and serious, its sailors busy, with women seated near the door of the cabin; here, a heavy-looking boat, dragging two or three after it; there, a little horse drawing a huge bark, as an ant drags a dead beetle. Suddenly there is a winding in the river; and formerly, on turning, an immense raft, a floating house, presented itself, the oars splashing on both sides. On the ponderous machine were cattle of all kinds, some bleating, and others bellowing, when they perceived the heifers peaceably grazing on the banks. The master came and went, looked at this, then at that, while the sailors busily performed their respective duties. A whole village seemed to live on this float,-on this prodigious construction of fir.]

The floating of wood seems, like many other useful establishments, to have been invented or first undertaken by private persons at their own risk and expense, with the consent of governments, or at least without any opposition from them; but, as soon as it was brought to be useful and profitable, to have been considered among regalia. Hence, therefore, soon arose the float-regal, which, indeed, on account of the free use granted of rivers, the many regulations requisite, and its connexion with the forest-regal, can be sufficiently justified. But when and where originated the term jus grutiæ, under which this regal is known by jurists?

The few authors who have turned their thoughts to this question have not been able, as far as I know, to answer it with certainty, nor even with probability. They have only repeated, without making any researches themselves, what Stypmann1 has said on the subject; and the latter refers to a passage of Hadrian Junius, which I shall here more particu larly notice. Junius, speaking of the oldest families in the Netherlands, says that the family of Wassenaer had formerly a certain supremacy over the rivers in Rhineland, so that no one, without their permission, could keep swans on them; and that the brewers paid for the use of the water a certain tax called the gruyt-geld, from which arose the jus grutæ. The origin of this word he did not know; but he conjectured that it was derived either from gruta, which signifies duckweed (Lemna), a plant that grows in the water and covers its surface during the summer, or from grut, an ingredient used

1 De Jure Maritimo, p. i. c. 10. n. 100.

in making beer1. It is certain that in the tenth, eleventh, and thirteenth centuries gruta, grutt, or gruit, signified a tax which brewers were obliged to pay 2; but the origin of the word has been sufficiently explained neither by Junius nor any other writer. I nowhere find that it was used in ancient times for a float-duty; and this meaning Junius himself has not so much as once mentioned.

The word gruit occurs under a quite different sense in a letter of investiture of the year 1593, by which the elector of Cologne gave as a fief to the countess of Moers, the gruit within the town of Berg, with all its rents, revenues, and appurte nances. "No other person was allowed to put grudt or any plant in beer, or to draw beer brought from other countries. On the other hand, the countess was to make good grutt, and to cause it to be sold at the price usual in the neighbouring parts; she was bound also to supply the elector gratis with what beer was necessary for family consumption; and if more was required than usual, on extraordinary occasions, she was to ask and receive money. If any one in the town did not deliver good gruidt, and should prove that he could not deliver better, as the fault was occasioned by the gruitte, the loss that might arise should fall upon the countess. The word grut or gruitt seems to occur here under a double meaning; as an ingredient in the beer, and as the beer itself which was made from it. Of this difficulty I have in vain endeavoured to find an explanation. Grut, perhaps, may signify malt. In

1 H. Junii Batavia. Lugd. Bat. 1558, 4to, p. 327.—Hugo Grotius de Antiquitate Reipub. Batavicæ, cap. 4.-Délices de la Hollande. Amst. 1685, 12mo, p. 218: "Les Wassenaers tiennent leur origine d'une village qui est entre Leiden et la Haye, ou des droits qu'ils eurent les siecles passez sur les eaux, les estangs et les lacs de la Hollande."-Those who are fond of indulging in conjecture might form the following conclusion :The lakes and streams belonged to the Wassenaers, who kept swans, geese and ducks upon them. When the brewers were desirous of clearing the water from the duck-weed, which in Fritsch's German Dictionary is called Enten-grutz, in order that it might be fitter for use, they were obliged to pay a certain sum to obtain permission; and when the practice of floating timber began, the floats disturbed the ducks, and destroyed the plant on which they fed, and the proprietors of floats were on this account obliged to pay a certain tax also. But was it customary at that period to float timber in the Netherlands?

2 Glossarium Manuale, iii. p. 850: "Gruta, Grutt, Gruit, appellant tributum, quod pro cerevisia pensitatur."

Dutch and other kindred languages grut means the small refuse which is separated from anything; and to which grusch bran, and grütze groats, have an affinity. May not ground malt be understood by it? I have thought likewise of a kind of herb-beer, which was much esteemed in the sixteenth century; and that grut might signify a mixture of herbs used for making that beer. It is probable that this word was confined within the boundaries of the Netherlands; and thence only, perhaps, is an explanation of it to be expected.

I am, however, still unable to comprehend how the floatduty obtained the name of jus grutiæ; and in our kindred languages I can find no derivation of it. The German word

flosz, from fliessen, to flow or glide; flusz, a river, occurs in them all. The Dutch say vlot, vlothout; the Swedes, en flott, flotta, to float; flot-wed, float-wood; and the English, a float, to float, &c.

LACE.

FIFTY years ago, when a knowledge of many useful and ingenious arts formed a part of the education given to young women destined for genteel life, one who should have supposed that any reader could be ignorant of the manner in which lace is made, would only have been laughed at; but as most of our young ladies at present employ the greater part of their time in reading romances or the trifles of the day, it is probable that many who have even had an opportunity of frequenting the company of the fair sex, may never have seen the method of working lace. For this reason, I hope I shall be permitted to say a few words in explanation of an art to wards the history of which I mean to offer such information as I have been able to collect.

Proper lace or point was not wove. It had neither warp nor woof, but was rather knit after the manner of nets (filets) or of stockings. In the latter, however, one thread only is employed, from which the whole piece or article of dress is made; whereas lace is formed of as many threads as the pat

tern and breadth require, and in such a manner that it exhibits figures of all kinds. To weave, or, as it is called, knit lace, the pattern, stuck upon a slip of parchment, is fastened to the cushion of the knitting-box; the thread is wound upon the requisite number of spindles, which are called bobbins; and these are thrown over and under each other in various ways, so that the threads twine round pins stuck in the holes of the pattern, and by these means produce that multiplicity of eyes or openings which give to the lace the desired figures, For this operation much art is not necessary; and the invention of it is not so ingenious as that of weaving stockings. Knitting, however, is very tedious; and when the thread is fine and the pattern complex, it requires more patience than the modern refinement of manners has left to young ladies for works of this kind. Such labour, therefore, is consigned to the hands of indigent girls, who by their skill and dexterity raise the price of materials, originally of little value, higher when manufactured than has ever yet been possible by any art whatever. The price, however, becomes enormous when knit lace has been worked with the needle or embroidered: in French it is then called points.

The antiquity of this art I do not pretend to determine with much certainty; and I shall not be surprised if others by their observations trace it higher than I can. I remember no passage in the Greek or Latin authors that seems to allude to it; for those who ascribe works of this kind to the Romans found their opinion on the expression opus Phrygianum: but the art of the Phrygians', as far as I have hitherto been able to learn, consisted only in needle-work: and those ingenious borders sewed upon clothes and tapestry, mention of which occurs in the ancients, cannot be called lace, as they have been by Braun 2 and other writers. I am however firmly of opinion that lace worked by the needle is much older than

1 This is proved by the vestes Phrygioniæ of Pliny mentioned before in the article on wire-drawing. Those who made such works were called phrygiones. In the Menæchmi of Plautus, act ii. scene 3, a young woman, desirous of sending her mantle to be embroidered, says, "Pallam illam ad phrygionem ut deferas, ut reconcinnetur, atque ut opera addantur, quæ volo.” Compare Aulul. act iii. scene 5; Non. Marcellus, i. 10; and Isidor. 19, 22. The Greeks seem to have used the words кEvтeiv and KATAOTÍŽEIV as we use the word embroider.

2 De Vestitu Sacerdot. Hebræorum, i. p. 212.

that made by knitting. Lace of the former kind may be found among old church furniture, and in such abundance that it could have been the work only of nuns or ladies of fortune, who had little else to employ their time, and who imagined it would form an agreeable present to their Maker; for had it been manufactured as an article of commerce, we must cer tainly have found more information respecting it.

We read in different authors that the art of making lace was brought from Italy, particularly from Genoa and Venice, to Germany and France; but this seems to allude only to the oldest kind, or that worked with the needle, and which was by far the dearest. At any rate, I have nowhere found an expression that can be applied to lace wove or knit. In the account given of the establishment of the lace manufacture under Colbert in 1666, no mention is made but of points1.

I will venture to assert that the knitting of lace is a German invention, first known about the middle of the sixteenth century; and I shall consider as true, until it be fully contradicted, the account given us that this art was found out, before the year 1561, at St. Annaberg, by Barbara wife of Christopher Uttmann. This woman died in 1575, in the sixty-first year of her age, after she had seen sixty-four children and grandchildren; and that she was the inventress of this art is unanimously affirmed by all the annalists of that part of Saxony2. About that period the mines were less productive, and the making of veils, an employment followed by the families of the miners, had declined, as there was little demand for them. This new invention, therefore, was so much used that it was known in a short time among all the wives and daughters of

1 Count de Marsan, the youngest son of count d'Harcourt, brought from Brussels to Paris his former nurse, named Du Mont, with her four daughters, and procured for her an exclusive right to establish and carry on the lace manufactory in that capital. In a little time Du Mont and her daughters collected more than two hundred women, many of whom were of good families, who produced such excellent work that it was in little or nothing inferior to that imported from other countries.-Vie de Jean-Bapt. Colbert, Cologne, 1696, 12mo, p. 154.

2 The oldest information on this subject is to be found in Annabergæ Urbis Historia, auctore Paulo Jenisio. Dresdæ, 1605, 4to, ii. p. 33.-C. Melzer, Berglauftige Beschreibung der Stadt Schneeberg. 1684, p. 471.-Historia Schneebergensis. Schneeberg 1716, 4to, p. 882.-Tob. Schmidt, Zwickauische Chronik. Zwickau, 1656, 4to. ii. p. 384.-Lehmanns Historischer Schauplatz des Obererzgebirges. Leipzig, 1699, 4to, p. 771.

VOL. I.

2 H