Ben JonsonRichard Dutton Longman, 2000 - 223 páginas This collection offers detailed readings of all Ben Jonson's major plays - Volpone, Epicene, The Alchemist and Bartholomew Fair - and the poems. It also provides insights into the court masques and the later plays which have been rediscovered in the late-20th century. |
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Página 28
... sense ) are functionally related to historical disjunctions in the social organization of reality . Nor is he alone in this . The literature of the age is filled with a sense of the relationship between social fragmentation and ...
... sense ) are functionally related to historical disjunctions in the social organization of reality . Nor is he alone in this . The literature of the age is filled with a sense of the relationship between social fragmentation and ...
Página 57
... sense , the play can be said to reject its audience . Thus Sejanus is a play about self - interested theater which itself becomes such a theater , casting its audience as ' victims ' in much the same way that first the Germanicans and ...
... sense , the play can be said to reject its audience . Thus Sejanus is a play about self - interested theater which itself becomes such a theater , casting its audience as ' victims ' in much the same way that first the Germanicans and ...
Página 104
... sense of being produced or nurtured , by the very thing it celebrates . In a manner altogether typical of Jonson , line 4 - ' As to be raised by her is only fame ' – refers simultaneously to the poem's subject and to the poem itself ...
... sense of being produced or nurtured , by the very thing it celebrates . In a manner altogether typical of Jonson , line 4 - ' As to be raised by her is only fame ' – refers simultaneously to the poem's subject and to the poem itself ...
Índice
JOHN G SWEENEY III Sejanus and the Peoples Beastly Rage | 50 |
IAN DONALDSON | 118 |
MARY BETH ROSE | 136 |
Direitos de autor | |
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Palavras e frases frequentes
action Alchemist audience authority Bakhtin Barish Bartholomew Fair become Ben Jonson Cambridge carnival characters city comedy colonization comic court criticism culture Cynthia's Revels described Drama and Society Dramatist early modern economic Elizabethan England English Literary English Renaissance Epicoene Epigram Epistle essay Face festive festive marketplace fools Germanicans History ideological Inigo Jones Jacobean Jonson's play Jonson's poetry Jonsonian judgment king king's Knights language London Lovewit Magnetic Lady marginal marketplace masque meaning Mercury moral Mosca Oxford patronage performance perspective plague play's playwright plot poem poet poet's poetic political praise Puritan Quarlous readers relation relationship Renaissance Drama representation represents reveals rogues role royal satire Sejanus Selden sense sexual Shakespeare Silent Woman spectators stage STEPHEN ORGEL structure Stuart Studies Subtle Subtle's T. S. Eliot theater theatrical Tiberius traditional transformation Truewit Underwood University Press virtue vision Volpone Volpone's Winwife women writing