Ben JonsonRichard Dutton Longman, 2000 - 223 páginas This collection offers detailed readings of all Ben Jonson's major plays - Volpone, Epicene, The Alchemist and Bartholomew Fair - and the poems. It also provides insights into the court masques and the later plays which have been rediscovered in the late-20th century. |
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Página 22
... performance , but as yet it carries nothing like the weight that performance studies do in relation to Shakespeare : see Performance Studies in the Further Reading . For Dickens's performances of Every Man In , see PETER ACKROYD ...
... performance , but as yet it carries nothing like the weight that performance studies do in relation to Shakespeare : see Performance Studies in the Further Reading . For Dickens's performances of Every Man In , see PETER ACKROYD ...
Página 73
... performance are likened to soul and body , and there is no doubt – as in the quarrel with Inigo Jones - that Jonson believes that the written text matters , and not the performance with its sceneographic and choreographic accompaniments ...
... performance are likened to soul and body , and there is no doubt – as in the quarrel with Inigo Jones - that Jonson believes that the written text matters , and not the performance with its sceneographic and choreographic accompaniments ...
Página 74
... performance becomes a text - he calls it a poem - and the spectator is primarily an auditor and , as in the first of the Epigrammes , an understander , a reader . Jonson wishes to make the performance of the masque a text with the same ...
... performance becomes a text - he calls it a poem - and the spectator is primarily an auditor and , as in the first of the Epigrammes , an understander , a reader . Jonson wishes to make the performance of the masque a text with the same ...
Índice
JOHN G SWEENEY III Sejanus and the Peoples Beastly Rage | 50 |
IAN DONALDSON | 118 |
MARY BETH ROSE | 136 |
Direitos de autor | |
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Palavras e frases frequentes
action Alchemist audience authority Bakhtin Barish Bartholomew Fair become Ben Jonson Cambridge carnival characters city comedy colonization comic court criticism culture Cynthia's Revels described Drama and Society Dramatist early modern economic Elizabethan England English Literary English Renaissance Epicoene Epigram Epistle essay Face festive festive marketplace fools Germanicans History ideological Inigo Jones Jacobean Jonson's play Jonson's poetry Jonsonian judgment king king's Knights language London Lovewit Magnetic Lady marginal marketplace masque meaning Mercury moral Mosca Oxford patronage performance perspective plague play's playwright plot poem poet poet's poetic political praise Puritan Quarlous readers relation relationship Renaissance Drama representation represents reveals rogues role royal satire Sejanus Selden sense sexual Shakespeare Silent Woman spectators stage STEPHEN ORGEL structure Stuart Studies Subtle Subtle's T. S. Eliot theater theatrical Tiberius traditional transformation Truewit Underwood University Press virtue vision Volpone Volpone's Winwife women writing