Domestic life and domestic tragedy in early modern England: The material life of the householdManchester University Press, 19/07/2013 - 256 páginas In a theatre which self-consciously cultivated its audiences’ imagination, how and what did playgoers ‘see’ on the stage? This book reconstructs one aspect of that imaginative process. It considers a range of printed and documentary evidence - the majority previously unpublished - for the way ordinary individuals thought about their houses and households. It then explores how writers of domestic tragedies engaged those attitudes to shape their representations of domesticity. It therefore offers a new method for understanding theatrical representations, based around a truly interdisciplinary study of the interaction between literary and historical methods. The plays she cites include Arden of Faversham, Two Lamentable Tragedies, A Woman Killed With Kindness, and A Yorkshire Tragedy. |
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... stage. I would never have started on the project in the first place without a British Academy Studentship. During those years and afterwards I worked with some wonderful people at the University of Kent, whose willingness to engage in ...
... stage. I would never have started on the project in the first place without a British Academy Studentship. During those years and afterwards I worked with some wonderful people at the University of Kent, whose willingness to engage in ...
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... the pointedness of its homiletic intention.27 In what follows I examine the relationship between the spatial containment which is an essential feature of a house, and the dynamics of representation on a comparatively 'bare' stage.
... the pointedness of its homiletic intention.27 In what follows I examine the relationship between the spatial containment which is an essential feature of a house, and the dynamics of representation on a comparatively 'bare' stage.
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... stage. This suggests a shift of focus away from both the body of the actor and the authority of the script, not in order to argue that stage and prop are more important, but to think about how they negotiate audience imagination. As my ...
... stage. This suggests a shift of focus away from both the body of the actor and the authority of the script, not in order to argue that stage and prop are more important, but to think about how they negotiate audience imagination. As my ...
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... stage, 'the relationship between the verbal text and the conventions ... of behaviour that give it meaningful force as performed action'. 34 If drama as illusion involves a complex negotiation between the physical and the verbal ...
... stage, 'the relationship between the verbal text and the conventions ... of behaviour that give it meaningful force as performed action'. 34 If drama as illusion involves a complex negotiation between the physical and the verbal ...
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... stage afford what Harris and Korda call 'distracting glimpses' of the 'material, economic' and, one might add, affective histories of the properties and spaces which the audience see, bringing extra-theatrical meanings into play.38 ...
... stage afford what Harris and Korda call 'distracting glimpses' of the 'material, economic' and, one might add, affective histories of the properties and spaces which the audience see, bringing extra-theatrical meanings into play.38 ...
Índice
Two Lamentable Tragedies | |
A Woman Killed With Kindness | |
Statistical information on the material culture of | |
Bibliography | |
Outras edições - Ver tudo
Domestic Life and Domestic Tragedy in Early Modern England: The Material ... Catherine Richardson Pré-visualização limitada - 2013 |
Domestic Life and Domestic Tragedy in Early Modern England: The Material ... Catherine Richardson Visualização de excertos - 2006 |
Domestic Life and Domestic Tragedy in Early Modern England: The Material ... Catherine Richardson Pré-visualização indisponível - 2006 |
Palavras e frases frequentes
actions Alice Alice’s Anne’s Arden of Faversham audience audience’s authority Beech behaviour Cambridge University Press Canterbury CCAL chamber characterised chest Christopher Marlowe city comedies Cleaver complex connection context Culture cupboard deponents distinction domestic space domestic tragedies doors Drama dynamics Early Modern Britain Early Modern England Elizabethan emotional English focus Frankford gender gives hall Heywood’s household space husband imagination individuals instance intimacy John Killed With Kindness Lamentable Tragedies London marriage master material meanings Merry Merry’s metaphorical mimesis moral Mosby murder narrative neighbours Nethersole Nethersole’s offers Orlin Oxford painted cloths parlour particular Peter physical play play’s probate inventories relationship Renaissance representation routines Routledge says scene sense servants Shakespeare significance social spatial stage status stools street Street Literature suggests tension Tenterden testators theatre Thomas town trope University of Kent Wendoll Wendoll’s wife wife’s Woman Killed women Woodnesborough Yorkshire Tragedy