Narrative and Meaning in Early Modern England: Browne's Skull and Other HistoriesCambridge University Press, 11/09/1997 - 229 páginas Howard Marchitello's 1997 study of narrative techniques in Renaissance discourse analyses imaginative conjunctions of literary texts, such as those by Shakespeare and Browne, with developments in scientific and technical writing. In Narrative and Meaning in Early Modern England he explores the relationship between a range of early modern discourses, such as cartography, anatomy and travel writing, and the developing sense of the importance of narrative in producing meaning. Narrative was used in the Renaissance as both a mode of discourse and an epistemology; it not only produced knowledge, it also dictated how that knowledge should be understood. Marchitello uses a wide range of cultural documents to illustrate the importance of narrative in constructing the Renaissance understanding of time and identity. By highlighting the inherent textual element in imaginative and scientific discourses, his study also evaluates a range of contemporary critical practices and explores their relation to narrative and the production of meaning. |
Índice
anatomy gender | 10 |
writing | 39 |
the production of cartography in early | 63 |
historicism and the story of | 92 |
Brownes skull | 124 |
Notes | 189 |
219 | |
Outras edições - Ver tudo
Narrative and Meaning in Early Modern England: Browne's Skull and Other ... Howard Marchitello Pré-visualização limitada - 1997 |
Narrative and Meaning in Early Modern England: Browne's Skull and Other ... Howard Marchitello Pré-visualização limitada - 1997 |
Narrative and Meaning in Early Modern England: Browne's Skull and Other ... Howard Marchitello Pré-visualização indisponível - 2007 |
Palavras e frases frequentes
Acromegaly anatomy anecdote appear argues artifaction attempt becomes begins believe body brain Browne's cartography cast chapter character claims concern Conquest course criticism cultural death depends desire discourse Discovery discussion early modern effect emergence England English entirely epistemology evidence example exists fact faith figure finally Hamlet hand human identifies imagined important instance interest interpretation Keith knowledge less letter maps marks material matter meaning Merchant narrational narrative nature notion object offers opening Othello particular perhaps plate play political portrait position possession possible practices precisely present Press production question reading relation remains Renaissance represent representation scientific sense serves sexuality Shakespeare shape significant Sir Thomas Browne skull speak stands story suggests takes tell textual theory things Tildesley tion traditional true truth turn understanding University Vesalius Wilson writing
Referências a este livro
Science, Literature and Rhetoric in Early Modern England Juliet Cummins,David Burchell Pré-visualização limitada - 2007 |