Mediating Order and Chaos: The Water-cycle in the Complex Adaptive Systems of Romantic Culture
Rodopi, 2001 - 349 páginas
This literature-centered study offers an interdisciplinary approach to Romantic culture. If is pioneering in that it employs the complexity method of anthropology. Recent literary studies employ the complexity/chaos theory adapted from the natural sciences; however, here is presented for the first time a complexity method taken from the social/human sciences. This complexity method is useful in mediating not only contradictions within Romanticism, but the chaos of contemporary theories concerning it. One of the intensifying literary debates is that between the so-called “Greens” and “Reds,” naturalists and humanists.Mediating Order and Chaos not only traces the split between nature and man to Romantic Culture but finds there, too, a Spinozian vision of man and nature in unity – thereby denying any naturalist/humanist split. This volume is of interest for those who wish to see essays in the holistic approach to culture. Centering on hydraulics, hydrology, and meteorology, this study examines literature, painting, music, economics, and the rhetoric of science, philosophy, and politics, it therewith demonstrates how the water cycle was transformed into a cosmic metaphor that mediated, in the form of several complex adaptive systems, between the chaos of too much change and that of not enough.
Opinião das pessoas - Escrever uma crítica
Não foram encontradas quaisquer críticas nos locais habituais.
Outras edições - Ver tudo
appears artist aspect become Byron century chaos chapter clear close clouds compared complexity concept Constable contains context continuity course create cycle described early effect elements employed English eternal expression falls feel flow flux fountain French Friedrich gives Goethe Goethe's human important lake landscape later light lines lyric means metaphor mind movement moves nature observed ocean offers opening painters painting passage passing permanence persona phenomena poem poet poetic poetry political present quarter rain reading rendered represent rhetoric river rocks Romantic Romantic culture Romanticism scene scientific seems seen sense Shelley significant sound spring stanza storm stream suggest symbol term theory things treated turn Turner vision water-cycle waterfall waves Wordsworth writes York