Jewish Icons: Art and Society in Modern EuropeUniversity of California Press, 1998 - 358 páginas With the help of over one hundred illustrations spanning three centuries, Richard Cohen investigates the role of visual images in European Jewish history. In these images and objects that reflect, refract, and also shape daily experience, he finds new and illuminating insights into Jewish life in the modern period. Pointing to recent scholarship that overturns the stereotype of Jews as people of the text, unconcerned with the visual, Cohen shows how the coming of the modern period expanded the relationship of Jews to the visual realm far beyond the religious context. In one such manifestation, orthodox Jewry made icons of popular tabbis, creating images that helped to bridge the sacred and the secular. Toward the end of the nineteenth century, the study and collecting of Jewish art became a legitimate and even passionate pursuit, and signaled the entry of Jews into the art world as painters, collectors, and dealers. Cohen's exploration of early Jewish exhibitions, museums, and museology opens a new window on the relationship of art to Jewish culture and society. |
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... offered me the congenial and inspiring setting of Yale University to further my work , and both helped sharpen my analysis of certain parts of this book . Oliver Holmes enabled me to extend the contours of the project as a PEW fellow of ...
... offered me the congenial and inspiring setting of Yale University to further my work , and both helped sharpen my analysis of certain parts of this book . Oliver Holmes enabled me to extend the contours of the project as a PEW fellow of ...
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... offered support and encouragement . I have also been fortunate to have had the benefit of the expertise and careful concern of Rachel Berchten and Kathleen MacDougall , who guided the manuscript through its publication . Grants from the ...
... offered support and encouragement . I have also been fortunate to have had the benefit of the expertise and careful concern of Rachel Berchten and Kathleen MacDougall , who guided the manuscript through its publication . Grants from the ...
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... offering alternative ways to look at art , have certainly changed the thinking on art and society . Feminist criticism as employed by Linda Nochlin in her various essays over the last generation provides an example . In several studies ...
... offering alternative ways to look at art , have certainly changed the thinking on art and society . Feminist criticism as employed by Linda Nochlin in her various essays over the last generation provides an example . In several studies ...
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Índice
The Visual Image of the Jew and Judaism | 10 |
Ceremonial Art Patronage and Taste | 68 |
The Rabbi as Icon | 114 |
Nostalgia and The Return to the Ghetto | 154 |
SelfExposure SelfImage and Memory | 186 |
Images of Jewish Fate | 220 |
Epilogue | 256 |
Notes | 261 |
319 | |
349 | |
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Palavras e frases frequentes
Akiva Eger Albrecht Altdorfer Amsterdam appears Berlin Bernard Picart Bezalel burial society Central Europe Christian circumcision collection contemporary context Coryate Court Jews courtesy of Jewish depictions editions eighteenth century emerged engraving European example exhibition Ezra Mendelsohn Frankfurt German ghetto Haggadah Hebrew Herzl Hirszenberg historian iconographic illuminated illustration individuals integrated Israel Museum Jacob Jerusalem Jewish Art Jewish artists Jewish Chronicle Jewish community Jewish customs Jewish history Jewish Museum Jewish National Jewish ritual Jewish society Jewry Jews and Judaism Johannes Judaica Judaism Juden Jüdische jüdischer Kaufmann London modern Moses National and University nineteenth century objects Ost und West painting Paris passim period Photo Picart Pilichowski pogroms Portrait of Rabbi portrayal Prague published rabbinic figures religious representation rite Romeyn de Hooghe sense seventeenth century showed social Studies symbolic synagogue tion Torah traditional University Library University Press various visual material Wandering Jew woodcuts York Zionist
Passagens conhecidas
Página 8 - You shall not make for yourself a graven image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth...
Página ix - She opens her mouth with wisdom, and the teaching of kindness is on her tongue. She looks well to the ways of her household, and does not eat the bread of idleness. Her children rise up and call her blessed; her husband also, and he praises her: "Many women have done excellently, but you surpass them all.
Referências a este livro
Art and Judaism in the Greco-Roman World: Toward a New Jewish Archaeology Steven Fine Pré-visualização limitada - 2005 |
Jewish Scholarship and Culture in Nineteenth-Century Germany: Between ... Nils Roemer Pré-visualização limitada - 2005 |