Domestic life and domestic tragedy in early modern England: The material life of the householdManchester University Press, 19/07/2013 - 256 páginas In a theatre which self-consciously cultivated its audiences’ imagination, how and what did playgoers ‘see’ on the stage? This book reconstructs one aspect of that imaginative process. It considers a range of printed and documentary evidence - the majority previously unpublished - for the way ordinary individuals thought about their houses and households. It then explores how writers of domestic tragedies engaged those attitudes to shape their representations of domesticity. It therefore offers a new method for understanding theatrical representations, based around a truly interdisciplinary study of the interaction between literary and historical methods. The plays she cites include Arden of Faversham, Two Lamentable Tragedies, A Woman Killed With Kindness, and A Yorkshire Tragedy. |
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... nature of the local, on the shockingness of the contemporary and on those plays for which the nature of the household is the motivating dynamic for action, and in which the meaning of events is therefore shaped by their location. The ...
... nature of the local, on the shockingness of the contemporary and on those plays for which the nature of the household is the motivating dynamic for action, and in which the meaning of events is therefore shaped by their location. The ...
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... nature of the representation. It is, for Aristotle, 'situations of vividly imagined particularity that constitute the primary fabric of mimetic art'. 49Halliwell also makes the ethical component of mimesis clear. To understand such a ...
... nature of the representation. It is, for Aristotle, 'situations of vividly imagined particularity that constitute the primary fabric of mimetic art'. 49Halliwell also makes the ethical component of mimesis clear. To understand such a ...
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... nature of the murder, the unusual and distinctive nature of the weapon, was what triggered the workings of conscience through the equivalence of representation and historical reality. Like Hamlet's hopes for his 'Mousetrap', such ...
... nature of the murder, the unusual and distinctive nature of the weapon, was what triggered the workings of conscience through the equivalence of representation and historical reality. Like Hamlet's hopes for his 'Mousetrap', such ...
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... nature of staged drama, more pernicious than the written script because of the 'lively representations' of sin to which it gives rise. Seeing events represented in a 'lively' manner induces deep and personal emotional responses in the ...
... nature of staged drama, more pernicious than the written script because of the 'lively representations' of sin to which it gives rise. Seeing events represented in a 'lively' manner induces deep and personal emotional responses in the ...
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... nature – the characterisation and depiction of scenes, dynamics, objects and situations to which it gives a narrative – invite audiences to connect stage action with their own experience. What is physically presented to the audience's ...
... nature – the characterisation and depiction of scenes, dynamics, objects and situations to which it gives a narrative – invite audiences to connect stage action with their own experience. What is physically presented to the audience's ...
Índice
Two Lamentable Tragedies | |
A Woman Killed With Kindness | |
Statistical information on the material culture of | |
Bibliography | |
Outras edições - Ver tudo
Domestic Life and Domestic Tragedy in Early Modern England: The Material ... Catherine Richardson Pré-visualização limitada - 2013 |
Domestic Life and Domestic Tragedy in Early Modern England: The Material ... Catherine Richardson Visualização de excertos - 2006 |
Domestic Life and Domestic Tragedy in Early Modern England: The Material ... Catherine Richardson Pré-visualização indisponível - 2006 |
Palavras e frases frequentes
actions Alice Alice’s Anne’s Arden of Faversham audience audience’s authority Beech behaviour Cambridge University Press Canterbury CCAL chamber characterised chest Christopher Marlowe city comedies Cleaver complex connection context Culture cupboard deponents distinction domestic space domestic tragedies doors Drama dynamics Early Modern Britain Early Modern England Elizabethan emotional English focus Frankford gender gives hall Heywood’s household space husband imagination individuals instance intimacy John Killed With Kindness Lamentable Tragedies London marriage master material meanings Merry Merry’s metaphorical mimesis moral Mosby murder narrative neighbours Nethersole Nethersole’s offers Orlin Oxford painted cloths parlour particular Peter physical play play’s probate inventories relationship Renaissance representation routines Routledge says scene sense servants Shakespeare significance social spatial stage status stools street Street Literature suggests tension Tenterden testators theatre Thomas town trope University of Kent Wendoll Wendoll’s wife wife’s Woman Killed women Woodnesborough Yorkshire Tragedy