Studies of Shakspere: Forming a Companion Volume to Every Edition of the TextC. Knight, 1849 - 560 páginas |
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... Period Sir John Oldcastle , Part I. Thomas Lord Cromwell II . III . IV . King Edward III . V. The Merry Devil of Edmonton I. As You Like It TI . Twelfth Night III . Measure for Measure IV . Hamlet . -V . Othello . VI . King Lear VII ...
... Period Sir John Oldcastle , Part I. Thomas Lord Cromwell II . III . IV . King Edward III . V. The Merry Devil of Edmonton I. As You Like It TI . Twelfth Night III . Measure for Measure IV . Hamlet . -V . Othello . VI . King Lear VII ...
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... period of his meridian splendour ; it will show , in like manner , the glory of his mature day , and the sober lustre of his evening . In each of these periods the characters and productions of his dramatic contemporaries will be ...
... period of his meridian splendour ; it will show , in like manner , the glory of his mature day , and the sober lustre of his evening . In each of these periods the characters and productions of his dramatic contemporaries will be ...
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... period when the king's laws were delivered in the language of the Conqueror , that he speaks in French . This circumstance would carry * This very curious pageant , essentially different from the same portion of Scripture - history in ...
... period when the king's laws were delivered in the language of the Conqueror , that he speaks in French . This circumstance would carry * This very curious pageant , essentially different from the same portion of Scripture - history in ...
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... period when classical histories , romantic legends , and comedies of intrigue , attracted numerous audiences both in the capital and the provinces . At the period which immediately preceded the true drama there was a fierce controversy ...
... period when classical histories , romantic legends , and comedies of intrigue , attracted numerous audiences both in the capital and the provinces . At the period which immediately preceded the true drama there was a fierce controversy ...
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... period of the stage , when the actors chiefly depended upon the large sup- port of the public , instead of receiving the wages of noblemen , however wealthy and powerful , the connection of a company of players with a great personage ...
... period of the stage , when the actors chiefly depended upon the large sup- port of the public , instead of receiving the wages of noblemen , however wealthy and powerful , the connection of a company of players with a great personage ...
Outras edições - Ver tudo
Studies of Shakspere: Forming a Companion Volume to Every Edition of the Text Charles Knight Visualização integral - 1849 |
Studies of Shakspere: Forming a Companion Volume to the National Edition of ... Charles Knight Visualização integral - 1851 |
Studies of Shakspere: Forming a Companion Volume to Every Edition of the Text Charles Knight Visualização integral - 1849 |
Palavras e frases frequentes
action amongst appears Arden audience beauty believe belongs Cæsar called character Comedy of Errors copy criticism death doth doubt drama dramatist Duke edition exhibited eyes Falstaff father fear folio fool gentle Gentlemen of Verona give Hamlet hath heart Henry IV Henry of Monmouth honour John Jonson Julius Cæsar labour lady Lear lines live Locrine look lord Love's Love's Labour's Lost Macbeth Malone master mind Mosbie nature never night noble Noble Kinsmen opinion original passage passion period Plautus play players poet poet's poetical poetry Prince principle printed produced quarto Queen racter Richard Richard II Romeo and Juliet says scarcely scene Shak Shakspere Shakspere's Shrew Sonnets speak speech spere spirit stage Steevens story sweet Tamburlaine Taming tell thee thing thou thought Timon tion Titus Andronicus tragedy truth unto verse words writer written
Passagens conhecidas
Página 483 - Poor soul, the centre of my sinful earth, Fool'd by these rebel powers that thee array, Why dost thou pine within, and suffer dearth, Painting thy outward walls so costly gay ? Why so large cost, having so short a lease, Dost thou upon thy fading mansion spend ? Shall worms, inheritors of this excess, Eat up thy charge ? Is this thy body's end ? Then, soul, live thou upon thy servant's loss, And let that pine to aggravate thy store ; Buy terms divine in selling hours of dross ; Within be fed, without...
Página 499 - That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruin'd choirs, where late the sweet birds sang. In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest.
Página 203 - Grief fills the room up of my absent child, Lies in his bed, walks up and down with me ; Puts on his pretty looks, repeats his words, Remembers me of all his gracious parts, Stuffs out his vacant garments with his form ; Then, have I reason to be fond of grief.
Página 58 - Nor the dejected haviour of the visage, Together with all forms, modes, shows of grief, That can denote me truly: These, indeed, seem, For they are actions that a man might play : But I have that within, which passeth show; These, but the trappings and the suits of woe.
Página 496 - ... vilest worms to dwell : Nay, if you read this line, remember not The hand that writ it; for I love you so That I in your sweet thoughts would be forgot If thinking on me then should make you woe. O, if, I say, you look upon this verse When I perhaps compounded am with clay, Do not so much as my poor name rehearse, But let your love even with my life decay, Lest the wise world should look into your moan And mock you with me after I am gone.
Página 453 - Yet must I not give Nature all ; thy art, My gentle Shakespeare, must enjoy a part. For though the poet's matter nature be, His art doth give the fashion ; and, that he Who casts to write a living line, must sweat (Such as thine are) and strike the second heat Upon the Muses...
Página 452 - I behold like a Spanish great galleon and an English man-of-war. Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Página 307 - Tis but an hour ago since it was nine, And after one hour more 'twill be eleven ; And so, from hour to hour, we ripe and ripe, And then, from hour to hour, we rot and rot ; And thereby hangs a tale.
Página 306 - Invest me in my motley ; give me leave To speak my mind, and I will through and through Cleanse the foul body of the infected world, If they will patiently receive my medicine.
Página 493 - gainst his glory fight, And Time that gave doth now his gift confound. Time doth transfix the flourish set on youth And delves the parallels in beauty's brow, Feeds on the rarities of nature's truth, And nothing stands but for his scythe to mow; And yet to times in hope my verse shall stand, Praising thy worth, despite his cruel hand.