Essays and PoemsCharles C. Little and James Brown, 1839 - 175 páginas |
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Página
... beauty fades , Beauty , 121 122 The Wind - Flower , 123 The Robin , 124 The Columbine , 125 The New Birth , 126 The Son , 127 In Him we live , 128 Enoch , 129 The Morning Watch , 130 The Living God , The.
... beauty fades , Beauty , 121 122 The Wind - Flower , 123 The Robin , 124 The Columbine , 125 The New Birth , 126 The Son , 127 In Him we live , 128 Enoch , 129 The Morning Watch , 130 The Living God , The.
Página 5
... beauty and heroism than dwell in the minds of those around him . Wandering , as his active imagination must have led him to do , in the days of the past , Homer must have been led by the fitness of the materials presented to him in the ...
... beauty and heroism than dwell in the minds of those around him . Wandering , as his active imagination must have led him to do , in the days of the past , Homer must have been led by the fitness of the materials presented to him in the ...
Página 13
... beauty , which the critic has shown to be followed by nature herself . When Aristotle tells us that the action of an epic should be one and entire , and that it should be a great action , he tells us of what constitutes its - essence ...
... beauty , which the critic has shown to be followed by nature herself . When Aristotle tells us that the action of an epic should be one and entire , and that it should be a great action , he tells us of what constitutes its - essence ...
Página 21
... beauty , that an interest could be imparted to the epic corresponding to that of the drama . The poem of Tasso forms the only exception to this remark , and this , as we have shown , does but confirm our observation ; for it represents ...
... beauty , that an interest could be imparted to the epic corresponding to that of the drama . The poem of Tasso forms the only exception to this remark , and this , as we have shown , does but confirm our observation ; for it represents ...
Página 24
... beauty or terror , tell us now but of one creative spirit in whom we recognise our Father . " The intelligible forms of ancient poets , The fair humanities of old religion , The power , the beauty , and the majesty That had their haunts ...
... beauty or terror , tell us now but of one creative spirit in whom we recognise our Father . " The intelligible forms of ancient poets , The fair humanities of old religion , The power , the beauty , and the majesty That had their haunts ...
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Palavras e frases frequentes
admiration Aristotle beauty become beneath bloom bosom breast breath bright child childlike Christ Christian consciousness creations dæmon dark death Divine doth earth ence endeavor to show epic interest epic poem epic poetry eternal exhibit existence Father feel felt flower forever free agency gaze genius gift give Hamlet hand Harfleur hast hear heart heaven heroes heroic character heroic spirit Homer hour human mind Iliad impulse influence JAMES BROWN light live look Lucan Macbeth Menelaus Milton motive motley fool natural action never o'er objects onward ourselves outward Paradise Lost perfect play poet poet's Polonius possessed praise present rejoice rendered rest robes seems selfishness sense Shakspeare Shakspeare's mind song soul speak stand strange stream strongly sweet tell thee thine things thou thought tion tism tongue tree uncon unconscious utter Virgil visible voice wind wonder words
Passagens conhecidas
Página 78 - I have given suck, and know How tender 'tis to love the babe that milks me: I would, while it was smiling in my face, Have pluck'd my nipple from his boneless gums, And dash'd the brains out, had I so sworn as you Have done to this.
Página 59 - The homely nurse doth all she can To make her foster-child, her inmate, Man, Forget the glories he hath known, And that imperial palace whence he came. Behold the Child among his new-born blisses, A six years...
Página 26 - Many there be that complain of Divine Providence for suffering Adam to transgress; foolish tongues! When God gave him reason, he gave him freedom to choose, for reason is but choosing; he had been else a mere artificial Adam, such an Adam as he is in the motions.
Página 46 - tis too horrible ! The weariest and most loathed worldly life, ^ That age, ache, penury, and imprisonment Can lay on nature, is a paradise To what we fear of death.
Página 72 - There are who ask not if thine eye Be on them; who, in love and truth, Where no misgiving is, rely Upon the genial sense of youth : Glad Hearts! without reproach or blot Who do thy work, and know it not: Oh!
Página 34 - I was confirmed in this opinion, that he who would not be frustrate of his hope to write well hereafter in laudable things, ought himself to be a true poem...
Página 104 - Our revels now are ended... These our actors, As I foretold you, were all spirits, and Are melted into air, into thin air, And, like the baseless fabric of this vision, The cloud-capped towers, the gorgeous palaces, The solemn temples, the great globe itself, Yea, all which it inherit, shall dissolve, And, like this insubstantial pageant faded, Leave not a rack behind: we are such stuff As dreams are made on; and our little life Is rounded with a sleep..
Página 92 - O, what a noble mind is here o'erthrown ! The courtier's, soldier's, scholar's, eye, tongue, sword : The expectancy and rose of the fair state, The glass of fashion and the mould of form, The observed of all observers, quite, quite down!
Página 92 - Makes mouths at the invisible event, Exposing what is mortal, and unsure To all that fortune, death and danger dare, Even for an egg-shell.
Página 24 - The intelligible forms of ancient poets, The fair humanities of old religion, The power, the beauty, and the majesty, That had their haunts in dale or piny mountain, Or forest, by slow stream or pebbly spring, Or chasms, and watery depths ; all these have vanished ; They live no longer in the faith of reason...
Referências a este livro
Melville and the Politics of Identity: From King Lear to Moby-Dick Julian Markels Pré-visualização limitada - 1993 |
Romantische Ästhetik: Untersuchungen z. engl. Kunstlehre d. späten 18. u ... Herbert Mainusch Visualização de excertos - 1969 |