The Art of Elocution: Or, Logical and Musical Reading and Declamation. With an Appendix Containing a Copious Practice in Oratorical, Poetical, and Dramatic Reading and Recitation; the Whole Forming a Complete Speaker, Well Adapted to Private Pupils, Classes, and the Use of SchoolsShepard, 1847 - 383 páginas |
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Página 4
... pauses , and modulation of voice in pitch and emphasis , all of which are treated in this book , intelligibly , and we should judge from a slight examination , to good purpose . Half the volume is de- voted to the developement of the ...
... pauses , and modulation of voice in pitch and emphasis , all of which are treated in this book , intelligibly , and we should judge from a slight examination , to good purpose . Half the volume is de- voted to the developement of the ...
Página 16
... pauses , emphases , & c . ) — there are three weighty objections " and the reverend and learned logician states the objections to be , " 1st . That the proposed system must necessarily be im- perfect ; " 2dly . That if it were perfect ...
... pauses , emphases , & c . ) — there are three weighty objections " and the reverend and learned logician states the objections to be , " 1st . That the proposed system must necessarily be im- perfect ; " 2dly . That if it were perfect ...
Página 18
... pause , inflection , or emphasis , stated that " His name was Norval on the Grampian hills , ” — leaving the hearer to imagine that in the lowlands he went under another cognomen . But , really , the whole course of the right reverend ...
... pause , inflection , or emphasis , stated that " His name was Norval on the Grampian hills , ” — leaving the hearer to imagine that in the lowlands he went under another cognomen . But , really , the whole course of the right reverend ...
Página 63
... PAUSE . - 2 . INFLECTION . - 3 . EMPHASIS . 1. PAUSE . RHETORICAL PAUSES . The grammatical pauses which are addressed to the eye of the reader are insufficient for the speaker ; who addresses himself to the understanding " through the ...
... PAUSE . - 2 . INFLECTION . - 3 . EMPHASIS . 1. PAUSE . RHETORICAL PAUSES . The grammatical pauses which are addressed to the eye of the reader are insufficient for the speaker ; who addresses himself to the understanding " through the ...
Página 64
... pauses , viz . 1. The short Pause , thus marked , equal , in duration of time , to the Quaver - Rest in music . 2. The middle Pause ,, double the time of the short pause . 3. The Rest , - , or full pause , double the middle pause , and ...
... pauses , viz . 1. The short Pause , thus marked , equal , in duration of time , to the Quaver - Rest in music . 2. The middle Pause ,, double the time of the short pause . 3. The Rest , - , or full pause , double the middle pause , and ...
Outras edições - Ver tudo
The Art of Elocution, Or, Logical and Musical Reading and Declamation: With ... George Vandenhoff Visualização integral - 1851 |
The Art of Elocution: Or, Logical and Musical Reading and Declamation. With ... George Vandenhoff Visualização integral - 1847 |
The Art of Elocution; Or Logical and Musical Reading and Declamation: With ... George Vandenhoff Pré-visualização indisponível - 2018 |
Palavras e frases frequentes
accented Adrastus antithesis arms articulation beauty blood breath Brutus Cæsar Cassius character Christian close common compound inflections dark death delivery diphthongal distinct doth ducats earth elementary sounds emphasis of force emphasis of sense EXAMPLES exercise expression falling inflection feeling gesture give Godfrey of Bouillon grace hand Harfleur hath heard heart heaven Helon high pitch honor hope human voice Intonation king language legato light live Lochinvar Lord marked MEDON melody ment mercy middle pause middle pitch mind nature Netherby never noble o'er orator passage passion perfect practice presto pronominal phrase prose prosodial reading rest rhythm rising inflection Roche Rome rules sentence Shylock simple solemn soul speak speaker speech spirit style swelling syllables system of Elocution thee thought tion tone tonic sound utterance Vandenhoff's Venice verse voice vowel weep word
Passagens conhecidas
Página 283 - When thou art gone, the solemn brood of care Plod on, and each one as before will chase His favorite phantom; yet all these shall leave Their mirth and their employments, and shall come And make their bed with thee.
Página 334 - You have done that you should be sorry for. There is no terror, Cassius, in your threats, For I am arm'd so strong in honesty That they pass by me as the idle wind, Which I respect not.
Página 185 - Ye elves of hills, brooks, standing lakes, and groves ; * And ye that on the sands with printless foot Do chase the ebbing Neptune, and do fly him, When he comes back...
Página 353 - With a bare bodkin ? who would fardels bear, To grunt and sweat under a weary life, But that the dread of something after death, The undiscover'd country from whose bourn No traveller returns, puzzles the will And makes us rather bear those ills we have Than fly to others that we know not of ? Thus conscience does make cowards of us all...
Página 358 - The quality of mercy is not strain'd, It droppeth as the gentle rain from heaven Upon the place beneath; it is twice bless'd; It blesseth him that gives and him that takes...
Página 321 - O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers ! Thou art the ruins of the noblest man That ever lived in the tide of times.
Página 337 - When that the poor have cried, Caesar hath wept; Ambition should be made of sterner stuff: Yet Brutus says he was ambitious, And Brutus is an honorable man. You all did see that on the Lupercal I thrice presented him a kingly crown, Which he did thrice refuse.
Página 338 - tis his will : Let but the commons hear this testament, (Which, pardon me, I do not mean to read) And they would go and kiss dead Caesar's wounds, And dip their napkins in his sacred blood ; Yea, beg a hair of him for memory, And, dying, mention it within their wills, Bequeathing it, as a rich legacy, Unto their issue.
Página 288 - River where ford there was none; But, ere he alighted at Nethe'rby gate, The bride had consented, the gallant came late: For. a laggard in love and a dastard in war Was to wed the fair Ellen of brave Lochinvar.
Página 288 - O, young Lochinvar is come out of the west, Through all the wide Border his steed was the best ; And save his good broad-sword he weapon had none, He rode all unarmed, and he rode all alone. So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar.